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DTSTART;TZID=America/New_York:20221215T183000
DTEND;TZID=America/New_York:20221215T213000
DTSTAMP:20221215T194720Z
CREATED:20221117T161249Z
LAST-MODIFIED:20221215T194720Z
UID:10001806-1671129000-1671139800@theactorscenter.org
SUMMARY:Erica Jensen: On-Camera Audition Lab (12/1-12/15)
DESCRIPTION:[vc_row][vc_column][vc_column_text el_class=”home_quote_name”] \nIn-Person Workshop\n[/vc_column_text][vc_column_text] \nErica Jensen: On-Camera Audition Lab\n3-Week Workshop\n[/vc_column_text][/vc_column][/vc_row][vc_row][vc_column width=”2/3″][vc_column_text] \nDates & Times\n[/vc_column_text][vc_column_text]Thursday\, December 1\, 2022 – 6:30pm-9:30pm\nThursday\, December 8\, 2022 – 6:30pm-9:30pm\nThursday\, December 15\, 2022 – 6:30pm-9:30pm (Postponed) \nActors Theatre Workshop\, 145 W 28th St\, 3rd Floor \nThis workshop will take place in person.\nAll company members are invited to attend.[/vc_column_text][vc_empty_space height=”20px”][vc_column_text] \nAbout the Workshop\n[/vc_column_text][vc_column_text] \nCasting director and teacher Erica Jensen joins The Actors Center for the first time for a three week On-Camera Audition Lab. Over a series of Thursday evenings\, Erica will help you refine your audition skills\, explore tools and approaches for self taping\, and lead conversation about the current industry and casting landscape. Erica will work with 5 participants each week on audition sides of your choice\, providing feedback and coaching to address obstacles you may be facing in your audition work\, and to support greater agency and individual creative freedom. Sessions meet 6:30pm-9:30pm and take place in person. \n[/vc_column_text][vc_empty_space height=”20px”][vc_column_text] \nCOVID-19 Safety Policies\n[/vc_column_text][vc_column_text]For this workshop: \n\nPartial Masking: All observers must wear N95/KN95 masks\nOnly working participants and teacher will be unmasked\nPortable HEPA/equivalent air purifiers provided in the space\n\n[/vc_column_text][vc_empty_space height=”20px”][vc_column_text] \nAbout Erica Jensen\n[/vc_column_text][vc_column_text]Erica is one third of the Artios-Award winning team of Calleri Jensen Davis where she has worked steadily as a casting director in film\, television and theater for over 20 years. \nIn addition to her work in casting\, Erica is a professor of practice at Syracuse University and the director of the Tepper Semester program\, the Department of Drama’s New York City immersion program. She is also the founder of the She-Collective\, a creative safe space for women\, female identifying\, and non-binary artists that endeavors to connect and aid actors\, writers\, producers\, directors\, and creators from underrepresented and diverse backgrounds. \nErica previously taught for both the New School and the Tepper Semester\, served as an industry mentor at Brown University/Trinity Rep\, and is a proud member of the Casting Society of America. She holds an MFA in Acting from Illinois State University and was named American Theater magazine’s Top Theater Workers you should know in 2017.[/vc_column_text][/vc_column][vc_column width=”1/3″][vc_column_text] \nRegister Now\n[/vc_column_text][vc_empty_space height=”20px”][vc_column_text] \nParticipants\nEnrollment is limited to 5 working participants each week. All company members are invited to attend and observe sessions.[/vc_column_text][vc_column_text el_class=”participant_list”][/vc_column_text][/vc_column][/vc_row][vc_row][vc_column width=”2/3″][vc_column_text] \nComments/Queries\n[/vc_column_text][tommusrhodus_visual_composer_comments][/vc_column][vc_column width=”1/3″][/vc_column][/vc_row]
URL:https://theactorscenter.org/event/erica-jensen-on-camera-audition-lab/2022-12-15/
LOCATION:Actors Theatre Workshop\, 145 West 28th Street\, 3rd Floor\, New York\, NY\, 10001\, United States
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20221214T150000
DTEND;TZID=America/New_York:20221214T180000
DTSTAMP:20221201T140328Z
CREATED:20221023T203830Z
LAST-MODIFIED:20221201T140328Z
UID:10001796-1671030000-1671040800@theactorscenter.org
SUMMARY:Ron Daniels: The Soliloquy
DESCRIPTION:[vc_row][vc_column][vc_column_text el_class=”blue_headline”] \nZoom Workshop\n[/vc_column_text][vc_column_text] \nRon Daniels: The Soliloquy\n5 Week Workshop\n[/vc_column_text][/vc_column][/vc_row][vc_row][vc_column width=”2/3″][vc_column_text] \nDates & Times\n[/vc_column_text][vc_column_text]Wednesday\, November 9\, 2022 – 3:00pm-6:00pm ET\nWednesday\, November 16\, 2022– 3:00pm-6:00pm ET\n– Break for Thanksgiving\, No Session –\nWednesday\, November 30\, 2022 – (Cancelled)\nWednesday\, December 7\, 2022– 3:00pm-6:00pm ET\nWednesday\, December 14\, 2022– 3:00pm-6:00pm ET\nWednesday\, December 21\, 2022– 3:00pm-6:00pm ET (Added) \nThis workshop will take place on Zoom.\nAll company members are invited to observe.[/vc_column_text][vc_empty_space height=”20px”][vc_column_text] \nAbout the Workshop\n[/vc_column_text][vc_column_text] \nAcclaimed international director\, teacher\, and Honorary Associate Director of the RSC\, Ron Daniels\, returns to The Actors Center for a series of five Wednesday afternoons devoted to Shakespeare’s soliloquies. In a collaborative workshop format\, each taking turns with the text\, we’ll explore moments where both the character and the actor find themselves in a unique situation: alone on stage with nobody but the audience. \nThese are moments when the narrative of the play is suspended and a character confides his or her innermost thoughts with the audience and simply tells the truth\, without equivocation. But who is “the audience”? And is the identity of the audience always the same or does it change for different characters and under different circumstances? And above all\, if the character is truly engaging with the audience\, should we not rather think of these moments as imaginary dialogues between actor and audience instead of as lonely soliloquies? \nFar from the rush and tumble of the rehearsal room floor and the need to quickly find results\, Ron will gently guide participants through unraveling a series of soliloquies\, not from an academic\, but from an actor’s point of view\, inviting greater awareness of moments of possibility and discovery\, enhancing the richness of text\, and in service of the actor’s ability to inhabit Shakespeare’s language and make it truly your own. \n[/vc_column_text][vc_empty_space height=”20px”][vc_column_text] \nAbout Ron Daniels\n[/vc_column_text][vc_column_text] \nRon Daniels is an Honorary Associate Director of the Royal Shakespeare Company\, a distinction he received after fifteen years directing many RSC productions and serving as Artistic Director of RSC’s The Other Place Theatre. His work with RSC has included two productions of Hamlet (one with Roger Rees and one with Mark Rylance)\, The Tempest (with Derek Jacobi and Mark Rylance)\, A Midsummer Night’s Dream\, Julius Caesar\, Timon of Athens\, Pericles\, Romeo and Juliet\, Much Ado about Nothing\, Richard II and Henry V along with plays by Stephen Poliakoff\, David Rudkin\, David Edgar and Naomi Wallace\, including Anthony Burgess’ A Clockwork Orange. \nBefore moving to England\, he began his career in his native Brazil\, where he has since directed numerous Portuguese productions\, including his co-translations of King Lear\, Hamlet\, Macbeth\, and Measure for Measure\, as well as Colm Tóibín’s The Testament of Mary. In the United States\, Ron is a former Associate Artistic Director of the American Repertory Theatre where he directed numerous productions and has also directed productions for Theatre for a New Audience\, Public Theater\, Guthrie Theater\, Old Globe\, and Shakespeare Theatre Company. \nHis extensive credits in opera and musical theatre include productions with Houston Grand Opera\, San Francisco Opera\, Washington National Opera\, LA Opera\, English National Opera\, Santa Fe Opera\, Cincinnati Opera\, Seattle Opera\, and Opera Theatre of St. Louis\, among others\, as well as the critically acclaimed world premiere of Daniel Catán’s Il Postino at the LA Opera in 2010\, with Plácido Domingo in the role of Pablo Neruda\, which was revived internationally in Vienna\, Paris\, Mexico City\, and Santiago\, Chile. \n[/vc_column_text][/vc_column][vc_column width=”1/3″][vc_column_text] \nRegister Now\n[/vc_column_text][vc_empty_space height=”20px”][vc_column_text] \nParticipants\nEnrollment is limited to 14 actors. Participants are asked to be able to attend most sessions\, while limited conflicts can be accommodated.[/vc_column_text][vc_column_text el_class=”participant_list”][/vc_column_text][/vc_column][/vc_row][vc_row][vc_column width=”2/3″][vc_column_text] \nComments/Queries\n[/vc_column_text][tommusrhodus_visual_composer_comments][/vc_column][vc_column width=”1/3″][/vc_column][/vc_row]
URL:https://theactorscenter.org/event/ron-daniels-the-soliloquy/2022-12-14/
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20221210T110000
DTEND;TZID=America/New_York:20221210T163000
DTSTAMP:20221201T140356Z
CREATED:20221118T182247Z
LAST-MODIFIED:20221201T140356Z
UID:10001807-1670670000-1670689800@theactorscenter.org
SUMMARY:Kevin Isola: Clown (12/10 & 12/11)
DESCRIPTION:[vc_row][vc_column][vc_column_text el_class=”home_quote_name”] \nIn-Person Workshop\n[/vc_column_text][vc_column_text] \nKevin Isola: Clown\nWeekend Workshop\n[/vc_column_text][/vc_column][/vc_row][vc_row][vc_column width=”2/3″][vc_column_text] \nDates & Times\n[/vc_column_text][vc_column_text]Saturday\, December 10\, 2022 – 11:00am-4:30pm\nSunday\, December 11\, 2022 – 11:00am-4:30pm \nPearl Studios\, 500 8th Avenue\, 3rd Floor \nThis workshop will take place in person.\nWe are unable to accommodate observers for this workshop.[/vc_column_text][vc_empty_space height=”20px”][vc_column_text] \nAbout the Workshop\n[/vc_column_text][vc_column_text] \nActor\, teacher\, and NYU Grad Acting faculty\, Kevin Isola\, returns to The Actors Center for a weekend workshop\, December 10th and 11th\, diving into the world of the clown. Come tap into your sense of joy and invite the assumption of your own brilliance to be a guiding force in your work. We’ll demystify and befriend the concept of failure\, so that risk\, surprise\, fearlessness\, and delight can become the backbone of your artistry. Sessions run Saturday and Sunday\, 11am-4:30pm with a lunch break. \n[/vc_column_text][vc_empty_space height=”20px”][vc_column_text] \nCOVID-19 Safety Policies\n[/vc_column_text][vc_column_text]For this workshop: \n\nAt-home rapid covid test required before each session\nMasks optional\nDaily health screening questionnaire\nLarge studio\nWindows and portable HEPA/equivalent air purifiers\n\n[/vc_column_text][vc_empty_space height=”20px”][vc_column_text] \nAbout Kevin Isola\n[/vc_column_text][vc_column_text]Kevin Isola has been on the faculty of NYU’s Graduate Acting Program for the past 13 years where he teaches Shakespeare’s Clowns in the first year and Advanced Theatre Clowning Techniques in the third year. Additionally\, he’s been invited to teach at The Actors Center\, Fordham University\, Wagner College\, Muhlenberg College\, Red Bull Theatre\, Shakespeare Theatre of New Jersey\, and The 52nd Street Project. \nKevin is a professional actor who for the past twenty seven years has performed in most every facet of the entertainment industry. From Broadway and Off-Broadway to regional theatre. From Lincoln Center to Shakespeare in the Park\, Manhattan Theatre Club to Signature. Yale Rep to The Old Globe\, The Guthrie to South Coast Rep. He has worked on everything from major studio films to small independents\, streaming services to network shows. \nHe also co-created the clown show The New Bozena with Rainn Wilson (The Office)\, David Costabile (Billions\, Lincoln)\, and Michael Dahlen (Blue Man Group) which ran for five months Off-Broadway\, continued regionally\, and sold to Twentieth Century Fox.[/vc_column_text][/vc_column][vc_column width=”1/3″][vc_column_text] \nRegister Now\n[/vc_column_text][vc_empty_space height=”20px”][vc_column_text] \nParticipants\nEnrollment is limited to 16 actors. Participants are asked to be able to attend both sessions.[/vc_column_text][vc_column_text el_class=”participant_list”][/vc_column_text][/vc_column][/vc_row][vc_row][vc_column width=”2/3″][vc_column_text] \nComments/Queries\n[/vc_column_text][tommusrhodus_visual_composer_comments][/vc_column][vc_column width=”1/3″][/vc_column][/vc_row]
URL:https://theactorscenter.org/event/kevin-isola-clown-fall2022/2022-12-10/
LOCATION:Pearl Studios (500)\, 500 Eighth Avenue\, New York\, NY\, 10018\, United States
GEO:40.7529737;-73.9925333
X-APPLE-STRUCTURED-LOCATION;VALUE=URI;X-ADDRESS=Pearl Studios (500) 500 Eighth Avenue New York NY 10018 United States;X-APPLE-RADIUS=500;X-TITLE=500 Eighth Avenue:geo:-73.9925333,40.7529737
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20221209T090000
DTEND;TZID=America/New_York:20221209T110000
DTSTAMP:20221208T173152Z
CREATED:20221208T172256Z
LAST-MODIFIED:20221208T173152Z
UID:10001813-1670576400-1670583600@theactorscenter.org
SUMMARY:CoLab: Study Hall\, Writing Space
DESCRIPTION:[vc_row][vc_column][vc_column_text el_class=”green_headline”] \nCompany CoLab\n[/vc_column_text][vc_column_text] \nSTUDY HALL: A Weekly Writing Space\nFriday Mornings on Zoom\n[/vc_column_text][/vc_column][/vc_row][vc_row][vc_column width=”2/3″][vc_column_text] \nUpcoming Dates & Times\n[/vc_column_text][vc_column_text]Friday\, December 9\, 2022 – 9:00am-11:00am ET\nFriday\, December 16\, 2022 – 9:00am-11:00am ET\nFriday\, December 23\, 2022 – 9:00am-11:00am ET \nHosted in December by Rebecca Harris\nTwo Hours Each Week on Zoom\, Dedicated to Showing Up and Writing[/vc_column_text][vc_empty_space height=”20px”][vc_column_text] \nAbout the Event\n[/vc_column_text][vc_column_text]Last year\, Heidi Armbruster helped us launch a once-a-week informal gathering for company members to work on writing projects you might have in development\, called Study Hall. \nThe idea is to support each other in making progress with our work by providing consistent time\, space\, and community\, to use as you see fit. \nWe are launching a reboot of Study Hall and want to welcome any company members who would like to join! \nFor now\, we will meet Friday mornings on Zoom from 9:00am until 11:00am. We’ll do a quick (optional) check in at the beginning. You can feel free to share an intention for the time (or not.) And then work\, cameras on or off. We’ll reconvene around 10:50am to report back or check out. Again\, that’s optional. \nCome and go as you wish. Feel free to use the time and accountability in the way that best serves your artistic purposes. \nSessions this month will take place December 9\, 16\, and 23. RSVP below for the Zoom link and join us. \nPlease also be on the lookout for other writing based activities\, including in person groups\, coming in the new year.[/vc_column_text][vc_empty_space height=”20px”][vc_column_text] \nAbout Company CoLabs\n[/vc_column_text][vc_column_text]Company CoLabs is a series at The Actors Center that offers a framework for collaborative explorations and community programming among company members. Company members host or facilitate projects—play reading groups\, explorations of new material or approaches\, writing labs\, devising work\, field trips\, retreats—in short\, anything inspiring to explore among peers. CoLabs offer creative outlets to explore work you might not otherwise have the opportunity for\, while continuing to share resources and deepen connections among our Actors Center community.[/vc_column_text][vc_empty_space height=”20px”][/vc_column][vc_column width=”1/3″][vc_column_text] \nRSVP to Attend\n[/vc_column_text][vc_empty_space height=”20px”][/vc_column][/vc_row][vc_row][vc_column width=”2/3″][vc_column_text] \nComments/Queries\n[/vc_column_text][tommusrhodus_visual_composer_comments][/vc_column][vc_column width=”1/3″][/vc_column][/vc_row][vc_row][vc_column][vc_column_text] \n[/vc_column_text][/vc_column][/vc_row]
URL:https://theactorscenter.org/event/colab-study-hall-writing-space-fall2022/2022-12-09/
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20221208T183000
DTEND;TZID=America/New_York:20221208T213000
DTSTAMP:20221215T194720Z
CREATED:20221117T161249Z
LAST-MODIFIED:20221215T194720Z
UID:10001805-1670524200-1670535000@theactorscenter.org
SUMMARY:Erica Jensen: On-Camera Audition Lab (12/1-12/15)
DESCRIPTION:[vc_row][vc_column][vc_column_text el_class=”home_quote_name”] \nIn-Person Workshop\n[/vc_column_text][vc_column_text] \nErica Jensen: On-Camera Audition Lab\n3-Week Workshop\n[/vc_column_text][/vc_column][/vc_row][vc_row][vc_column width=”2/3″][vc_column_text] \nDates & Times\n[/vc_column_text][vc_column_text]Thursday\, December 1\, 2022 – 6:30pm-9:30pm\nThursday\, December 8\, 2022 – 6:30pm-9:30pm\nThursday\, December 15\, 2022 – 6:30pm-9:30pm (Postponed) \nActors Theatre Workshop\, 145 W 28th St\, 3rd Floor \nThis workshop will take place in person.\nAll company members are invited to attend.[/vc_column_text][vc_empty_space height=”20px”][vc_column_text] \nAbout the Workshop\n[/vc_column_text][vc_column_text] \nCasting director and teacher Erica Jensen joins The Actors Center for the first time for a three week On-Camera Audition Lab. Over a series of Thursday evenings\, Erica will help you refine your audition skills\, explore tools and approaches for self taping\, and lead conversation about the current industry and casting landscape. Erica will work with 5 participants each week on audition sides of your choice\, providing feedback and coaching to address obstacles you may be facing in your audition work\, and to support greater agency and individual creative freedom. Sessions meet 6:30pm-9:30pm and take place in person. \n[/vc_column_text][vc_empty_space height=”20px”][vc_column_text] \nCOVID-19 Safety Policies\n[/vc_column_text][vc_column_text]For this workshop: \n\nPartial Masking: All observers must wear N95/KN95 masks\nOnly working participants and teacher will be unmasked\nPortable HEPA/equivalent air purifiers provided in the space\n\n[/vc_column_text][vc_empty_space height=”20px”][vc_column_text] \nAbout Erica Jensen\n[/vc_column_text][vc_column_text]Erica is one third of the Artios-Award winning team of Calleri Jensen Davis where she has worked steadily as a casting director in film\, television and theater for over 20 years. \nIn addition to her work in casting\, Erica is a professor of practice at Syracuse University and the director of the Tepper Semester program\, the Department of Drama’s New York City immersion program. She is also the founder of the She-Collective\, a creative safe space for women\, female identifying\, and non-binary artists that endeavors to connect and aid actors\, writers\, producers\, directors\, and creators from underrepresented and diverse backgrounds. \nErica previously taught for both the New School and the Tepper Semester\, served as an industry mentor at Brown University/Trinity Rep\, and is a proud member of the Casting Society of America. She holds an MFA in Acting from Illinois State University and was named American Theater magazine’s Top Theater Workers you should know in 2017.[/vc_column_text][/vc_column][vc_column width=”1/3″][vc_column_text] \nRegister Now\n[/vc_column_text][vc_empty_space height=”20px”][vc_column_text] \nParticipants\nEnrollment is limited to 5 working participants each week. All company members are invited to attend and observe sessions.[/vc_column_text][vc_column_text el_class=”participant_list”][/vc_column_text][/vc_column][/vc_row][vc_row][vc_column width=”2/3″][vc_column_text] \nComments/Queries\n[/vc_column_text][tommusrhodus_visual_composer_comments][/vc_column][vc_column width=”1/3″][/vc_column][/vc_row]
URL:https://theactorscenter.org/event/erica-jensen-on-camera-audition-lab/2022-12-08/
LOCATION:Actors Theatre Workshop\, 145 West 28th Street\, 3rd Floor\, New York\, NY\, 10001\, United States
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20221207T150000
DTEND;TZID=America/New_York:20221207T180000
DTSTAMP:20221201T140328Z
CREATED:20221023T203830Z
LAST-MODIFIED:20221201T140328Z
UID:10001795-1670425200-1670436000@theactorscenter.org
SUMMARY:Ron Daniels: The Soliloquy
DESCRIPTION:[vc_row][vc_column][vc_column_text el_class=”blue_headline”] \nZoom Workshop\n[/vc_column_text][vc_column_text] \nRon Daniels: The Soliloquy\n5 Week Workshop\n[/vc_column_text][/vc_column][/vc_row][vc_row][vc_column width=”2/3″][vc_column_text] \nDates & Times\n[/vc_column_text][vc_column_text]Wednesday\, November 9\, 2022 – 3:00pm-6:00pm ET\nWednesday\, November 16\, 2022– 3:00pm-6:00pm ET\n– Break for Thanksgiving\, No Session –\nWednesday\, November 30\, 2022 – (Cancelled)\nWednesday\, December 7\, 2022– 3:00pm-6:00pm ET\nWednesday\, December 14\, 2022– 3:00pm-6:00pm ET\nWednesday\, December 21\, 2022– 3:00pm-6:00pm ET (Added) \nThis workshop will take place on Zoom.\nAll company members are invited to observe.[/vc_column_text][vc_empty_space height=”20px”][vc_column_text] \nAbout the Workshop\n[/vc_column_text][vc_column_text] \nAcclaimed international director\, teacher\, and Honorary Associate Director of the RSC\, Ron Daniels\, returns to The Actors Center for a series of five Wednesday afternoons devoted to Shakespeare’s soliloquies. In a collaborative workshop format\, each taking turns with the text\, we’ll explore moments where both the character and the actor find themselves in a unique situation: alone on stage with nobody but the audience. \nThese are moments when the narrative of the play is suspended and a character confides his or her innermost thoughts with the audience and simply tells the truth\, without equivocation. But who is “the audience”? And is the identity of the audience always the same or does it change for different characters and under different circumstances? And above all\, if the character is truly engaging with the audience\, should we not rather think of these moments as imaginary dialogues between actor and audience instead of as lonely soliloquies? \nFar from the rush and tumble of the rehearsal room floor and the need to quickly find results\, Ron will gently guide participants through unraveling a series of soliloquies\, not from an academic\, but from an actor’s point of view\, inviting greater awareness of moments of possibility and discovery\, enhancing the richness of text\, and in service of the actor’s ability to inhabit Shakespeare’s language and make it truly your own. \n[/vc_column_text][vc_empty_space height=”20px”][vc_column_text] \nAbout Ron Daniels\n[/vc_column_text][vc_column_text] \nRon Daniels is an Honorary Associate Director of the Royal Shakespeare Company\, a distinction he received after fifteen years directing many RSC productions and serving as Artistic Director of RSC’s The Other Place Theatre. His work with RSC has included two productions of Hamlet (one with Roger Rees and one with Mark Rylance)\, The Tempest (with Derek Jacobi and Mark Rylance)\, A Midsummer Night’s Dream\, Julius Caesar\, Timon of Athens\, Pericles\, Romeo and Juliet\, Much Ado about Nothing\, Richard II and Henry V along with plays by Stephen Poliakoff\, David Rudkin\, David Edgar and Naomi Wallace\, including Anthony Burgess’ A Clockwork Orange. \nBefore moving to England\, he began his career in his native Brazil\, where he has since directed numerous Portuguese productions\, including his co-translations of King Lear\, Hamlet\, Macbeth\, and Measure for Measure\, as well as Colm Tóibín’s The Testament of Mary. In the United States\, Ron is a former Associate Artistic Director of the American Repertory Theatre where he directed numerous productions and has also directed productions for Theatre for a New Audience\, Public Theater\, Guthrie Theater\, Old Globe\, and Shakespeare Theatre Company. \nHis extensive credits in opera and musical theatre include productions with Houston Grand Opera\, San Francisco Opera\, Washington National Opera\, LA Opera\, English National Opera\, Santa Fe Opera\, Cincinnati Opera\, Seattle Opera\, and Opera Theatre of St. Louis\, among others\, as well as the critically acclaimed world premiere of Daniel Catán’s Il Postino at the LA Opera in 2010\, with Plácido Domingo in the role of Pablo Neruda\, which was revived internationally in Vienna\, Paris\, Mexico City\, and Santiago\, Chile. \n[/vc_column_text][/vc_column][vc_column width=”1/3″][vc_column_text] \nRegister Now\n[/vc_column_text][vc_empty_space height=”20px”][vc_column_text] \nParticipants\nEnrollment is limited to 14 actors. Participants are asked to be able to attend most sessions\, while limited conflicts can be accommodated.[/vc_column_text][vc_column_text el_class=”participant_list”][/vc_column_text][/vc_column][/vc_row][vc_row][vc_column width=”2/3″][vc_column_text] \nComments/Queries\n[/vc_column_text][tommusrhodus_visual_composer_comments][/vc_column][vc_column width=”1/3″][/vc_column][/vc_row]
URL:https://theactorscenter.org/event/ron-daniels-the-soliloquy/2022-12-07/
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20221201T183000
DTEND;TZID=America/New_York:20221201T213000
DTSTAMP:20221215T194720Z
CREATED:20221117T161249Z
LAST-MODIFIED:20221215T194720Z
UID:10001804-1669919400-1669930200@theactorscenter.org
SUMMARY:Erica Jensen: On-Camera Audition Lab (12/1-12/15)
DESCRIPTION:[vc_row][vc_column][vc_column_text el_class=”home_quote_name”] \nIn-Person Workshop\n[/vc_column_text][vc_column_text] \nErica Jensen: On-Camera Audition Lab\n3-Week Workshop\n[/vc_column_text][/vc_column][/vc_row][vc_row][vc_column width=”2/3″][vc_column_text] \nDates & Times\n[/vc_column_text][vc_column_text]Thursday\, December 1\, 2022 – 6:30pm-9:30pm\nThursday\, December 8\, 2022 – 6:30pm-9:30pm\nThursday\, December 15\, 2022 – 6:30pm-9:30pm (Postponed) \nActors Theatre Workshop\, 145 W 28th St\, 3rd Floor \nThis workshop will take place in person.\nAll company members are invited to attend.[/vc_column_text][vc_empty_space height=”20px”][vc_column_text] \nAbout the Workshop\n[/vc_column_text][vc_column_text] \nCasting director and teacher Erica Jensen joins The Actors Center for the first time for a three week On-Camera Audition Lab. Over a series of Thursday evenings\, Erica will help you refine your audition skills\, explore tools and approaches for self taping\, and lead conversation about the current industry and casting landscape. Erica will work with 5 participants each week on audition sides of your choice\, providing feedback and coaching to address obstacles you may be facing in your audition work\, and to support greater agency and individual creative freedom. Sessions meet 6:30pm-9:30pm and take place in person. \n[/vc_column_text][vc_empty_space height=”20px”][vc_column_text] \nCOVID-19 Safety Policies\n[/vc_column_text][vc_column_text]For this workshop: \n\nPartial Masking: All observers must wear N95/KN95 masks\nOnly working participants and teacher will be unmasked\nPortable HEPA/equivalent air purifiers provided in the space\n\n[/vc_column_text][vc_empty_space height=”20px”][vc_column_text] \nAbout Erica Jensen\n[/vc_column_text][vc_column_text]Erica is one third of the Artios-Award winning team of Calleri Jensen Davis where she has worked steadily as a casting director in film\, television and theater for over 20 years. \nIn addition to her work in casting\, Erica is a professor of practice at Syracuse University and the director of the Tepper Semester program\, the Department of Drama’s New York City immersion program. She is also the founder of the She-Collective\, a creative safe space for women\, female identifying\, and non-binary artists that endeavors to connect and aid actors\, writers\, producers\, directors\, and creators from underrepresented and diverse backgrounds. \nErica previously taught for both the New School and the Tepper Semester\, served as an industry mentor at Brown University/Trinity Rep\, and is a proud member of the Casting Society of America. She holds an MFA in Acting from Illinois State University and was named American Theater magazine’s Top Theater Workers you should know in 2017.[/vc_column_text][/vc_column][vc_column width=”1/3″][vc_column_text] \nRegister Now\n[/vc_column_text][vc_empty_space height=”20px”][vc_column_text] \nParticipants\nEnrollment is limited to 5 working participants each week. All company members are invited to attend and observe sessions.[/vc_column_text][vc_column_text el_class=”participant_list”][/vc_column_text][/vc_column][/vc_row][vc_row][vc_column width=”2/3″][vc_column_text] \nComments/Queries\n[/vc_column_text][tommusrhodus_visual_composer_comments][/vc_column][vc_column width=”1/3″][/vc_column][/vc_row]
URL:https://theactorscenter.org/event/erica-jensen-on-camera-audition-lab/2022-12-01/
LOCATION:Actors Theatre Workshop\, 145 West 28th Street\, 3rd Floor\, New York\, NY\, 10001\, United States
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20221130T150000
DTEND;TZID=America/New_York:20221130T180000
DTSTAMP:20221201T140328Z
CREATED:20221023T203830Z
LAST-MODIFIED:20221201T140328Z
UID:10001794-1669820400-1669831200@theactorscenter.org
SUMMARY:Ron Daniels: The Soliloquy
DESCRIPTION:[vc_row][vc_column][vc_column_text el_class=”blue_headline”] \nZoom Workshop\n[/vc_column_text][vc_column_text] \nRon Daniels: The Soliloquy\n5 Week Workshop\n[/vc_column_text][/vc_column][/vc_row][vc_row][vc_column width=”2/3″][vc_column_text] \nDates & Times\n[/vc_column_text][vc_column_text]Wednesday\, November 9\, 2022 – 3:00pm-6:00pm ET\nWednesday\, November 16\, 2022– 3:00pm-6:00pm ET\n– Break for Thanksgiving\, No Session –\nWednesday\, November 30\, 2022 – (Cancelled)\nWednesday\, December 7\, 2022– 3:00pm-6:00pm ET\nWednesday\, December 14\, 2022– 3:00pm-6:00pm ET\nWednesday\, December 21\, 2022– 3:00pm-6:00pm ET (Added) \nThis workshop will take place on Zoom.\nAll company members are invited to observe.[/vc_column_text][vc_empty_space height=”20px”][vc_column_text] \nAbout the Workshop\n[/vc_column_text][vc_column_text] \nAcclaimed international director\, teacher\, and Honorary Associate Director of the RSC\, Ron Daniels\, returns to The Actors Center for a series of five Wednesday afternoons devoted to Shakespeare’s soliloquies. In a collaborative workshop format\, each taking turns with the text\, we’ll explore moments where both the character and the actor find themselves in a unique situation: alone on stage with nobody but the audience. \nThese are moments when the narrative of the play is suspended and a character confides his or her innermost thoughts with the audience and simply tells the truth\, without equivocation. But who is “the audience”? And is the identity of the audience always the same or does it change for different characters and under different circumstances? And above all\, if the character is truly engaging with the audience\, should we not rather think of these moments as imaginary dialogues between actor and audience instead of as lonely soliloquies? \nFar from the rush and tumble of the rehearsal room floor and the need to quickly find results\, Ron will gently guide participants through unraveling a series of soliloquies\, not from an academic\, but from an actor’s point of view\, inviting greater awareness of moments of possibility and discovery\, enhancing the richness of text\, and in service of the actor’s ability to inhabit Shakespeare’s language and make it truly your own. \n[/vc_column_text][vc_empty_space height=”20px”][vc_column_text] \nAbout Ron Daniels\n[/vc_column_text][vc_column_text] \nRon Daniels is an Honorary Associate Director of the Royal Shakespeare Company\, a distinction he received after fifteen years directing many RSC productions and serving as Artistic Director of RSC’s The Other Place Theatre. His work with RSC has included two productions of Hamlet (one with Roger Rees and one with Mark Rylance)\, The Tempest (with Derek Jacobi and Mark Rylance)\, A Midsummer Night’s Dream\, Julius Caesar\, Timon of Athens\, Pericles\, Romeo and Juliet\, Much Ado about Nothing\, Richard II and Henry V along with plays by Stephen Poliakoff\, David Rudkin\, David Edgar and Naomi Wallace\, including Anthony Burgess’ A Clockwork Orange. \nBefore moving to England\, he began his career in his native Brazil\, where he has since directed numerous Portuguese productions\, including his co-translations of King Lear\, Hamlet\, Macbeth\, and Measure for Measure\, as well as Colm Tóibín’s The Testament of Mary. In the United States\, Ron is a former Associate Artistic Director of the American Repertory Theatre where he directed numerous productions and has also directed productions for Theatre for a New Audience\, Public Theater\, Guthrie Theater\, Old Globe\, and Shakespeare Theatre Company. \nHis extensive credits in opera and musical theatre include productions with Houston Grand Opera\, San Francisco Opera\, Washington National Opera\, LA Opera\, English National Opera\, Santa Fe Opera\, Cincinnati Opera\, Seattle Opera\, and Opera Theatre of St. Louis\, among others\, as well as the critically acclaimed world premiere of Daniel Catán’s Il Postino at the LA Opera in 2010\, with Plácido Domingo in the role of Pablo Neruda\, which was revived internationally in Vienna\, Paris\, Mexico City\, and Santiago\, Chile. \n[/vc_column_text][/vc_column][vc_column width=”1/3″][vc_column_text] \nRegister Now\n[/vc_column_text][vc_empty_space height=”20px”][vc_column_text] \nParticipants\nEnrollment is limited to 14 actors. Participants are asked to be able to attend most sessions\, while limited conflicts can be accommodated.[/vc_column_text][vc_column_text el_class=”participant_list”][/vc_column_text][/vc_column][/vc_row][vc_row][vc_column width=”2/3″][vc_column_text] \nComments/Queries\n[/vc_column_text][tommusrhodus_visual_composer_comments][/vc_column][vc_column width=”1/3″][/vc_column][/vc_row]
URL:https://theactorscenter.org/event/ron-daniels-the-soliloquy/2022-11-30/
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20221121T143000
DTEND;TZID=America/New_York:20221121T173000
DTSTAMP:20221201T140333Z
CREATED:20221023T204755Z
LAST-MODIFIED:20221201T140333Z
UID:10001800-1669041000-1669051800@theactorscenter.org
SUMMARY:Ken Barnett: Dreamwork for Actors
DESCRIPTION:[vc_row][vc_column][vc_column_text el_class=”home_quote_name”] \nIn-Person Workshop\n[/vc_column_text][vc_column_text] \nKen Barnett: Dreamwork for Actors\n4 Day Workshop\n[/vc_column_text][/vc_column][/vc_row][vc_row][vc_column width=”2/3″][vc_column_text] \nDates & Times\n[/vc_column_text][vc_column_text]Thursday\, November 10\, 2022 – 2:30pm-5:30pm\nMonday\, November 14\, 2022 – 2:30pm-5:30pm\nThursday\, November 17\, 2022 – 2:30pm-5:30pm\nMonday\, November 21\, 2022 – 2:30pm-6:30pm \nLucid Body House\, 230 Lexington Ave (at 34th Street) \nThis workshop will take place in person.\nWe are unable to accommodate observers for this workshop.[/vc_column_text][vc_empty_space height=”20px”][vc_column_text] \nAbout the Workshop\n[/vc_column_text][vc_column_text] \n“The dream is a theater in which the dreamer is himself the scene\, the player\, the prompter\, the author\, the producer\, the public and the critic.”\n— Carl Jung \n[/vc_column_text][vc_column_text]Actor\, teacher\, and company member\, Ken Barnett\, leads a 4-day workshop devoted to Dreamwork for Actors. In this workshop\, participants will be engaging with fresh material from their unconscious as delivered by a dream. This potent material provides the opportunity to drop into our most intimate inner lives. Working physically\, Ken will guide participants in asking the thinking mind to soften in order to invite the truth held in the body to express freely. Discover what is within you that is longing to be expressed in your creative work\, and unveil the unacknowledged patterns of thinking or behavior that are limiting you in your capacity for full expression. \nWhat is standing in your way in your acting? What might you be holding on to that you no longer need? \nBy engaging with one’s own dream material\, the actor learns tools that can then be applied to any script in order to deepen the personal connection to your work. As is true with each dream\, each role becomes a new opportunity to learn\, grow\, and move towards wholeness.[/vc_column_text][vc_empty_space height=”20px”][vc_column_text] \nCOVID-19 Safety Policies\n[/vc_column_text][vc_column_text]For this workshop: \n\nAt-home rapid covid test required before each session\nMasks optional\nDaily health screening questionnaire\nLarge studio\nWindows and portable HEPA/equivalent air purifiers\n\n[/vc_column_text][vc_empty_space height=”20px”][vc_column_text] \nAbout Ken Barnett\n[/vc_column_text][vc_column_text]Ken Barnett is an actor\, acting coach\, and teacher of Dreamwork for Actors. He studied and trained extensively under Kim Gillingham in Los Angeles and has been coaching privately and teaching workshops in New York and LA for over a decade. He has worked with actors and artists of various disciplines as well as with non-practicing artists who are interested in exploring the unconscious. As an actor\, he has worked professionally in New York and Los Angeles for over twenty-five years\, performing on and off Broadway and in TV & film.[/vc_column_text][/vc_column][vc_column width=”1/3″][vc_column_text] \nRegister Now\n[/vc_column_text][vc_empty_space height=”20px”][vc_column_text] \nParticipants\nEnrollment is limited to 12 actors. Participants are asked to be able to attend all four sessions.[/vc_column_text][vc_column_text el_class=”participant_list”][/vc_column_text][/vc_column][/vc_row][vc_row][vc_column width=”2/3″][vc_column_text] \nComments/Queries\n[/vc_column_text][tommusrhodus_visual_composer_comments][/vc_column][vc_column width=”1/3″][/vc_column][/vc_row]
URL:https://theactorscenter.org/event/ken-barnett-dreamwork-for-actors-2/2022-11-21/
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20221121T100000
DTEND;TZID=America/New_York:20221121T130000
DTSTAMP:20221017T134520Z
CREATED:20221013T144054Z
LAST-MODIFIED:20221017T134520Z
UID:10001788-1669024800-1669035600@theactorscenter.org
SUMMARY:Danielle Skraastad: Games (10/24-11/21)
DESCRIPTION:[vc_row][vc_column][vc_column_text el_class=”home_quote_name”] \nIn-Person Workshop\n[/vc_column_text][vc_column_text] \nDANIELLE SKRAASTAD: Games\n5 Week Workshop\n[/vc_column_text][/vc_column][/vc_row][vc_row][vc_column width=”2/3″][vc_column_text] \nDates & Times\n[/vc_column_text][vc_column_text]Monday\, October 24\, 2022 – 10:00am-1:00pm\nMonday\, October 31\, 2022 – 10:00am-1:00pm\nMonday\, November 7\, 2022 – 10:00am-1:00pm\nMonday\, November 14\, 2022 – 10:00am-1:00pm\nMonday\, November 21\, 2022 – 10:00am-1:00pm \nRipley Grier\, 520 8th Avenue\, 16th Floor \nThis workshop will take place in person.\nWe are unable to accommodate observers for this workshop.[/vc_column_text][vc_empty_space height=”20px”][vc_column_text] \nAbout the Workshop\n[/vc_column_text][vc_column_text]Actor\, teacher\, and NYU Grad Acting faculty\, Danielle Skraastad\, returns to The Actors Center for a series of five Monday mornings devoted to Games. Come indulge in the simple pleasure of play and rekindle your connection to joy\, divine love\, and big feelings with an equally big physicality of passion. Danielle will guide participants through a series of games designed to enhance your ability to listen\, find spontaneity and cultivate freedom within structure. Life is hard\, making art doesn’t have to be. Sessions run weekly\, 10am-1pm.[/vc_column_text][vc_empty_space height=”20px”][vc_column_text] \nCOVID-19 Safety Policies\n[/vc_column_text][vc_column_text]For this workshop: \n\nMasking required: KN95 or N95\nParticipants may be able to remove masks for individual exercises\nLarge studio\nWindows and HVAC system\n\n[/vc_column_text][vc_empty_space height=”20px”][vc_column_text] \nAbout Danielle Skraastad\n[/vc_column_text][vc_column_text]Danielle Skraastad is a director\, teacher and actor. Danielle teaches Games at NYU’s MFA Graduate Acting Program. She has worked on the development of The Games Project since 2006. She has previously taught classes and workshops for SUNY Albany\, SUNY Purchase\, QuestStar\, SummerStage\, The Heifeitz Institute\, The Actors Center\, and the National Alliance of Acting Teachers\, among others. \nDanielle’s acting credits include the Broadway production of All My Sons\, IHO and The Wake at The Public Theater\, The Pain and the Itch at Playwrights Horizons\, Hurricane Diane at New York Theatre Workshop\, Anon at The Atlantic\, Lidless for Page 73\, Red Haired Thomas\, Cressida Among the Greeks and The Eyes of Others at The Ohio\, Carrie PS 122 with Theater Couture\, Big Times with WET\, A Midsummer Night’s Dream with The Continuum Project\, New Day at Theater for a New City\, Fugue at The Cherry Lane Theater and Lascivious Something at The Cherry Lane (Mentor Project). Regional credits include Berkeley Rep\, The Kirk\, Two River Theater Festival\, The Wilma\, Hartford Stage\, ACT/Seattle\, Portland Stage Co\, StageWorks/Hudson\, The Lantern. TV/Film: Unforgettable\, Law & Order\, SVU\, Fringe\, Mercy\, 27 Dresses\, and The Business of Story. Danielle’s directing credits include the Rope In Your Hands(Frigid Festival)\, Jesus Hopped the ‘A’ Train and A Hudson Holiday (StageWorksHudson)\, and original plays Confidence Camp\, Road Trip and Junior Year (SummerStage). At SummerStage she also directed several Shakespearean productions including Romeo and Juliet\, The Tempest\, and A Midsummer Night’s Dream.[/vc_column_text][/vc_column][vc_column width=”1/3″][vc_column_text] \nRegister Now\n[/vc_column_text][vc_empty_space height=”20px”][vc_column_text] \nParticipants\nEnrollment is limited to 16 actors. Participants are asked to attend all sessions\, while limited conflicts can be accommodated.[/vc_column_text][vc_column_text el_class=”participant_list”][/vc_column_text][/vc_column][/vc_row][vc_row][vc_column width=”2/3″][vc_column_text] \nComments/Queries\n[/vc_column_text][tommusrhodus_visual_composer_comments][/vc_column][vc_column width=”1/3″][/vc_column][/vc_row]
URL:https://theactorscenter.org/event/danielle-skraastad-games/2022-11-21/
LOCATION:Ripley Grier\, 520 8th Ave\, New York\, NY\, 10001\, United States
GEO:40.753645;-73.9919341
X-APPLE-STRUCTURED-LOCATION;VALUE=URI;X-ADDRESS=Ripley Grier 520 8th Ave New York NY 10001 United States;X-APPLE-RADIUS=500;X-TITLE=520 8th Ave:geo:-73.9919341,40.753645
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20221117T143000
DTEND;TZID=America/New_York:20221117T173000
DTSTAMP:20221201T140333Z
CREATED:20221023T204755Z
LAST-MODIFIED:20221201T140333Z
UID:10001799-1668695400-1668706200@theactorscenter.org
SUMMARY:Ken Barnett: Dreamwork for Actors
DESCRIPTION:[vc_row][vc_column][vc_column_text el_class=”home_quote_name”] \nIn-Person Workshop\n[/vc_column_text][vc_column_text] \nKen Barnett: Dreamwork for Actors\n4 Day Workshop\n[/vc_column_text][/vc_column][/vc_row][vc_row][vc_column width=”2/3″][vc_column_text] \nDates & Times\n[/vc_column_text][vc_column_text]Thursday\, November 10\, 2022 – 2:30pm-5:30pm\nMonday\, November 14\, 2022 – 2:30pm-5:30pm\nThursday\, November 17\, 2022 – 2:30pm-5:30pm\nMonday\, November 21\, 2022 – 2:30pm-6:30pm \nLucid Body House\, 230 Lexington Ave (at 34th Street) \nThis workshop will take place in person.\nWe are unable to accommodate observers for this workshop.[/vc_column_text][vc_empty_space height=”20px”][vc_column_text] \nAbout the Workshop\n[/vc_column_text][vc_column_text] \n“The dream is a theater in which the dreamer is himself the scene\, the player\, the prompter\, the author\, the producer\, the public and the critic.”\n— Carl Jung \n[/vc_column_text][vc_column_text]Actor\, teacher\, and company member\, Ken Barnett\, leads a 4-day workshop devoted to Dreamwork for Actors. In this workshop\, participants will be engaging with fresh material from their unconscious as delivered by a dream. This potent material provides the opportunity to drop into our most intimate inner lives. Working physically\, Ken will guide participants in asking the thinking mind to soften in order to invite the truth held in the body to express freely. Discover what is within you that is longing to be expressed in your creative work\, and unveil the unacknowledged patterns of thinking or behavior that are limiting you in your capacity for full expression. \nWhat is standing in your way in your acting? What might you be holding on to that you no longer need? \nBy engaging with one’s own dream material\, the actor learns tools that can then be applied to any script in order to deepen the personal connection to your work. As is true with each dream\, each role becomes a new opportunity to learn\, grow\, and move towards wholeness.[/vc_column_text][vc_empty_space height=”20px”][vc_column_text] \nCOVID-19 Safety Policies\n[/vc_column_text][vc_column_text]For this workshop: \n\nAt-home rapid covid test required before each session\nMasks optional\nDaily health screening questionnaire\nLarge studio\nWindows and portable HEPA/equivalent air purifiers\n\n[/vc_column_text][vc_empty_space height=”20px”][vc_column_text] \nAbout Ken Barnett\n[/vc_column_text][vc_column_text]Ken Barnett is an actor\, acting coach\, and teacher of Dreamwork for Actors. He studied and trained extensively under Kim Gillingham in Los Angeles and has been coaching privately and teaching workshops in New York and LA for over a decade. He has worked with actors and artists of various disciplines as well as with non-practicing artists who are interested in exploring the unconscious. As an actor\, he has worked professionally in New York and Los Angeles for over twenty-five years\, performing on and off Broadway and in TV & film.[/vc_column_text][/vc_column][vc_column width=”1/3″][vc_column_text] \nRegister Now\n[/vc_column_text][vc_empty_space height=”20px”][vc_column_text] \nParticipants\nEnrollment is limited to 12 actors. Participants are asked to be able to attend all four sessions.[/vc_column_text][vc_column_text el_class=”participant_list”][/vc_column_text][/vc_column][/vc_row][vc_row][vc_column width=”2/3″][vc_column_text] \nComments/Queries\n[/vc_column_text][tommusrhodus_visual_composer_comments][/vc_column][vc_column width=”1/3″][/vc_column][/vc_row]
URL:https://theactorscenter.org/event/ken-barnett-dreamwork-for-actors-2/2022-11-17/
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20221116T150000
DTEND;TZID=America/New_York:20221116T180000
DTSTAMP:20221201T140328Z
CREATED:20221023T203830Z
LAST-MODIFIED:20221201T140328Z
UID:10001793-1668610800-1668621600@theactorscenter.org
SUMMARY:Ron Daniels: The Soliloquy
DESCRIPTION:[vc_row][vc_column][vc_column_text el_class=”blue_headline”] \nZoom Workshop\n[/vc_column_text][vc_column_text] \nRon Daniels: The Soliloquy\n5 Week Workshop\n[/vc_column_text][/vc_column][/vc_row][vc_row][vc_column width=”2/3″][vc_column_text] \nDates & Times\n[/vc_column_text][vc_column_text]Wednesday\, November 9\, 2022 – 3:00pm-6:00pm ET\nWednesday\, November 16\, 2022– 3:00pm-6:00pm ET\n– Break for Thanksgiving\, No Session –\nWednesday\, November 30\, 2022 – (Cancelled)\nWednesday\, December 7\, 2022– 3:00pm-6:00pm ET\nWednesday\, December 14\, 2022– 3:00pm-6:00pm ET\nWednesday\, December 21\, 2022– 3:00pm-6:00pm ET (Added) \nThis workshop will take place on Zoom.\nAll company members are invited to observe.[/vc_column_text][vc_empty_space height=”20px”][vc_column_text] \nAbout the Workshop\n[/vc_column_text][vc_column_text] \nAcclaimed international director\, teacher\, and Honorary Associate Director of the RSC\, Ron Daniels\, returns to The Actors Center for a series of five Wednesday afternoons devoted to Shakespeare’s soliloquies. In a collaborative workshop format\, each taking turns with the text\, we’ll explore moments where both the character and the actor find themselves in a unique situation: alone on stage with nobody but the audience. \nThese are moments when the narrative of the play is suspended and a character confides his or her innermost thoughts with the audience and simply tells the truth\, without equivocation. But who is “the audience”? And is the identity of the audience always the same or does it change for different characters and under different circumstances? And above all\, if the character is truly engaging with the audience\, should we not rather think of these moments as imaginary dialogues between actor and audience instead of as lonely soliloquies? \nFar from the rush and tumble of the rehearsal room floor and the need to quickly find results\, Ron will gently guide participants through unraveling a series of soliloquies\, not from an academic\, but from an actor’s point of view\, inviting greater awareness of moments of possibility and discovery\, enhancing the richness of text\, and in service of the actor’s ability to inhabit Shakespeare’s language and make it truly your own. \n[/vc_column_text][vc_empty_space height=”20px”][vc_column_text] \nAbout Ron Daniels\n[/vc_column_text][vc_column_text] \nRon Daniels is an Honorary Associate Director of the Royal Shakespeare Company\, a distinction he received after fifteen years directing many RSC productions and serving as Artistic Director of RSC’s The Other Place Theatre. His work with RSC has included two productions of Hamlet (one with Roger Rees and one with Mark Rylance)\, The Tempest (with Derek Jacobi and Mark Rylance)\, A Midsummer Night’s Dream\, Julius Caesar\, Timon of Athens\, Pericles\, Romeo and Juliet\, Much Ado about Nothing\, Richard II and Henry V along with plays by Stephen Poliakoff\, David Rudkin\, David Edgar and Naomi Wallace\, including Anthony Burgess’ A Clockwork Orange. \nBefore moving to England\, he began his career in his native Brazil\, where he has since directed numerous Portuguese productions\, including his co-translations of King Lear\, Hamlet\, Macbeth\, and Measure for Measure\, as well as Colm Tóibín’s The Testament of Mary. In the United States\, Ron is a former Associate Artistic Director of the American Repertory Theatre where he directed numerous productions and has also directed productions for Theatre for a New Audience\, Public Theater\, Guthrie Theater\, Old Globe\, and Shakespeare Theatre Company. \nHis extensive credits in opera and musical theatre include productions with Houston Grand Opera\, San Francisco Opera\, Washington National Opera\, LA Opera\, English National Opera\, Santa Fe Opera\, Cincinnati Opera\, Seattle Opera\, and Opera Theatre of St. Louis\, among others\, as well as the critically acclaimed world premiere of Daniel Catán’s Il Postino at the LA Opera in 2010\, with Plácido Domingo in the role of Pablo Neruda\, which was revived internationally in Vienna\, Paris\, Mexico City\, and Santiago\, Chile. \n[/vc_column_text][/vc_column][vc_column width=”1/3″][vc_column_text] \nRegister Now\n[/vc_column_text][vc_empty_space height=”20px”][vc_column_text] \nParticipants\nEnrollment is limited to 14 actors. Participants are asked to be able to attend most sessions\, while limited conflicts can be accommodated.[/vc_column_text][vc_column_text el_class=”participant_list”][/vc_column_text][/vc_column][/vc_row][vc_row][vc_column width=”2/3″][vc_column_text] \nComments/Queries\n[/vc_column_text][tommusrhodus_visual_composer_comments][/vc_column][vc_column width=”1/3″][/vc_column][/vc_row]
URL:https://theactorscenter.org/event/ron-daniels-the-soliloquy/2022-11-16/
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20221114T143000
DTEND;TZID=America/New_York:20221114T173000
DTSTAMP:20221201T140333Z
CREATED:20221023T204755Z
LAST-MODIFIED:20221201T140333Z
UID:10001798-1668436200-1668447000@theactorscenter.org
SUMMARY:Ken Barnett: Dreamwork for Actors
DESCRIPTION:[vc_row][vc_column][vc_column_text el_class=”home_quote_name”] \nIn-Person Workshop\n[/vc_column_text][vc_column_text] \nKen Barnett: Dreamwork for Actors\n4 Day Workshop\n[/vc_column_text][/vc_column][/vc_row][vc_row][vc_column width=”2/3″][vc_column_text] \nDates & Times\n[/vc_column_text][vc_column_text]Thursday\, November 10\, 2022 – 2:30pm-5:30pm\nMonday\, November 14\, 2022 – 2:30pm-5:30pm\nThursday\, November 17\, 2022 – 2:30pm-5:30pm\nMonday\, November 21\, 2022 – 2:30pm-6:30pm \nLucid Body House\, 230 Lexington Ave (at 34th Street) \nThis workshop will take place in person.\nWe are unable to accommodate observers for this workshop.[/vc_column_text][vc_empty_space height=”20px”][vc_column_text] \nAbout the Workshop\n[/vc_column_text][vc_column_text] \n“The dream is a theater in which the dreamer is himself the scene\, the player\, the prompter\, the author\, the producer\, the public and the critic.”\n— Carl Jung \n[/vc_column_text][vc_column_text]Actor\, teacher\, and company member\, Ken Barnett\, leads a 4-day workshop devoted to Dreamwork for Actors. In this workshop\, participants will be engaging with fresh material from their unconscious as delivered by a dream. This potent material provides the opportunity to drop into our most intimate inner lives. Working physically\, Ken will guide participants in asking the thinking mind to soften in order to invite the truth held in the body to express freely. Discover what is within you that is longing to be expressed in your creative work\, and unveil the unacknowledged patterns of thinking or behavior that are limiting you in your capacity for full expression. \nWhat is standing in your way in your acting? What might you be holding on to that you no longer need? \nBy engaging with one’s own dream material\, the actor learns tools that can then be applied to any script in order to deepen the personal connection to your work. As is true with each dream\, each role becomes a new opportunity to learn\, grow\, and move towards wholeness.[/vc_column_text][vc_empty_space height=”20px”][vc_column_text] \nCOVID-19 Safety Policies\n[/vc_column_text][vc_column_text]For this workshop: \n\nAt-home rapid covid test required before each session\nMasks optional\nDaily health screening questionnaire\nLarge studio\nWindows and portable HEPA/equivalent air purifiers\n\n[/vc_column_text][vc_empty_space height=”20px”][vc_column_text] \nAbout Ken Barnett\n[/vc_column_text][vc_column_text]Ken Barnett is an actor\, acting coach\, and teacher of Dreamwork for Actors. He studied and trained extensively under Kim Gillingham in Los Angeles and has been coaching privately and teaching workshops in New York and LA for over a decade. He has worked with actors and artists of various disciplines as well as with non-practicing artists who are interested in exploring the unconscious. As an actor\, he has worked professionally in New York and Los Angeles for over twenty-five years\, performing on and off Broadway and in TV & film.[/vc_column_text][/vc_column][vc_column width=”1/3″][vc_column_text] \nRegister Now\n[/vc_column_text][vc_empty_space height=”20px”][vc_column_text] \nParticipants\nEnrollment is limited to 12 actors. Participants are asked to be able to attend all four sessions.[/vc_column_text][vc_column_text el_class=”participant_list”][/vc_column_text][/vc_column][/vc_row][vc_row][vc_column width=”2/3″][vc_column_text] \nComments/Queries\n[/vc_column_text][tommusrhodus_visual_composer_comments][/vc_column][vc_column width=”1/3″][/vc_column][/vc_row]
URL:https://theactorscenter.org/event/ken-barnett-dreamwork-for-actors-2/2022-11-14/
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20221114T100000
DTEND;TZID=America/New_York:20221114T130000
DTSTAMP:20221017T134520Z
CREATED:20221013T144054Z
LAST-MODIFIED:20221017T134520Z
UID:10001787-1668420000-1668430800@theactorscenter.org
SUMMARY:Danielle Skraastad: Games (10/24-11/21)
DESCRIPTION:[vc_row][vc_column][vc_column_text el_class=”home_quote_name”] \nIn-Person Workshop\n[/vc_column_text][vc_column_text] \nDANIELLE SKRAASTAD: Games\n5 Week Workshop\n[/vc_column_text][/vc_column][/vc_row][vc_row][vc_column width=”2/3″][vc_column_text] \nDates & Times\n[/vc_column_text][vc_column_text]Monday\, October 24\, 2022 – 10:00am-1:00pm\nMonday\, October 31\, 2022 – 10:00am-1:00pm\nMonday\, November 7\, 2022 – 10:00am-1:00pm\nMonday\, November 14\, 2022 – 10:00am-1:00pm\nMonday\, November 21\, 2022 – 10:00am-1:00pm \nRipley Grier\, 520 8th Avenue\, 16th Floor \nThis workshop will take place in person.\nWe are unable to accommodate observers for this workshop.[/vc_column_text][vc_empty_space height=”20px”][vc_column_text] \nAbout the Workshop\n[/vc_column_text][vc_column_text]Actor\, teacher\, and NYU Grad Acting faculty\, Danielle Skraastad\, returns to The Actors Center for a series of five Monday mornings devoted to Games. Come indulge in the simple pleasure of play and rekindle your connection to joy\, divine love\, and big feelings with an equally big physicality of passion. Danielle will guide participants through a series of games designed to enhance your ability to listen\, find spontaneity and cultivate freedom within structure. Life is hard\, making art doesn’t have to be. Sessions run weekly\, 10am-1pm.[/vc_column_text][vc_empty_space height=”20px”][vc_column_text] \nCOVID-19 Safety Policies\n[/vc_column_text][vc_column_text]For this workshop: \n\nMasking required: KN95 or N95\nParticipants may be able to remove masks for individual exercises\nLarge studio\nWindows and HVAC system\n\n[/vc_column_text][vc_empty_space height=”20px”][vc_column_text] \nAbout Danielle Skraastad\n[/vc_column_text][vc_column_text]Danielle Skraastad is a director\, teacher and actor. Danielle teaches Games at NYU’s MFA Graduate Acting Program. She has worked on the development of The Games Project since 2006. She has previously taught classes and workshops for SUNY Albany\, SUNY Purchase\, QuestStar\, SummerStage\, The Heifeitz Institute\, The Actors Center\, and the National Alliance of Acting Teachers\, among others. \nDanielle’s acting credits include the Broadway production of All My Sons\, IHO and The Wake at The Public Theater\, The Pain and the Itch at Playwrights Horizons\, Hurricane Diane at New York Theatre Workshop\, Anon at The Atlantic\, Lidless for Page 73\, Red Haired Thomas\, Cressida Among the Greeks and The Eyes of Others at The Ohio\, Carrie PS 122 with Theater Couture\, Big Times with WET\, A Midsummer Night’s Dream with The Continuum Project\, New Day at Theater for a New City\, Fugue at The Cherry Lane Theater and Lascivious Something at The Cherry Lane (Mentor Project). Regional credits include Berkeley Rep\, The Kirk\, Two River Theater Festival\, The Wilma\, Hartford Stage\, ACT/Seattle\, Portland Stage Co\, StageWorks/Hudson\, The Lantern. TV/Film: Unforgettable\, Law & Order\, SVU\, Fringe\, Mercy\, 27 Dresses\, and The Business of Story. Danielle’s directing credits include the Rope In Your Hands(Frigid Festival)\, Jesus Hopped the ‘A’ Train and A Hudson Holiday (StageWorksHudson)\, and original plays Confidence Camp\, Road Trip and Junior Year (SummerStage). At SummerStage she also directed several Shakespearean productions including Romeo and Juliet\, The Tempest\, and A Midsummer Night’s Dream.[/vc_column_text][/vc_column][vc_column width=”1/3″][vc_column_text] \nRegister Now\n[/vc_column_text][vc_empty_space height=”20px”][vc_column_text] \nParticipants\nEnrollment is limited to 16 actors. Participants are asked to attend all sessions\, while limited conflicts can be accommodated.[/vc_column_text][vc_column_text el_class=”participant_list”][/vc_column_text][/vc_column][/vc_row][vc_row][vc_column width=”2/3″][vc_column_text] \nComments/Queries\n[/vc_column_text][tommusrhodus_visual_composer_comments][/vc_column][vc_column width=”1/3″][/vc_column][/vc_row]
URL:https://theactorscenter.org/event/danielle-skraastad-games/2022-11-14/
LOCATION:Ripley Grier\, 520 8th Ave\, New York\, NY\, 10001\, United States
GEO:40.753645;-73.9919341
X-APPLE-STRUCTURED-LOCATION;VALUE=URI;X-ADDRESS=Ripley Grier 520 8th Ave New York NY 10001 United States;X-APPLE-RADIUS=500;X-TITLE=520 8th Ave:geo:-73.9919341,40.753645
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20221113T110000
DTEND;TZID=America/New_York:20221113T153000
DTSTAMP:20221201T140346Z
CREATED:20221023T210556Z
LAST-MODIFIED:20221201T140346Z
UID:10001802-1668337200-1668353400@theactorscenter.org
SUMMARY:Beth McGuire: Idiolect
DESCRIPTION:[vc_row][vc_column][vc_column_text el_class=”home_quote_name”] \nIn-Person Workshop\n[/vc_column_text][vc_column_text] \nBeth McGuire: Idiolect\nThe way you speak\, is where you begin\nWeekend Workshop\n[/vc_column_text][/vc_column][/vc_row][vc_row][vc_column width=”2/3″][vc_column_text] \nDates & Times\n[/vc_column_text][vc_column_text]Saturday\, November 12\, 2022 – 11:00am-3:30pm\nSunday\, November 13\, 2022 – 11:00am-3:30pm \nPearl Studios\, 500 8th Avenue\, 4th Floor\, Studio #412 \nThis workshop will take place in person.\nWe are unable to accommodate observers for this workshop.[/vc_column_text][vc_empty_space height=”20px”][vc_column_text] \nAbout the Workshop\n[/vc_column_text][vc_column_text] \nVocal coach\, dialect coach\, teacher\, and company member\, Beth McGuire\, leads a workshop at The Actors Center for the first time with a weekend devoted to Idiolect. \nFrom Beth: “For folks who are unfamiliar with the term Idiolect\, it is the particular way in which one speaks. In my experience\, when an actor is in service to a script there is nearly always a transformation in relation to how they speak. Sometimes it can be quite clear because a dialect is required in relation to where the event takes place. Other considerations can be status\, gender\, age\, and tactical i.e. code shifting.” \nOver two days\, Beth will guide participants in exploring the psycho-physical relationship we have with our own idiolect\, as well as looking at questions of how the understanding of this cellular relationship can be liberating in terms of transformation\, and encourage a robust embodiment in relation to accent and dialect work. Areas of investigation will include: experiential anatomy\, breath and vibration\, articulation of phonemes\, prosody\, vowel and consonant systems and their relationship to each other and finally\, the transformation of sound into image as spoken in ‘the word’.  Sessions run Saturday and Sunday 11:00am-3:30pm with a half-hour break for lunch. \n[/vc_column_text][vc_empty_space height=”20px”][vc_column_text] \nCOVID-19 Safety Policies\n[/vc_column_text][vc_column_text]For this workshop: \n\nAt-home rapid covid test required before each session\nMasks optional\nDaily health screening questionnaire\nLarge studio\nWindows and portable HEPA/equivalent air purifiers\n\n[/vc_column_text][vc_empty_space height=”20px”][vc_column_text] \nAbout Beth McGuire\n[/vc_column_text][vc_column_text]Beth McGuire has worked as a vocal and accent/dialect coach both on and off Broadway\, in regional theatre\, and in film and television for over 30 years. She was on the Yale School of Drama faculty for over 20 years and recently joined the faculty of Juilliard Drama Division. Beth lives in NYC and has a private practice teaching and coaching. Her book\, African Accents: A Workbook for Actors\, is the first practical comprehensive analysis of the genre.  Some of Beth’s most recent theater projects include\, He Brought Her Heart Back in a Box by Adrienne Kennedy\, at TFNA\, directed by Evan Yionoulis\, and Twelfth Night at the YRT\, directed by Carl Cofield. One of her favorite projects on Broadway was A Streetcar Named Desire with Blair Underwood\, Nicole Ari Parker\, and Daphne Rubin-Vega\, directed by Emily Mann. Some of her most recent media projects include Us directed by Jordan Peele\, Marvel’s Black Panther and Black Panther: Wakanda Forever\, both directed by Ryan Coogler\, and the video game\, Marvel’s Avengers: War for Wakanda. Beth also co-teaches a training program for professionals and rising professionals in accent\, dialect and phonology coaching with her colleague Jane Guyer Fujita. Beth received her M.F.A. in acting from Brandeis University and B.A. from Oberlin College.[/vc_column_text][/vc_column][vc_column width=”1/3″][vc_column_text] \nRegister Now\n[/vc_column_text][vc_empty_space height=”20px”][vc_column_text] \nParticipants\nEnrollment is limited to 12 actors. Participants are asked to be able to attend both sessions in full.[/vc_column_text][vc_column_text el_class=”participant_list”][/vc_column_text][/vc_column][/vc_row][vc_row][vc_column width=”2/3″][vc_column_text] \nComments/Queries\n[/vc_column_text][tommusrhodus_visual_composer_comments][/vc_column][vc_column width=”1/3″][/vc_column][/vc_row]
URL:https://theactorscenter.org/event/beth-mcguire-idiolect/2022-11-13/
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20221112T110000
DTEND;TZID=America/New_York:20221112T153000
DTSTAMP:20221201T140346Z
CREATED:20221023T210556Z
LAST-MODIFIED:20221201T140346Z
UID:10001801-1668250800-1668267000@theactorscenter.org
SUMMARY:Beth McGuire: Idiolect
DESCRIPTION:[vc_row][vc_column][vc_column_text el_class=”home_quote_name”] \nIn-Person Workshop\n[/vc_column_text][vc_column_text] \nBeth McGuire: Idiolect\nThe way you speak\, is where you begin\nWeekend Workshop\n[/vc_column_text][/vc_column][/vc_row][vc_row][vc_column width=”2/3″][vc_column_text] \nDates & Times\n[/vc_column_text][vc_column_text]Saturday\, November 12\, 2022 – 11:00am-3:30pm\nSunday\, November 13\, 2022 – 11:00am-3:30pm \nPearl Studios\, 500 8th Avenue\, 4th Floor\, Studio #412 \nThis workshop will take place in person.\nWe are unable to accommodate observers for this workshop.[/vc_column_text][vc_empty_space height=”20px”][vc_column_text] \nAbout the Workshop\n[/vc_column_text][vc_column_text] \nVocal coach\, dialect coach\, teacher\, and company member\, Beth McGuire\, leads a workshop at The Actors Center for the first time with a weekend devoted to Idiolect. \nFrom Beth: “For folks who are unfamiliar with the term Idiolect\, it is the particular way in which one speaks. In my experience\, when an actor is in service to a script there is nearly always a transformation in relation to how they speak. Sometimes it can be quite clear because a dialect is required in relation to where the event takes place. Other considerations can be status\, gender\, age\, and tactical i.e. code shifting.” \nOver two days\, Beth will guide participants in exploring the psycho-physical relationship we have with our own idiolect\, as well as looking at questions of how the understanding of this cellular relationship can be liberating in terms of transformation\, and encourage a robust embodiment in relation to accent and dialect work. Areas of investigation will include: experiential anatomy\, breath and vibration\, articulation of phonemes\, prosody\, vowel and consonant systems and their relationship to each other and finally\, the transformation of sound into image as spoken in ‘the word’.  Sessions run Saturday and Sunday 11:00am-3:30pm with a half-hour break for lunch. \n[/vc_column_text][vc_empty_space height=”20px”][vc_column_text] \nCOVID-19 Safety Policies\n[/vc_column_text][vc_column_text]For this workshop: \n\nAt-home rapid covid test required before each session\nMasks optional\nDaily health screening questionnaire\nLarge studio\nWindows and portable HEPA/equivalent air purifiers\n\n[/vc_column_text][vc_empty_space height=”20px”][vc_column_text] \nAbout Beth McGuire\n[/vc_column_text][vc_column_text]Beth McGuire has worked as a vocal and accent/dialect coach both on and off Broadway\, in regional theatre\, and in film and television for over 30 years. She was on the Yale School of Drama faculty for over 20 years and recently joined the faculty of Juilliard Drama Division. Beth lives in NYC and has a private practice teaching and coaching. Her book\, African Accents: A Workbook for Actors\, is the first practical comprehensive analysis of the genre.  Some of Beth’s most recent theater projects include\, He Brought Her Heart Back in a Box by Adrienne Kennedy\, at TFNA\, directed by Evan Yionoulis\, and Twelfth Night at the YRT\, directed by Carl Cofield. One of her favorite projects on Broadway was A Streetcar Named Desire with Blair Underwood\, Nicole Ari Parker\, and Daphne Rubin-Vega\, directed by Emily Mann. Some of her most recent media projects include Us directed by Jordan Peele\, Marvel’s Black Panther and Black Panther: Wakanda Forever\, both directed by Ryan Coogler\, and the video game\, Marvel’s Avengers: War for Wakanda. Beth also co-teaches a training program for professionals and rising professionals in accent\, dialect and phonology coaching with her colleague Jane Guyer Fujita. Beth received her M.F.A. in acting from Brandeis University and B.A. from Oberlin College.[/vc_column_text][/vc_column][vc_column width=”1/3″][vc_column_text] \nRegister Now\n[/vc_column_text][vc_empty_space height=”20px”][vc_column_text] \nParticipants\nEnrollment is limited to 12 actors. Participants are asked to be able to attend both sessions in full.[/vc_column_text][vc_column_text el_class=”participant_list”][/vc_column_text][/vc_column][/vc_row][vc_row][vc_column width=”2/3″][vc_column_text] \nComments/Queries\n[/vc_column_text][tommusrhodus_visual_composer_comments][/vc_column][vc_column width=”1/3″][/vc_column][/vc_row]
URL:https://theactorscenter.org/event/beth-mcguire-idiolect/2022-11-12/
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20221111T100000
DTEND;TZID=America/New_York:20221111T130000
DTSTAMP:20221017T134526Z
CREATED:20221012T192800Z
LAST-MODIFIED:20221017T134526Z
UID:10001782-1668160800-1668171600@theactorscenter.org
SUMMARY:Fabio Tavares: Body\, Breath & Voice
DESCRIPTION:[vc_row][vc_column][vc_column_text el_class=”home_quote_name”] \nIn-Person Workshop\n[/vc_column_text][vc_column_text] \nFabio Tavares: Body\, Breath & Voice\nAlexander On-Camera\n4 Week Workshop\n[/vc_column_text][/vc_column][/vc_row][vc_row][vc_column width=”2/3″][vc_column_text] \nDates & Times\n[/vc_column_text][vc_column_text]Friday\, October 21\, 2022 – 10:00am-1:00pm\nFriday\, October 28\, 2022 – 10:00am-1:00pm\nFriday\, November 4\, 2022 – 10:00am-1:00pm\nFriday\, November 11\, 2022 – 10:00am-1:00pm \nLucid Body House\, 230 Lexington Ave (at 34th) \nThis workshop will take place in person.\nWe are unable to accommodate observers for this workshop.[/vc_column_text][vc_empty_space height=”20px”][vc_column_text] \nAbout the Workshop\n[/vc_column_text][vc_column_text]Interdisciplinary artist and teacher\, Fabio Tavares\, returns to The Actors Center for a series of four Friday mornings devoted to the Alexander Technique. Alexander’s own quest began as an attempt to solve his vocal issues. Later on he realized that breath\, body and voice were all part of the same organism\, all deeply connected to his thinking. In order to look at voice and breath we need to understand how the body works. The body produces the voice. In this workshop\, Fabio will guide an exploration of ideas and activities that will encourage our bodies to release in order to produce sound and movement with more ease and flow. Whether on stage or on set\, the principles are the same. A freer body will produce a freer sound. In the latter part of each session\, participants will be invited to bring in film or TV sides to work on-camera and explore adjustments in the work. Sessions run weekly\, 10am-1pm.[/vc_column_text][vc_empty_space height=”20px”][vc_column_text] \nCOVID-19 Safety Policies\n[/vc_column_text][vc_column_text]For this workshop: \n\nAt-home rapid covid test required before each session\nMasks optional\nDaily health screening questionnaire\nLarge studio\nWindows and portable HEPA/equivalent air purifiers\n\n[/vc_column_text][vc_empty_space height=”20px”][vc_column_text] \nAbout Fabio Tavares\n[/vc_column_text][vc_column_text]Fabio Tavares (he/him) is a queer Brazilian artist who’s been obsessed with the human body in action from a very young age. He started off as a competitive gymnast before running away to join the circus at the age of 15 where he got his first professional job as an acrobat. Fabio moved to New York in 1999 where he’s been dancing\, flying\, falling\, crashing\, studying\, learning\, teaching and making noise since. \nHe has collaborated and performed with Yvonne Meyer\, chameckilerner\, Miguel Gutierrez\, Fisherspooner\, Noemie Lafrance\, Luis Lara Malvacías\, Jeniffer Monson\, Circus Amok\, John Heginbotham\, Laurie Anderson\,The Dazzle Dancers\, The Daisy Spurs\, Stanley Love\, Anna Kohler\, Anne Bogart and the acclaimed SITI Company. Fabio has danced with Elizabeth STREB and her extreme-action company for 14 years where he served as the Associate Artistic Director for a decade. Fabio’s one man show The Ex-Body based on the text “The Hamletmachine” by Henier Müller has been performed in Brazil\, Europe and the US since 2010. \nFabio is an AmSAT certified Alexander Technique teacher \, a certified Klein Technique™ teacher\, and a Certified Zero Balancing practitioner. He has taught at PACE University 2014-2017. He’s currently a faculty member at Movement Research and David Geffen School of Drama at Yale. For more info please go to healthandpoise.com[/vc_column_text][vc_empty_space height=”20px”][/vc_column][vc_column width=”1/3″][vc_column_text] \nRegister Now\n[/vc_column_text][vc_empty_space height=”20px”][vc_column_text] \nParticipants\nEnrollment is limited to 16 actors. Participants are asked to attend all sessions\, while limited conflicts can be accommodated.[/vc_column_text][vc_column_text el_class=”participant_list”][/vc_column_text][/vc_column][/vc_row][vc_row][vc_column width=”2/3″][vc_column_text] \nComments/Queries\n[/vc_column_text][tommusrhodus_visual_composer_comments][/vc_column][vc_column width=”1/3″][/vc_column][/vc_row]
URL:https://theactorscenter.org/event/fabio-tavares-body-breath-voice/2022-11-11/
LOCATION:Lucid Body House\, 230 Lexington Avenue\, New York\, NY\, 10016\, United States
GEO:40.7462226;-73.9801703
X-APPLE-STRUCTURED-LOCATION;VALUE=URI;X-ADDRESS=Lucid Body House 230 Lexington Avenue New York NY 10016 United States;X-APPLE-RADIUS=500;X-TITLE=230 Lexington Avenue:geo:-73.9801703,40.7462226
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20221110T143000
DTEND;TZID=America/New_York:20221110T173000
DTSTAMP:20221201T140333Z
CREATED:20221023T204755Z
LAST-MODIFIED:20221201T140333Z
UID:10001797-1668090600-1668101400@theactorscenter.org
SUMMARY:Ken Barnett: Dreamwork for Actors
DESCRIPTION:[vc_row][vc_column][vc_column_text el_class=”home_quote_name”] \nIn-Person Workshop\n[/vc_column_text][vc_column_text] \nKen Barnett: Dreamwork for Actors\n4 Day Workshop\n[/vc_column_text][/vc_column][/vc_row][vc_row][vc_column width=”2/3″][vc_column_text] \nDates & Times\n[/vc_column_text][vc_column_text]Thursday\, November 10\, 2022 – 2:30pm-5:30pm\nMonday\, November 14\, 2022 – 2:30pm-5:30pm\nThursday\, November 17\, 2022 – 2:30pm-5:30pm\nMonday\, November 21\, 2022 – 2:30pm-6:30pm \nLucid Body House\, 230 Lexington Ave (at 34th Street) \nThis workshop will take place in person.\nWe are unable to accommodate observers for this workshop.[/vc_column_text][vc_empty_space height=”20px”][vc_column_text] \nAbout the Workshop\n[/vc_column_text][vc_column_text] \n“The dream is a theater in which the dreamer is himself the scene\, the player\, the prompter\, the author\, the producer\, the public and the critic.”\n— Carl Jung \n[/vc_column_text][vc_column_text]Actor\, teacher\, and company member\, Ken Barnett\, leads a 4-day workshop devoted to Dreamwork for Actors. In this workshop\, participants will be engaging with fresh material from their unconscious as delivered by a dream. This potent material provides the opportunity to drop into our most intimate inner lives. Working physically\, Ken will guide participants in asking the thinking mind to soften in order to invite the truth held in the body to express freely. Discover what is within you that is longing to be expressed in your creative work\, and unveil the unacknowledged patterns of thinking or behavior that are limiting you in your capacity for full expression. \nWhat is standing in your way in your acting? What might you be holding on to that you no longer need? \nBy engaging with one’s own dream material\, the actor learns tools that can then be applied to any script in order to deepen the personal connection to your work. As is true with each dream\, each role becomes a new opportunity to learn\, grow\, and move towards wholeness.[/vc_column_text][vc_empty_space height=”20px”][vc_column_text] \nCOVID-19 Safety Policies\n[/vc_column_text][vc_column_text]For this workshop: \n\nAt-home rapid covid test required before each session\nMasks optional\nDaily health screening questionnaire\nLarge studio\nWindows and portable HEPA/equivalent air purifiers\n\n[/vc_column_text][vc_empty_space height=”20px”][vc_column_text] \nAbout Ken Barnett\n[/vc_column_text][vc_column_text]Ken Barnett is an actor\, acting coach\, and teacher of Dreamwork for Actors. He studied and trained extensively under Kim Gillingham in Los Angeles and has been coaching privately and teaching workshops in New York and LA for over a decade. He has worked with actors and artists of various disciplines as well as with non-practicing artists who are interested in exploring the unconscious. As an actor\, he has worked professionally in New York and Los Angeles for over twenty-five years\, performing on and off Broadway and in TV & film.[/vc_column_text][/vc_column][vc_column width=”1/3″][vc_column_text] \nRegister Now\n[/vc_column_text][vc_empty_space height=”20px”][vc_column_text] \nParticipants\nEnrollment is limited to 12 actors. Participants are asked to be able to attend all four sessions.[/vc_column_text][vc_column_text el_class=”participant_list”][/vc_column_text][/vc_column][/vc_row][vc_row][vc_column width=”2/3″][vc_column_text] \nComments/Queries\n[/vc_column_text][tommusrhodus_visual_composer_comments][/vc_column][vc_column width=”1/3″][/vc_column][/vc_row]
URL:https://theactorscenter.org/event/ken-barnett-dreamwork-for-actors-2/2022-11-10/
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20221109T150000
DTEND;TZID=America/New_York:20221109T180000
DTSTAMP:20221201T140328Z
CREATED:20221023T203830Z
LAST-MODIFIED:20221201T140328Z
UID:10001792-1668006000-1668016800@theactorscenter.org
SUMMARY:Ron Daniels: The Soliloquy
DESCRIPTION:[vc_row][vc_column][vc_column_text el_class=”blue_headline”] \nZoom Workshop\n[/vc_column_text][vc_column_text] \nRon Daniels: The Soliloquy\n5 Week Workshop\n[/vc_column_text][/vc_column][/vc_row][vc_row][vc_column width=”2/3″][vc_column_text] \nDates & Times\n[/vc_column_text][vc_column_text]Wednesday\, November 9\, 2022 – 3:00pm-6:00pm ET\nWednesday\, November 16\, 2022– 3:00pm-6:00pm ET\n– Break for Thanksgiving\, No Session –\nWednesday\, November 30\, 2022 – (Cancelled)\nWednesday\, December 7\, 2022– 3:00pm-6:00pm ET\nWednesday\, December 14\, 2022– 3:00pm-6:00pm ET\nWednesday\, December 21\, 2022– 3:00pm-6:00pm ET (Added) \nThis workshop will take place on Zoom.\nAll company members are invited to observe.[/vc_column_text][vc_empty_space height=”20px”][vc_column_text] \nAbout the Workshop\n[/vc_column_text][vc_column_text] \nAcclaimed international director\, teacher\, and Honorary Associate Director of the RSC\, Ron Daniels\, returns to The Actors Center for a series of five Wednesday afternoons devoted to Shakespeare’s soliloquies. In a collaborative workshop format\, each taking turns with the text\, we’ll explore moments where both the character and the actor find themselves in a unique situation: alone on stage with nobody but the audience. \nThese are moments when the narrative of the play is suspended and a character confides his or her innermost thoughts with the audience and simply tells the truth\, without equivocation. But who is “the audience”? And is the identity of the audience always the same or does it change for different characters and under different circumstances? And above all\, if the character is truly engaging with the audience\, should we not rather think of these moments as imaginary dialogues between actor and audience instead of as lonely soliloquies? \nFar from the rush and tumble of the rehearsal room floor and the need to quickly find results\, Ron will gently guide participants through unraveling a series of soliloquies\, not from an academic\, but from an actor’s point of view\, inviting greater awareness of moments of possibility and discovery\, enhancing the richness of text\, and in service of the actor’s ability to inhabit Shakespeare’s language and make it truly your own. \n[/vc_column_text][vc_empty_space height=”20px”][vc_column_text] \nAbout Ron Daniels\n[/vc_column_text][vc_column_text] \nRon Daniels is an Honorary Associate Director of the Royal Shakespeare Company\, a distinction he received after fifteen years directing many RSC productions and serving as Artistic Director of RSC’s The Other Place Theatre. His work with RSC has included two productions of Hamlet (one with Roger Rees and one with Mark Rylance)\, The Tempest (with Derek Jacobi and Mark Rylance)\, A Midsummer Night’s Dream\, Julius Caesar\, Timon of Athens\, Pericles\, Romeo and Juliet\, Much Ado about Nothing\, Richard II and Henry V along with plays by Stephen Poliakoff\, David Rudkin\, David Edgar and Naomi Wallace\, including Anthony Burgess’ A Clockwork Orange. \nBefore moving to England\, he began his career in his native Brazil\, where he has since directed numerous Portuguese productions\, including his co-translations of King Lear\, Hamlet\, Macbeth\, and Measure for Measure\, as well as Colm Tóibín’s The Testament of Mary. In the United States\, Ron is a former Associate Artistic Director of the American Repertory Theatre where he directed numerous productions and has also directed productions for Theatre for a New Audience\, Public Theater\, Guthrie Theater\, Old Globe\, and Shakespeare Theatre Company. \nHis extensive credits in opera and musical theatre include productions with Houston Grand Opera\, San Francisco Opera\, Washington National Opera\, LA Opera\, English National Opera\, Santa Fe Opera\, Cincinnati Opera\, Seattle Opera\, and Opera Theatre of St. Louis\, among others\, as well as the critically acclaimed world premiere of Daniel Catán’s Il Postino at the LA Opera in 2010\, with Plácido Domingo in the role of Pablo Neruda\, which was revived internationally in Vienna\, Paris\, Mexico City\, and Santiago\, Chile. \n[/vc_column_text][/vc_column][vc_column width=”1/3″][vc_column_text] \nRegister Now\n[/vc_column_text][vc_empty_space height=”20px”][vc_column_text] \nParticipants\nEnrollment is limited to 14 actors. Participants are asked to be able to attend most sessions\, while limited conflicts can be accommodated.[/vc_column_text][vc_column_text el_class=”participant_list”][/vc_column_text][/vc_column][/vc_row][vc_row][vc_column width=”2/3″][vc_column_text] \nComments/Queries\n[/vc_column_text][tommusrhodus_visual_composer_comments][/vc_column][vc_column width=”1/3″][/vc_column][/vc_row]
URL:https://theactorscenter.org/event/ron-daniels-the-soliloquy/2022-11-09/
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20221107T100000
DTEND;TZID=America/New_York:20221107T130000
DTSTAMP:20221017T134520Z
CREATED:20221013T144054Z
LAST-MODIFIED:20221017T134520Z
UID:10001786-1667815200-1667826000@theactorscenter.org
SUMMARY:Danielle Skraastad: Games (10/24-11/21)
DESCRIPTION:[vc_row][vc_column][vc_column_text el_class=”home_quote_name”] \nIn-Person Workshop\n[/vc_column_text][vc_column_text] \nDANIELLE SKRAASTAD: Games\n5 Week Workshop\n[/vc_column_text][/vc_column][/vc_row][vc_row][vc_column width=”2/3″][vc_column_text] \nDates & Times\n[/vc_column_text][vc_column_text]Monday\, October 24\, 2022 – 10:00am-1:00pm\nMonday\, October 31\, 2022 – 10:00am-1:00pm\nMonday\, November 7\, 2022 – 10:00am-1:00pm\nMonday\, November 14\, 2022 – 10:00am-1:00pm\nMonday\, November 21\, 2022 – 10:00am-1:00pm \nRipley Grier\, 520 8th Avenue\, 16th Floor \nThis workshop will take place in person.\nWe are unable to accommodate observers for this workshop.[/vc_column_text][vc_empty_space height=”20px”][vc_column_text] \nAbout the Workshop\n[/vc_column_text][vc_column_text]Actor\, teacher\, and NYU Grad Acting faculty\, Danielle Skraastad\, returns to The Actors Center for a series of five Monday mornings devoted to Games. Come indulge in the simple pleasure of play and rekindle your connection to joy\, divine love\, and big feelings with an equally big physicality of passion. Danielle will guide participants through a series of games designed to enhance your ability to listen\, find spontaneity and cultivate freedom within structure. Life is hard\, making art doesn’t have to be. Sessions run weekly\, 10am-1pm.[/vc_column_text][vc_empty_space height=”20px”][vc_column_text] \nCOVID-19 Safety Policies\n[/vc_column_text][vc_column_text]For this workshop: \n\nMasking required: KN95 or N95\nParticipants may be able to remove masks for individual exercises\nLarge studio\nWindows and HVAC system\n\n[/vc_column_text][vc_empty_space height=”20px”][vc_column_text] \nAbout Danielle Skraastad\n[/vc_column_text][vc_column_text]Danielle Skraastad is a director\, teacher and actor. Danielle teaches Games at NYU’s MFA Graduate Acting Program. She has worked on the development of The Games Project since 2006. She has previously taught classes and workshops for SUNY Albany\, SUNY Purchase\, QuestStar\, SummerStage\, The Heifeitz Institute\, The Actors Center\, and the National Alliance of Acting Teachers\, among others. \nDanielle’s acting credits include the Broadway production of All My Sons\, IHO and The Wake at The Public Theater\, The Pain and the Itch at Playwrights Horizons\, Hurricane Diane at New York Theatre Workshop\, Anon at The Atlantic\, Lidless for Page 73\, Red Haired Thomas\, Cressida Among the Greeks and The Eyes of Others at The Ohio\, Carrie PS 122 with Theater Couture\, Big Times with WET\, A Midsummer Night’s Dream with The Continuum Project\, New Day at Theater for a New City\, Fugue at The Cherry Lane Theater and Lascivious Something at The Cherry Lane (Mentor Project). Regional credits include Berkeley Rep\, The Kirk\, Two River Theater Festival\, The Wilma\, Hartford Stage\, ACT/Seattle\, Portland Stage Co\, StageWorks/Hudson\, The Lantern. TV/Film: Unforgettable\, Law & Order\, SVU\, Fringe\, Mercy\, 27 Dresses\, and The Business of Story. Danielle’s directing credits include the Rope In Your Hands(Frigid Festival)\, Jesus Hopped the ‘A’ Train and A Hudson Holiday (StageWorksHudson)\, and original plays Confidence Camp\, Road Trip and Junior Year (SummerStage). At SummerStage she also directed several Shakespearean productions including Romeo and Juliet\, The Tempest\, and A Midsummer Night’s Dream.[/vc_column_text][/vc_column][vc_column width=”1/3″][vc_column_text] \nRegister Now\n[/vc_column_text][vc_empty_space height=”20px”][vc_column_text] \nParticipants\nEnrollment is limited to 16 actors. Participants are asked to attend all sessions\, while limited conflicts can be accommodated.[/vc_column_text][vc_column_text el_class=”participant_list”][/vc_column_text][/vc_column][/vc_row][vc_row][vc_column width=”2/3″][vc_column_text] \nComments/Queries\n[/vc_column_text][tommusrhodus_visual_composer_comments][/vc_column][vc_column width=”1/3″][/vc_column][/vc_row]
URL:https://theactorscenter.org/event/danielle-skraastad-games/2022-11-07/
LOCATION:Ripley Grier\, 520 8th Ave\, New York\, NY\, 10001\, United States
GEO:40.753645;-73.9919341
X-APPLE-STRUCTURED-LOCATION;VALUE=URI;X-ADDRESS=Ripley Grier 520 8th Ave New York NY 10001 United States;X-APPLE-RADIUS=500;X-TITLE=520 8th Ave:geo:-73.9919341,40.753645
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20221106T110000
DTEND;TZID=America/New_York:20221106T140000
DTSTAMP:20221201T140322Z
CREATED:20221021T001942Z
LAST-MODIFIED:20221201T140322Z
UID:10001791-1667732400-1667743200@theactorscenter.org
SUMMARY:Joanna Merlin & Bethany Caputo: Michael Chekhov Technique
DESCRIPTION:[vc_row][vc_column][vc_column_text el_class=”home_quote_name”] \nIn-Person Workshop\n[/vc_column_text][vc_column_text] \nJoanna Merlin & Bethany Caputo: Michael Chekhov Technique\nWeekend Workshop\n[/vc_column_text][/vc_column][/vc_row][vc_row][vc_column width=”2/3″][vc_column_text] \nDates & Times\n[/vc_column_text][vc_column_text]Saturday\, November 5\, 2022 – 11:00am-2:00pm\nSunday\, November 6\, 2022 – 11:00am-2:00pm \nRipley Grier\, 520 8th Avenue\, 16th Floor\, Studio 16D \nThis workshop will take place in person.\nWe are unable to accommodate observers for this workshop.[/vc_column_text][vc_empty_space height=”20px”][vc_column_text] \nAbout the Workshop\n[/vc_column_text][vc_column_text]Esteemed actress\, educator\, and the last living student of Michael Chekhov\, Joanna Merlin\, returns to The Actors Center alongside colleague Bethany Caputo to lead a two-day workshop on Chekhov’s Psychological Gesture. Chekhov developed this technique as a psychophysical approach in which transformation\, working with impulse\, imagination\, and inner and outer gesture are central. Joanna and Bethany will guide participants through various qualities of movement\, physical exploration of gesture\, and character choices\, aimed at provoking the actor’s body\, spirit\, and imagination into action. Sessions run 11:00am-2:00pm each day.[/vc_column_text][vc_empty_space height=”20px”][vc_column_text] \nCOVID-19 Safety Policies\n[/vc_column_text][vc_column_text]For this workshop: \n\nAt-home rapid covid test required before each session\nMasks optional\nDaily health screening questionnaire\nLarge studio\nWindows and ventilation system\n\n[/vc_column_text][vc_empty_space height=”20px”][vc_column_text] \nAbout Joanna Merlin & Bethany Caputo\n[/vc_column_text][vc_column_text]Joanna Merlin\, a student of Michael Chekhov\, is an actor\, teacher\, and former casting director.  She is a faculty member at New York University’s Graduate Acting program at the Tisch School of the Arts and currently serves as President of the Michael Chekhov Association. She is the recipient of two Casting Society of America Artios Awards for casting Bertolucci’s The Last Emperor and Sondheim’s Into the Woods. As Harold Prince’s Casting Director\, she cast the original Broadway productions of Sondheim’s Company\, Follies\, A Little Night Music\, Pacific Overtures\, Sweeney Todd\, and Merrily We Roll Along\, as well as Evita\, Candide\, A Doll’s Life\, Play Memory\, End of the World\, and On the Twentieth Century. As an actor\, her Broadway credits include Becket opposite Laurence Olivier and Fiddler on the Roof in which she created the role of Tzeitel\, the eldest daughter. Films include Sarah’s Key\, The Wackness\, Invasion\, City of Angels\, Class Action\, Mystic Pizza\, Fame\, The Killing Fields\, The Ten Commandments. She has appeared on “The Good Wife” and “Homeland” and had a recurring part in “Law & Order: Special Victims Unit” as Judge Lena Petrovsky. Joanna is a co-founder of the Alliance for Inclusion in the Arts (formerly the Non-Traditional Casting Project) and was a member of the Tony Awards Nominating Committee. Her book\, Auditioning: An Actor-Friendly Guide\, was published by Vintage in May\, 2001 and is still in print. \nBethany Caputo is an acting coach and teacher on faculty with The Michael Chekhov Association (MICHA)\, the Michael Chekhov School of Acting\, Terry Knickerbocker Studios\, and she is the Director of the Michael Chekhov Studio in NYC.  Bethany has taught at the Shanghai Theatre Academy\, Zurich University of the Arts\, Victoria College of the Arts\, the National Institute of Dramatic Arts in Sydney\, as well as several universities in the NYC area. Bethany’s acting credits include The Tempest at Pittsburgh Public Theatre\, All My Sons with Alec Baldwin and Laurie Metcalf\, the premiere of Shakespeare in Hollywood at Arena Stage\, The Merchant of Venice at Chicago Shakespeare Theatre\, The Stronger at the Eugene O’Neill Theatre Center\, The Underpants at Actors Theatre of Louisville\, Arcadia at the Court Theatre\, among others. Bethany’s television and film credits include Who Framed Tommy Callahan\,  Law and Order SVU & OC\, FBI\, and Marvel’s Jessica Jones.  Bethany’s classes and contact info can be found at bethanycaputo.com.[/vc_column_text][/vc_column][vc_column width=”1/3″][vc_column_text] \nRegister Now\n[/vc_column_text][vc_empty_space height=”20px”][vc_column_text] \nParticipants\nEnrollment is limited to 16 actors. Participants are asked to attend both sessions in full.[/vc_column_text][vc_column_text el_class=”participant_list”][/vc_column_text][/vc_column][/vc_row][vc_row][vc_column width=”2/3″][vc_column_text] \nComments/Queries\n[/vc_column_text][tommusrhodus_visual_composer_comments][/vc_column][vc_column width=”1/3″][/vc_column][/vc_row]
URL:https://theactorscenter.org/event/joanna-merlin-bethany-caputo-michael-chekhov-technique/2022-11-06/
LOCATION:Ripley Grier\, 520 8th Ave\, New York\, NY\, 10001\, United States
GEO:40.753645;-73.9919341
X-APPLE-STRUCTURED-LOCATION;VALUE=URI;X-ADDRESS=Ripley Grier 520 8th Ave New York NY 10001 United States;X-APPLE-RADIUS=500;X-TITLE=520 8th Ave:geo:-73.9919341,40.753645
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20221105T110000
DTEND;TZID=America/New_York:20221105T140000
DTSTAMP:20221201T140322Z
CREATED:20221021T001942Z
LAST-MODIFIED:20221201T140322Z
UID:10001790-1667646000-1667656800@theactorscenter.org
SUMMARY:Joanna Merlin & Bethany Caputo: Michael Chekhov Technique
DESCRIPTION:[vc_row][vc_column][vc_column_text el_class=”home_quote_name”] \nIn-Person Workshop\n[/vc_column_text][vc_column_text] \nJoanna Merlin & Bethany Caputo: Michael Chekhov Technique\nWeekend Workshop\n[/vc_column_text][/vc_column][/vc_row][vc_row][vc_column width=”2/3″][vc_column_text] \nDates & Times\n[/vc_column_text][vc_column_text]Saturday\, November 5\, 2022 – 11:00am-2:00pm\nSunday\, November 6\, 2022 – 11:00am-2:00pm \nRipley Grier\, 520 8th Avenue\, 16th Floor\, Studio 16D \nThis workshop will take place in person.\nWe are unable to accommodate observers for this workshop.[/vc_column_text][vc_empty_space height=”20px”][vc_column_text] \nAbout the Workshop\n[/vc_column_text][vc_column_text]Esteemed actress\, educator\, and the last living student of Michael Chekhov\, Joanna Merlin\, returns to The Actors Center alongside colleague Bethany Caputo to lead a two-day workshop on Chekhov’s Psychological Gesture. Chekhov developed this technique as a psychophysical approach in which transformation\, working with impulse\, imagination\, and inner and outer gesture are central. Joanna and Bethany will guide participants through various qualities of movement\, physical exploration of gesture\, and character choices\, aimed at provoking the actor’s body\, spirit\, and imagination into action. Sessions run 11:00am-2:00pm each day.[/vc_column_text][vc_empty_space height=”20px”][vc_column_text] \nCOVID-19 Safety Policies\n[/vc_column_text][vc_column_text]For this workshop: \n\nAt-home rapid covid test required before each session\nMasks optional\nDaily health screening questionnaire\nLarge studio\nWindows and ventilation system\n\n[/vc_column_text][vc_empty_space height=”20px”][vc_column_text] \nAbout Joanna Merlin & Bethany Caputo\n[/vc_column_text][vc_column_text]Joanna Merlin\, a student of Michael Chekhov\, is an actor\, teacher\, and former casting director.  She is a faculty member at New York University’s Graduate Acting program at the Tisch School of the Arts and currently serves as President of the Michael Chekhov Association. She is the recipient of two Casting Society of America Artios Awards for casting Bertolucci’s The Last Emperor and Sondheim’s Into the Woods. As Harold Prince’s Casting Director\, she cast the original Broadway productions of Sondheim’s Company\, Follies\, A Little Night Music\, Pacific Overtures\, Sweeney Todd\, and Merrily We Roll Along\, as well as Evita\, Candide\, A Doll’s Life\, Play Memory\, End of the World\, and On the Twentieth Century. As an actor\, her Broadway credits include Becket opposite Laurence Olivier and Fiddler on the Roof in which she created the role of Tzeitel\, the eldest daughter. Films include Sarah’s Key\, The Wackness\, Invasion\, City of Angels\, Class Action\, Mystic Pizza\, Fame\, The Killing Fields\, The Ten Commandments. She has appeared on “The Good Wife” and “Homeland” and had a recurring part in “Law & Order: Special Victims Unit” as Judge Lena Petrovsky. Joanna is a co-founder of the Alliance for Inclusion in the Arts (formerly the Non-Traditional Casting Project) and was a member of the Tony Awards Nominating Committee. Her book\, Auditioning: An Actor-Friendly Guide\, was published by Vintage in May\, 2001 and is still in print. \nBethany Caputo is an acting coach and teacher on faculty with The Michael Chekhov Association (MICHA)\, the Michael Chekhov School of Acting\, Terry Knickerbocker Studios\, and she is the Director of the Michael Chekhov Studio in NYC.  Bethany has taught at the Shanghai Theatre Academy\, Zurich University of the Arts\, Victoria College of the Arts\, the National Institute of Dramatic Arts in Sydney\, as well as several universities in the NYC area. Bethany’s acting credits include The Tempest at Pittsburgh Public Theatre\, All My Sons with Alec Baldwin and Laurie Metcalf\, the premiere of Shakespeare in Hollywood at Arena Stage\, The Merchant of Venice at Chicago Shakespeare Theatre\, The Stronger at the Eugene O’Neill Theatre Center\, The Underpants at Actors Theatre of Louisville\, Arcadia at the Court Theatre\, among others. Bethany’s television and film credits include Who Framed Tommy Callahan\,  Law and Order SVU & OC\, FBI\, and Marvel’s Jessica Jones.  Bethany’s classes and contact info can be found at bethanycaputo.com.[/vc_column_text][/vc_column][vc_column width=”1/3″][vc_column_text] \nRegister Now\n[/vc_column_text][vc_empty_space height=”20px”][vc_column_text] \nParticipants\nEnrollment is limited to 16 actors. Participants are asked to attend both sessions in full.[/vc_column_text][vc_column_text el_class=”participant_list”][/vc_column_text][/vc_column][/vc_row][vc_row][vc_column width=”2/3″][vc_column_text] \nComments/Queries\n[/vc_column_text][tommusrhodus_visual_composer_comments][/vc_column][vc_column width=”1/3″][/vc_column][/vc_row]
URL:https://theactorscenter.org/event/joanna-merlin-bethany-caputo-michael-chekhov-technique/2022-11-05/
LOCATION:Ripley Grier\, 520 8th Ave\, New York\, NY\, 10001\, United States
GEO:40.753645;-73.9919341
X-APPLE-STRUCTURED-LOCATION;VALUE=URI;X-ADDRESS=Ripley Grier 520 8th Ave New York NY 10001 United States;X-APPLE-RADIUS=500;X-TITLE=520 8th Ave:geo:-73.9919341,40.753645
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20221104T100000
DTEND;TZID=America/New_York:20221104T130000
DTSTAMP:20221017T134526Z
CREATED:20221012T192800Z
LAST-MODIFIED:20221017T134526Z
UID:10001781-1667556000-1667566800@theactorscenter.org
SUMMARY:Fabio Tavares: Body\, Breath & Voice
DESCRIPTION:[vc_row][vc_column][vc_column_text el_class=”home_quote_name”] \nIn-Person Workshop\n[/vc_column_text][vc_column_text] \nFabio Tavares: Body\, Breath & Voice\nAlexander On-Camera\n4 Week Workshop\n[/vc_column_text][/vc_column][/vc_row][vc_row][vc_column width=”2/3″][vc_column_text] \nDates & Times\n[/vc_column_text][vc_column_text]Friday\, October 21\, 2022 – 10:00am-1:00pm\nFriday\, October 28\, 2022 – 10:00am-1:00pm\nFriday\, November 4\, 2022 – 10:00am-1:00pm\nFriday\, November 11\, 2022 – 10:00am-1:00pm \nLucid Body House\, 230 Lexington Ave (at 34th) \nThis workshop will take place in person.\nWe are unable to accommodate observers for this workshop.[/vc_column_text][vc_empty_space height=”20px”][vc_column_text] \nAbout the Workshop\n[/vc_column_text][vc_column_text]Interdisciplinary artist and teacher\, Fabio Tavares\, returns to The Actors Center for a series of four Friday mornings devoted to the Alexander Technique. Alexander’s own quest began as an attempt to solve his vocal issues. Later on he realized that breath\, body and voice were all part of the same organism\, all deeply connected to his thinking. In order to look at voice and breath we need to understand how the body works. The body produces the voice. In this workshop\, Fabio will guide an exploration of ideas and activities that will encourage our bodies to release in order to produce sound and movement with more ease and flow. Whether on stage or on set\, the principles are the same. A freer body will produce a freer sound. In the latter part of each session\, participants will be invited to bring in film or TV sides to work on-camera and explore adjustments in the work. Sessions run weekly\, 10am-1pm.[/vc_column_text][vc_empty_space height=”20px”][vc_column_text] \nCOVID-19 Safety Policies\n[/vc_column_text][vc_column_text]For this workshop: \n\nAt-home rapid covid test required before each session\nMasks optional\nDaily health screening questionnaire\nLarge studio\nWindows and portable HEPA/equivalent air purifiers\n\n[/vc_column_text][vc_empty_space height=”20px”][vc_column_text] \nAbout Fabio Tavares\n[/vc_column_text][vc_column_text]Fabio Tavares (he/him) is a queer Brazilian artist who’s been obsessed with the human body in action from a very young age. He started off as a competitive gymnast before running away to join the circus at the age of 15 where he got his first professional job as an acrobat. Fabio moved to New York in 1999 where he’s been dancing\, flying\, falling\, crashing\, studying\, learning\, teaching and making noise since. \nHe has collaborated and performed with Yvonne Meyer\, chameckilerner\, Miguel Gutierrez\, Fisherspooner\, Noemie Lafrance\, Luis Lara Malvacías\, Jeniffer Monson\, Circus Amok\, John Heginbotham\, Laurie Anderson\,The Dazzle Dancers\, The Daisy Spurs\, Stanley Love\, Anna Kohler\, Anne Bogart and the acclaimed SITI Company. Fabio has danced with Elizabeth STREB and her extreme-action company for 14 years where he served as the Associate Artistic Director for a decade. Fabio’s one man show The Ex-Body based on the text “The Hamletmachine” by Henier Müller has been performed in Brazil\, Europe and the US since 2010. \nFabio is an AmSAT certified Alexander Technique teacher \, a certified Klein Technique™ teacher\, and a Certified Zero Balancing practitioner. He has taught at PACE University 2014-2017. He’s currently a faculty member at Movement Research and David Geffen School of Drama at Yale. For more info please go to healthandpoise.com[/vc_column_text][vc_empty_space height=”20px”][/vc_column][vc_column width=”1/3″][vc_column_text] \nRegister Now\n[/vc_column_text][vc_empty_space height=”20px”][vc_column_text] \nParticipants\nEnrollment is limited to 16 actors. Participants are asked to attend all sessions\, while limited conflicts can be accommodated.[/vc_column_text][vc_column_text el_class=”participant_list”][/vc_column_text][/vc_column][/vc_row][vc_row][vc_column width=”2/3″][vc_column_text] \nComments/Queries\n[/vc_column_text][tommusrhodus_visual_composer_comments][/vc_column][vc_column width=”1/3″][/vc_column][/vc_row]
URL:https://theactorscenter.org/event/fabio-tavares-body-breath-voice/2022-11-04/
LOCATION:Lucid Body House\, 230 Lexington Avenue\, New York\, NY\, 10016\, United States
GEO:40.7462226;-73.9801703
X-APPLE-STRUCTURED-LOCATION;VALUE=URI;X-ADDRESS=Lucid Body House 230 Lexington Avenue New York NY 10016 United States;X-APPLE-RADIUS=500;X-TITLE=230 Lexington Avenue:geo:-73.9801703,40.7462226
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20221031T100000
DTEND;TZID=America/New_York:20221031T130000
DTSTAMP:20221017T134520Z
CREATED:20221013T144054Z
LAST-MODIFIED:20221017T134520Z
UID:10001785-1667210400-1667221200@theactorscenter.org
SUMMARY:Danielle Skraastad: Games (10/24-11/21)
DESCRIPTION:[vc_row][vc_column][vc_column_text el_class=”home_quote_name”] \nIn-Person Workshop\n[/vc_column_text][vc_column_text] \nDANIELLE SKRAASTAD: Games\n5 Week Workshop\n[/vc_column_text][/vc_column][/vc_row][vc_row][vc_column width=”2/3″][vc_column_text] \nDates & Times\n[/vc_column_text][vc_column_text]Monday\, October 24\, 2022 – 10:00am-1:00pm\nMonday\, October 31\, 2022 – 10:00am-1:00pm\nMonday\, November 7\, 2022 – 10:00am-1:00pm\nMonday\, November 14\, 2022 – 10:00am-1:00pm\nMonday\, November 21\, 2022 – 10:00am-1:00pm \nRipley Grier\, 520 8th Avenue\, 16th Floor \nThis workshop will take place in person.\nWe are unable to accommodate observers for this workshop.[/vc_column_text][vc_empty_space height=”20px”][vc_column_text] \nAbout the Workshop\n[/vc_column_text][vc_column_text]Actor\, teacher\, and NYU Grad Acting faculty\, Danielle Skraastad\, returns to The Actors Center for a series of five Monday mornings devoted to Games. Come indulge in the simple pleasure of play and rekindle your connection to joy\, divine love\, and big feelings with an equally big physicality of passion. Danielle will guide participants through a series of games designed to enhance your ability to listen\, find spontaneity and cultivate freedom within structure. Life is hard\, making art doesn’t have to be. Sessions run weekly\, 10am-1pm.[/vc_column_text][vc_empty_space height=”20px”][vc_column_text] \nCOVID-19 Safety Policies\n[/vc_column_text][vc_column_text]For this workshop: \n\nMasking required: KN95 or N95\nParticipants may be able to remove masks for individual exercises\nLarge studio\nWindows and HVAC system\n\n[/vc_column_text][vc_empty_space height=”20px”][vc_column_text] \nAbout Danielle Skraastad\n[/vc_column_text][vc_column_text]Danielle Skraastad is a director\, teacher and actor. Danielle teaches Games at NYU’s MFA Graduate Acting Program. She has worked on the development of The Games Project since 2006. She has previously taught classes and workshops for SUNY Albany\, SUNY Purchase\, QuestStar\, SummerStage\, The Heifeitz Institute\, The Actors Center\, and the National Alliance of Acting Teachers\, among others. \nDanielle’s acting credits include the Broadway production of All My Sons\, IHO and The Wake at The Public Theater\, The Pain and the Itch at Playwrights Horizons\, Hurricane Diane at New York Theatre Workshop\, Anon at The Atlantic\, Lidless for Page 73\, Red Haired Thomas\, Cressida Among the Greeks and The Eyes of Others at The Ohio\, Carrie PS 122 with Theater Couture\, Big Times with WET\, A Midsummer Night’s Dream with The Continuum Project\, New Day at Theater for a New City\, Fugue at The Cherry Lane Theater and Lascivious Something at The Cherry Lane (Mentor Project). Regional credits include Berkeley Rep\, The Kirk\, Two River Theater Festival\, The Wilma\, Hartford Stage\, ACT/Seattle\, Portland Stage Co\, StageWorks/Hudson\, The Lantern. TV/Film: Unforgettable\, Law & Order\, SVU\, Fringe\, Mercy\, 27 Dresses\, and The Business of Story. Danielle’s directing credits include the Rope In Your Hands(Frigid Festival)\, Jesus Hopped the ‘A’ Train and A Hudson Holiday (StageWorksHudson)\, and original plays Confidence Camp\, Road Trip and Junior Year (SummerStage). At SummerStage she also directed several Shakespearean productions including Romeo and Juliet\, The Tempest\, and A Midsummer Night’s Dream.[/vc_column_text][/vc_column][vc_column width=”1/3″][vc_column_text] \nRegister Now\n[/vc_column_text][vc_empty_space height=”20px”][vc_column_text] \nParticipants\nEnrollment is limited to 16 actors. Participants are asked to attend all sessions\, while limited conflicts can be accommodated.[/vc_column_text][vc_column_text el_class=”participant_list”][/vc_column_text][/vc_column][/vc_row][vc_row][vc_column width=”2/3″][vc_column_text] \nComments/Queries\n[/vc_column_text][tommusrhodus_visual_composer_comments][/vc_column][vc_column width=”1/3″][/vc_column][/vc_row]
URL:https://theactorscenter.org/event/danielle-skraastad-games/2022-10-31/
LOCATION:Ripley Grier\, 520 8th Ave\, New York\, NY\, 10001\, United States
GEO:40.753645;-73.9919341
X-APPLE-STRUCTURED-LOCATION;VALUE=URI;X-ADDRESS=Ripley Grier 520 8th Ave New York NY 10001 United States;X-APPLE-RADIUS=500;X-TITLE=520 8th Ave:geo:-73.9919341,40.753645
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20221028T100000
DTEND;TZID=America/New_York:20221028T130000
DTSTAMP:20221017T134526Z
CREATED:20221012T192800Z
LAST-MODIFIED:20221017T134526Z
UID:10001780-1666951200-1666962000@theactorscenter.org
SUMMARY:Fabio Tavares: Body\, Breath & Voice
DESCRIPTION:[vc_row][vc_column][vc_column_text el_class=”home_quote_name”] \nIn-Person Workshop\n[/vc_column_text][vc_column_text] \nFabio Tavares: Body\, Breath & Voice\nAlexander On-Camera\n4 Week Workshop\n[/vc_column_text][/vc_column][/vc_row][vc_row][vc_column width=”2/3″][vc_column_text] \nDates & Times\n[/vc_column_text][vc_column_text]Friday\, October 21\, 2022 – 10:00am-1:00pm\nFriday\, October 28\, 2022 – 10:00am-1:00pm\nFriday\, November 4\, 2022 – 10:00am-1:00pm\nFriday\, November 11\, 2022 – 10:00am-1:00pm \nLucid Body House\, 230 Lexington Ave (at 34th) \nThis workshop will take place in person.\nWe are unable to accommodate observers for this workshop.[/vc_column_text][vc_empty_space height=”20px”][vc_column_text] \nAbout the Workshop\n[/vc_column_text][vc_column_text]Interdisciplinary artist and teacher\, Fabio Tavares\, returns to The Actors Center for a series of four Friday mornings devoted to the Alexander Technique. Alexander’s own quest began as an attempt to solve his vocal issues. Later on he realized that breath\, body and voice were all part of the same organism\, all deeply connected to his thinking. In order to look at voice and breath we need to understand how the body works. The body produces the voice. In this workshop\, Fabio will guide an exploration of ideas and activities that will encourage our bodies to release in order to produce sound and movement with more ease and flow. Whether on stage or on set\, the principles are the same. A freer body will produce a freer sound. In the latter part of each session\, participants will be invited to bring in film or TV sides to work on-camera and explore adjustments in the work. Sessions run weekly\, 10am-1pm.[/vc_column_text][vc_empty_space height=”20px”][vc_column_text] \nCOVID-19 Safety Policies\n[/vc_column_text][vc_column_text]For this workshop: \n\nAt-home rapid covid test required before each session\nMasks optional\nDaily health screening questionnaire\nLarge studio\nWindows and portable HEPA/equivalent air purifiers\n\n[/vc_column_text][vc_empty_space height=”20px”][vc_column_text] \nAbout Fabio Tavares\n[/vc_column_text][vc_column_text]Fabio Tavares (he/him) is a queer Brazilian artist who’s been obsessed with the human body in action from a very young age. He started off as a competitive gymnast before running away to join the circus at the age of 15 where he got his first professional job as an acrobat. Fabio moved to New York in 1999 where he’s been dancing\, flying\, falling\, crashing\, studying\, learning\, teaching and making noise since. \nHe has collaborated and performed with Yvonne Meyer\, chameckilerner\, Miguel Gutierrez\, Fisherspooner\, Noemie Lafrance\, Luis Lara Malvacías\, Jeniffer Monson\, Circus Amok\, John Heginbotham\, Laurie Anderson\,The Dazzle Dancers\, The Daisy Spurs\, Stanley Love\, Anna Kohler\, Anne Bogart and the acclaimed SITI Company. Fabio has danced with Elizabeth STREB and her extreme-action company for 14 years where he served as the Associate Artistic Director for a decade. Fabio’s one man show The Ex-Body based on the text “The Hamletmachine” by Henier Müller has been performed in Brazil\, Europe and the US since 2010. \nFabio is an AmSAT certified Alexander Technique teacher \, a certified Klein Technique™ teacher\, and a Certified Zero Balancing practitioner. He has taught at PACE University 2014-2017. He’s currently a faculty member at Movement Research and David Geffen School of Drama at Yale. For more info please go to healthandpoise.com[/vc_column_text][vc_empty_space height=”20px”][/vc_column][vc_column width=”1/3″][vc_column_text] \nRegister Now\n[/vc_column_text][vc_empty_space height=”20px”][vc_column_text] \nParticipants\nEnrollment is limited to 16 actors. Participants are asked to attend all sessions\, while limited conflicts can be accommodated.[/vc_column_text][vc_column_text el_class=”participant_list”][/vc_column_text][/vc_column][/vc_row][vc_row][vc_column width=”2/3″][vc_column_text] \nComments/Queries\n[/vc_column_text][tommusrhodus_visual_composer_comments][/vc_column][vc_column width=”1/3″][/vc_column][/vc_row]
URL:https://theactorscenter.org/event/fabio-tavares-body-breath-voice/2022-10-28/
LOCATION:Lucid Body House\, 230 Lexington Avenue\, New York\, NY\, 10016\, United States
GEO:40.7462226;-73.9801703
X-APPLE-STRUCTURED-LOCATION;VALUE=URI;X-ADDRESS=Lucid Body House 230 Lexington Avenue New York NY 10016 United States;X-APPLE-RADIUS=500;X-TITLE=230 Lexington Avenue:geo:-73.9801703,40.7462226
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20221024T100000
DTEND;TZID=America/New_York:20221024T130000
DTSTAMP:20221017T134520Z
CREATED:20221013T144054Z
LAST-MODIFIED:20221017T134520Z
UID:10001784-1666605600-1666616400@theactorscenter.org
SUMMARY:Danielle Skraastad: Games (10/24-11/21)
DESCRIPTION:[vc_row][vc_column][vc_column_text el_class=”home_quote_name”] \nIn-Person Workshop\n[/vc_column_text][vc_column_text] \nDANIELLE SKRAASTAD: Games\n5 Week Workshop\n[/vc_column_text][/vc_column][/vc_row][vc_row][vc_column width=”2/3″][vc_column_text] \nDates & Times\n[/vc_column_text][vc_column_text]Monday\, October 24\, 2022 – 10:00am-1:00pm\nMonday\, October 31\, 2022 – 10:00am-1:00pm\nMonday\, November 7\, 2022 – 10:00am-1:00pm\nMonday\, November 14\, 2022 – 10:00am-1:00pm\nMonday\, November 21\, 2022 – 10:00am-1:00pm \nRipley Grier\, 520 8th Avenue\, 16th Floor \nThis workshop will take place in person.\nWe are unable to accommodate observers for this workshop.[/vc_column_text][vc_empty_space height=”20px”][vc_column_text] \nAbout the Workshop\n[/vc_column_text][vc_column_text]Actor\, teacher\, and NYU Grad Acting faculty\, Danielle Skraastad\, returns to The Actors Center for a series of five Monday mornings devoted to Games. Come indulge in the simple pleasure of play and rekindle your connection to joy\, divine love\, and big feelings with an equally big physicality of passion. Danielle will guide participants through a series of games designed to enhance your ability to listen\, find spontaneity and cultivate freedom within structure. Life is hard\, making art doesn’t have to be. Sessions run weekly\, 10am-1pm.[/vc_column_text][vc_empty_space height=”20px”][vc_column_text] \nCOVID-19 Safety Policies\n[/vc_column_text][vc_column_text]For this workshop: \n\nMasking required: KN95 or N95\nParticipants may be able to remove masks for individual exercises\nLarge studio\nWindows and HVAC system\n\n[/vc_column_text][vc_empty_space height=”20px”][vc_column_text] \nAbout Danielle Skraastad\n[/vc_column_text][vc_column_text]Danielle Skraastad is a director\, teacher and actor. Danielle teaches Games at NYU’s MFA Graduate Acting Program. She has worked on the development of The Games Project since 2006. She has previously taught classes and workshops for SUNY Albany\, SUNY Purchase\, QuestStar\, SummerStage\, The Heifeitz Institute\, The Actors Center\, and the National Alliance of Acting Teachers\, among others. \nDanielle’s acting credits include the Broadway production of All My Sons\, IHO and The Wake at The Public Theater\, The Pain and the Itch at Playwrights Horizons\, Hurricane Diane at New York Theatre Workshop\, Anon at The Atlantic\, Lidless for Page 73\, Red Haired Thomas\, Cressida Among the Greeks and The Eyes of Others at The Ohio\, Carrie PS 122 with Theater Couture\, Big Times with WET\, A Midsummer Night’s Dream with The Continuum Project\, New Day at Theater for a New City\, Fugue at The Cherry Lane Theater and Lascivious Something at The Cherry Lane (Mentor Project). Regional credits include Berkeley Rep\, The Kirk\, Two River Theater Festival\, The Wilma\, Hartford Stage\, ACT/Seattle\, Portland Stage Co\, StageWorks/Hudson\, The Lantern. TV/Film: Unforgettable\, Law & Order\, SVU\, Fringe\, Mercy\, 27 Dresses\, and The Business of Story. Danielle’s directing credits include the Rope In Your Hands(Frigid Festival)\, Jesus Hopped the ‘A’ Train and A Hudson Holiday (StageWorksHudson)\, and original plays Confidence Camp\, Road Trip and Junior Year (SummerStage). At SummerStage she also directed several Shakespearean productions including Romeo and Juliet\, The Tempest\, and A Midsummer Night’s Dream.[/vc_column_text][/vc_column][vc_column width=”1/3″][vc_column_text] \nRegister Now\n[/vc_column_text][vc_empty_space height=”20px”][vc_column_text] \nParticipants\nEnrollment is limited to 16 actors. Participants are asked to attend all sessions\, while limited conflicts can be accommodated.[/vc_column_text][vc_column_text el_class=”participant_list”][/vc_column_text][/vc_column][/vc_row][vc_row][vc_column width=”2/3″][vc_column_text] \nComments/Queries\n[/vc_column_text][tommusrhodus_visual_composer_comments][/vc_column][vc_column width=”1/3″][/vc_column][/vc_row]
URL:https://theactorscenter.org/event/danielle-skraastad-games/2022-10-24/
LOCATION:Ripley Grier\, 520 8th Ave\, New York\, NY\, 10001\, United States
GEO:40.753645;-73.9919341
X-APPLE-STRUCTURED-LOCATION;VALUE=URI;X-ADDRESS=Ripley Grier 520 8th Ave New York NY 10001 United States;X-APPLE-RADIUS=500;X-TITLE=520 8th Ave:geo:-73.9919341,40.753645
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20221021T100000
DTEND;TZID=America/New_York:20221021T130000
DTSTAMP:20221017T134526Z
CREATED:20221012T192800Z
LAST-MODIFIED:20221017T134526Z
UID:10001779-1666346400-1666357200@theactorscenter.org
SUMMARY:Fabio Tavares: Body\, Breath & Voice
DESCRIPTION:[vc_row][vc_column][vc_column_text el_class=”home_quote_name”] \nIn-Person Workshop\n[/vc_column_text][vc_column_text] \nFabio Tavares: Body\, Breath & Voice\nAlexander On-Camera\n4 Week Workshop\n[/vc_column_text][/vc_column][/vc_row][vc_row][vc_column width=”2/3″][vc_column_text] \nDates & Times\n[/vc_column_text][vc_column_text]Friday\, October 21\, 2022 – 10:00am-1:00pm\nFriday\, October 28\, 2022 – 10:00am-1:00pm\nFriday\, November 4\, 2022 – 10:00am-1:00pm\nFriday\, November 11\, 2022 – 10:00am-1:00pm \nLucid Body House\, 230 Lexington Ave (at 34th) \nThis workshop will take place in person.\nWe are unable to accommodate observers for this workshop.[/vc_column_text][vc_empty_space height=”20px”][vc_column_text] \nAbout the Workshop\n[/vc_column_text][vc_column_text]Interdisciplinary artist and teacher\, Fabio Tavares\, returns to The Actors Center for a series of four Friday mornings devoted to the Alexander Technique. Alexander’s own quest began as an attempt to solve his vocal issues. Later on he realized that breath\, body and voice were all part of the same organism\, all deeply connected to his thinking. In order to look at voice and breath we need to understand how the body works. The body produces the voice. In this workshop\, Fabio will guide an exploration of ideas and activities that will encourage our bodies to release in order to produce sound and movement with more ease and flow. Whether on stage or on set\, the principles are the same. A freer body will produce a freer sound. In the latter part of each session\, participants will be invited to bring in film or TV sides to work on-camera and explore adjustments in the work. Sessions run weekly\, 10am-1pm.[/vc_column_text][vc_empty_space height=”20px”][vc_column_text] \nCOVID-19 Safety Policies\n[/vc_column_text][vc_column_text]For this workshop: \n\nAt-home rapid covid test required before each session\nMasks optional\nDaily health screening questionnaire\nLarge studio\nWindows and portable HEPA/equivalent air purifiers\n\n[/vc_column_text][vc_empty_space height=”20px”][vc_column_text] \nAbout Fabio Tavares\n[/vc_column_text][vc_column_text]Fabio Tavares (he/him) is a queer Brazilian artist who’s been obsessed with the human body in action from a very young age. He started off as a competitive gymnast before running away to join the circus at the age of 15 where he got his first professional job as an acrobat. Fabio moved to New York in 1999 where he’s been dancing\, flying\, falling\, crashing\, studying\, learning\, teaching and making noise since. \nHe has collaborated and performed with Yvonne Meyer\, chameckilerner\, Miguel Gutierrez\, Fisherspooner\, Noemie Lafrance\, Luis Lara Malvacías\, Jeniffer Monson\, Circus Amok\, John Heginbotham\, Laurie Anderson\,The Dazzle Dancers\, The Daisy Spurs\, Stanley Love\, Anna Kohler\, Anne Bogart and the acclaimed SITI Company. Fabio has danced with Elizabeth STREB and her extreme-action company for 14 years where he served as the Associate Artistic Director for a decade. Fabio’s one man show The Ex-Body based on the text “The Hamletmachine” by Henier Müller has been performed in Brazil\, Europe and the US since 2010. \nFabio is an AmSAT certified Alexander Technique teacher \, a certified Klein Technique™ teacher\, and a Certified Zero Balancing practitioner. He has taught at PACE University 2014-2017. He’s currently a faculty member at Movement Research and David Geffen School of Drama at Yale. For more info please go to healthandpoise.com[/vc_column_text][vc_empty_space height=”20px”][/vc_column][vc_column width=”1/3″][vc_column_text] \nRegister Now\n[/vc_column_text][vc_empty_space height=”20px”][vc_column_text] \nParticipants\nEnrollment is limited to 16 actors. Participants are asked to attend all sessions\, while limited conflicts can be accommodated.[/vc_column_text][vc_column_text el_class=”participant_list”][/vc_column_text][/vc_column][/vc_row][vc_row][vc_column width=”2/3″][vc_column_text] \nComments/Queries\n[/vc_column_text][tommusrhodus_visual_composer_comments][/vc_column][vc_column width=”1/3″][/vc_column][/vc_row]
URL:https://theactorscenter.org/event/fabio-tavares-body-breath-voice/2022-10-21/
LOCATION:Lucid Body House\, 230 Lexington Avenue\, New York\, NY\, 10016\, United States
GEO:40.7462226;-73.9801703
X-APPLE-STRUCTURED-LOCATION;VALUE=URI;X-ADDRESS=Lucid Body House 230 Lexington Avenue New York NY 10016 United States;X-APPLE-RADIUS=500;X-TITLE=230 Lexington Avenue:geo:-73.9801703,40.7462226
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20221017T170000
DTEND;TZID=America/New_York:20221017T183000
DTSTAMP:20221017T134514Z
CREATED:20221012T170425Z
LAST-MODIFIED:20221017T134514Z
UID:10001778-1666026000-1666031400@theactorscenter.org
SUMMARY:2022-23 Opening Company Meeting
DESCRIPTION:[vc_row][vc_column][vc_column_text el_class=”event_meeting”] \nCOMPANY EVENT\n[/vc_column_text][vc_column_text] \n2022-23 Opening Company Meeting\n[/vc_column_text][/vc_column][/vc_row][vc_row][vc_column width=”2/3″][vc_column_text] \nDates & Times\n[/vc_column_text][vc_column_text]Monday\, October 17\, 2022 – 5:00pm-6:30pm ET \nLaunch Zoom Link\nMeeting ID: 875 1316 0306\nPasscode: 218915[/vc_column_text][vc_empty_space height=”20px”][vc_column_text] \nAbout the Event\n[/vc_column_text][vc_column_text] \nPlease join us as we launch the 2022-23 season at The Actors Center with our opening company meeting. Most excitingly\, we will welcome and introduce many new members of our company.  We will also discuss the year ahead\, including programming plans\, COVID-19 safety policies\, new staffing plans\, as well as update you on The Actors Center’s continued strategic planning process that began last year. You’re warmly invited to come reconnect with each other as we start a new year. The Zoom meeting starts at 5:00pm ET. \n[/vc_column_text][/vc_column][vc_column width=”1/3″][vc_column_text] \nRSVP\n[/vc_column_text][vc_empty_space height=”20px”][/vc_column][/vc_row][vc_row][vc_column width=”2/3″][vc_column_text] \nComments/Queries\n[/vc_column_text][tommusrhodus_visual_composer_comments][/vc_column][vc_column width=”1/3″][/vc_column][/vc_row]
URL:https://theactorscenter.org/event/2022-23-opening-company-meeting/
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20221014T080000
DTEND;TZID=America/New_York:20221014T130000
DTSTAMP:20221017T134340Z
CREATED:20221014T203549Z
LAST-MODIFIED:20221017T134340Z
UID:10001789-1665734400-1665752400@theactorscenter.org
SUMMARY:Test Event
DESCRIPTION:[vc_row][vc_column width=”2/3″][vc_column_text]I am text block. Click edit button to change this text. Lorem ipsum dolor sit amet\, consectetur adipiscing elit. Ut elit tellus\, luctus nec ullamcorper mattis\, pulvinar dapibus leo.[/vc_column_text][tommusrhodus_visual_composer_comments][/vc_column][vc_column width=”1/3″][/vc_column][/vc_row]
URL:https://theactorscenter.org/event/test-event-2/
END:VEVENT
END:VCALENDAR