BEGIN:VCALENDAR VERSION:2.0 PRODID:-//The Actors Center - ECPv6.16.5//NONSGML v1.0//EN CALSCALE:GREGORIAN METHOD:PUBLISH X-ORIGINAL-URL:https://theactorscenter.org X-WR-CALDESC:Events for The Actors Center REFRESH-INTERVAL;VALUE=DURATION:PT1H X-Robots-Tag:noindex X-PUBLISHED-TTL:PT1H BEGIN:VTIMEZONE TZID:America/New_York BEGIN:DAYLIGHT TZOFFSETFROM:-0500 TZOFFSETTO:-0400 TZNAME:EDT DTSTART:20240310T070000 END:DAYLIGHT BEGIN:STANDARD TZOFFSETFROM:-0400 TZOFFSETTO:-0500 TZNAME:EST DTSTART:20241103T060000 END:STANDARD BEGIN:DAYLIGHT TZOFFSETFROM:-0500 TZOFFSETTO:-0400 TZNAME:EDT DTSTART:20250309T070000 END:DAYLIGHT BEGIN:STANDARD TZOFFSETFROM:-0400 TZOFFSETTO:-0500 TZNAME:EST DTSTART:20251102T060000 END:STANDARD BEGIN:DAYLIGHT TZOFFSETFROM:-0500 TZOFFSETTO:-0400 TZNAME:EDT DTSTART:20260308T070000 END:DAYLIGHT BEGIN:STANDARD TZOFFSETFROM:-0400 TZOFFSETTO:-0500 TZNAME:EST DTSTART:20261101T060000 END:STANDARD END:VTIMEZONE BEGIN:VEVENT DTSTART;TZID=America/New_York:20251021T110000 DTEND;TZID=America/New_York:20251021T123000 DTSTAMP:20240202T144116Z CREATED:20201130T195206Z LAST-MODIFIED:20240202T144116Z UID:10002416-1761044400-1761049800@theactorscenter.org SUMMARY:Weekly Community Space DESCRIPTION:[vc_row][vc_column][vc_column_text el_class=”event_roundtable”] \nCompany CoLabs\n[/vc_column_text][vc_column_text] \nCommunity Space\nTuesday Mornings\n[/vc_column_text][/vc_column][/vc_row][vc_row][vc_column width=”2/3″][vc_column_text] \nDates & Times\n[/vc_column_text][vc_column_text]Every Tuesday – 11:00am-12:30pm ET\n \nLaunch Zoom Link\nMeeting ID: 837 0411 7798\nPasscode: 374737 \nHosted by Jodie Lynne McClintock[/vc_column_text][vc_empty_space height=”20px”][vc_column_text] \nAbout the CoLab\n[/vc_column_text][vc_column_text]Started three years ago at the height of the Covid-19 lockdown as a way to connect\, it has continued weekly as a family of actors navigating the changing landscape of our times. Here you will find a supportive\, safe virtual space where artists in our company bring their stories\, concerns\, questions\, recommendations\, and inspirations in a free-wheeling but facilitated discussion. With no set agenda\, we delve into whatever is of interest or concern in any given week. We explore what it means to be an actor and what place our art holds in the world.  People suggest balm for body and soul while walking hand-in-hand along the actor’s way.[/vc_column_text][vc_column_text] \nAbout the Series\n[/vc_column_text][vc_column_text]Company CoLabs are a series at The Actors Center that offer a framework for collaborative explorations and community programming among company members. Company members host or facilitate projects—play reading groups\, explorations of new material or approaches\, writing labs\, devising work\, field trips\, retreats—in short\, anything inspiring to explore among peers. CoLabs offer creative outlets to explore work you might not otherwise have the opportunity for\, while continuing to share resources and deepen connections among our Actors Center community.[/vc_column_text][/vc_column][vc_column width=”1/3″][/vc_column][/vc_row][vc_row][vc_column width=”2/3″][vc_column_text] \nComments/Queries\n[/vc_column_text][/vc_column][vc_column width=”1/3″][/vc_column][/vc_row] URL:https://theactorscenter.org/event/weekly-community-space/2025-10-21/ END:VEVENT BEGIN:VEVENT DTSTART;TZID=America/New_York:20251021T140000 DTEND;TZID=America/New_York:20251021T170000 DTSTAMP:20251009T145901Z CREATED:20250929T173109Z LAST-MODIFIED:20251009T145901Z UID:10003643-1761055200-1761066000@theactorscenter.org SUMMARY:Scott Illingworth: Physical Actioning (10/21-10/30) DESCRIPTION:[vc_row][vc_column][vc_column_text el_class=”home_quote_name”] \nCompany Workshop\n[/vc_column_text][vc_column_text css=””] \nScott Illingworth: Physical Actioning\nTuesday & Thursday Afternoons\n[/vc_column_text][/vc_column][/vc_row][vc_row][vc_column width=”2/3″][vc_column_text] \nDates & Times\n[/vc_column_text][vc_column_text css=””]Tuesday\, October 21\, 2025 – 2:00pm-5:00pm\nThursday\, October 23\, 2025 – 2:00pm-5:00pm\nTuesday\, October 28\, 2025 – 2:00pm-5:00pm\nThursday\, October 30\, 2025 – 2:00pm-5:00pm\n \nVineyard Theatre Rehearsal Studio\, 101 East 15th Street\, 4th Floor \nThis workshop is only open to participants\, we cannot accommodate observers.[/vc_column_text][vc_empty_space height=”20px”][vc_column_text] \nAbout the Workshop\n[/vc_column_text][vc_column_text css=””]Director\, educator\, and faculty member at NYU Grad Acting\, Scott Illingworth\, joins The Actors Center for the first time for a workshop on his Physical Actioning technique. Physical Actioning builds on the vocabulary of simple action verbs to generate an entire set of practical tools from first read to performance that harnesses modern knowledge about the integration of the mind and the rest of the body. Scott will guide participants in creating character palettes to explore in rehearsal\, embodied exercises to deepen your relationship to character history\, and new ways to connect text with your physical response to partner and circumstance. Physical Actioning creates a modern toolkit for the actor’s work that keeps the exploration embodied at every step and empowers them with specific techniques to apply on stage and in front of the camera. Sessions run Tuesdays and Thursdays from 2:00pm-5:00pm.[/vc_column_text][vc_empty_space height=”20px”][vc_column_text css=””] \nAbout Scott Illingworth\n[/vc_column_text][vc_column_text css=””] \n\nScott is the Associate Chair of the Graduate Acting Program at New York University’s Tisch School of the Arts and a freelance director. He is the author of Exercises for Embodied Actors: Tools for Physical Actioning (Routledge); a founder of SOCIETY\, a New York City theatre company; and a Fulbright grant recipient. Scott has taught at universities and schools across the U.S. and internationally. \nDirecting credits span off-Broadway\, regional\, and international work including new play collaborations with Lucas Hnath\, Mona Mansour\, Christina Anderson\, Ken Urban\, Stefanie Zadravec\, and Keith Reddin\, among others. Scott’s work has been seen in New York\, across the United States\, Europe\, South America\, and Asia. \nRecent projects include The Verbatim Salon\, a monthly fundraising event where actors perform verbatim stories taken from interviews with people interacting with the US immigration system; and The Clear Blue Skies: Diaries from Ukraine\, a performance built entirely from audio diaries and interviews with young Ukrainians in 2022. \nScott is a member of the Stage Directors and Choreographers Society (SDC) and is a Guild Certified Feldenkrais Practitioner (GCFT). \n\n[/vc_column_text][/vc_column][vc_column width=”1/3″][vc_column_text css=””] \nRegister Now\n[/vc_column_text]\n\n \n \n "*" indicates required fields \n \n Your Name*Your Email*\n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n[vc_empty_space][vc_column_text css=””] \nParticipants\nEnrollment is limited to 16 individuals.[/vc_column_text][vc_column_text css=”” el_class=”participant_list”]\n\n Entries\n \n \n \n \n \n \n Magaly ColimonPending \n \n Ivory AquinoParticipant \n \n Rachel TicotinParticipant \n \n Christine BrunoParticipant \n \n Mary BaconParticipant \n \n Mel HouseParticipant \n \n Erik LibermanParticipant \n \n Jesse PenningtonParticipant \n \n Jonathan GordonParticipant \n \n Edward O'BlenisParticipant \n \n Maggie BofillParticipant \n \n Clark JacksonParticipant \n \n Marjan NeshatParticipant \n \n Fay SimpsonWaitlist \n \n Tina ChilipParticipant \n \n Brian Scott McFaddenWaitlist \n \n Neal BledsoeWaitlist \n \n June BallingerWaitlist \n \n James ChenWaitlist \n \n \n \n \n \n\n\n[/vc_column_text][/vc_column][/vc_row][vc_row][vc_column width=”2/3″][vc_column_text] \nComments/Queries\n[/vc_column_text][/vc_column][vc_column width=”1/3″][/vc_column][/vc_row] URL:https://theactorscenter.org/event/scott-illingworth-physical-actioning-fall2025/2025-10-21/ END:VEVENT BEGIN:VEVENT DTSTART;TZID=America/New_York:20251023T140000 DTEND;TZID=America/New_York:20251023T170000 DTSTAMP:20251009T145901Z CREATED:20250929T173109Z LAST-MODIFIED:20251009T145901Z UID:10003644-1761228000-1761238800@theactorscenter.org SUMMARY:Scott Illingworth: Physical Actioning (10/21-10/30) DESCRIPTION:[vc_row][vc_column][vc_column_text el_class=”home_quote_name”] \nCompany Workshop\n[/vc_column_text][vc_column_text css=””] \nScott Illingworth: Physical Actioning\nTuesday & Thursday Afternoons\n[/vc_column_text][/vc_column][/vc_row][vc_row][vc_column width=”2/3″][vc_column_text] \nDates & Times\n[/vc_column_text][vc_column_text css=””]Tuesday\, October 21\, 2025 – 2:00pm-5:00pm\nThursday\, October 23\, 2025 – 2:00pm-5:00pm\nTuesday\, October 28\, 2025 – 2:00pm-5:00pm\nThursday\, October 30\, 2025 – 2:00pm-5:00pm\n \nVineyard Theatre Rehearsal Studio\, 101 East 15th Street\, 4th Floor \nThis workshop is only open to participants\, we cannot accommodate observers.[/vc_column_text][vc_empty_space height=”20px”][vc_column_text] \nAbout the Workshop\n[/vc_column_text][vc_column_text css=””]Director\, educator\, and faculty member at NYU Grad Acting\, Scott Illingworth\, joins The Actors Center for the first time for a workshop on his Physical Actioning technique. Physical Actioning builds on the vocabulary of simple action verbs to generate an entire set of practical tools from first read to performance that harnesses modern knowledge about the integration of the mind and the rest of the body. Scott will guide participants in creating character palettes to explore in rehearsal\, embodied exercises to deepen your relationship to character history\, and new ways to connect text with your physical response to partner and circumstance. Physical Actioning creates a modern toolkit for the actor’s work that keeps the exploration embodied at every step and empowers them with specific techniques to apply on stage and in front of the camera. Sessions run Tuesdays and Thursdays from 2:00pm-5:00pm.[/vc_column_text][vc_empty_space height=”20px”][vc_column_text css=””] \nAbout Scott Illingworth\n[/vc_column_text][vc_column_text css=””] \n\nScott is the Associate Chair of the Graduate Acting Program at New York University’s Tisch School of the Arts and a freelance director. He is the author of Exercises for Embodied Actors: Tools for Physical Actioning (Routledge); a founder of SOCIETY\, a New York City theatre company; and a Fulbright grant recipient. Scott has taught at universities and schools across the U.S. and internationally. \nDirecting credits span off-Broadway\, regional\, and international work including new play collaborations with Lucas Hnath\, Mona Mansour\, Christina Anderson\, Ken Urban\, Stefanie Zadravec\, and Keith Reddin\, among others. Scott’s work has been seen in New York\, across the United States\, Europe\, South America\, and Asia. \nRecent projects include The Verbatim Salon\, a monthly fundraising event where actors perform verbatim stories taken from interviews with people interacting with the US immigration system; and The Clear Blue Skies: Diaries from Ukraine\, a performance built entirely from audio diaries and interviews with young Ukrainians in 2022. \nScott is a member of the Stage Directors and Choreographers Society (SDC) and is a Guild Certified Feldenkrais Practitioner (GCFT). \n\n[/vc_column_text][/vc_column][vc_column width=”1/3″][vc_column_text css=””] \nRegister Now\n[/vc_column_text]\n \n \n "*" indicates required fields \n \n Your Name*Your Email*\n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n[vc_empty_space][vc_column_text css=””] \nParticipants\nEnrollment is limited to 16 individuals.[/vc_column_text][vc_column_text css=”” el_class=”participant_list”]\n\n Entries\n \n \n \n \n \n \n Magaly ColimonPending \n \n Ivory AquinoParticipant \n \n Rachel TicotinParticipant \n \n Christine BrunoParticipant \n \n Mary BaconParticipant \n \n Mel HouseParticipant \n \n Erik LibermanParticipant \n \n Jesse PenningtonParticipant \n \n Jonathan GordonParticipant \n \n Edward O'BlenisParticipant \n \n Maggie BofillParticipant \n \n Clark JacksonParticipant \n \n Marjan NeshatParticipant \n \n Fay SimpsonWaitlist \n \n Tina ChilipParticipant \n \n Brian Scott McFaddenWaitlist \n \n Neal BledsoeWaitlist \n \n June BallingerWaitlist \n \n James ChenWaitlist \n \n \n \n \n \n\n\n[/vc_column_text][/vc_column][/vc_row][vc_row][vc_column width=”2/3″][vc_column_text] \nComments/Queries\n[/vc_column_text][/vc_column][vc_column width=”1/3″][/vc_column][/vc_row] URL:https://theactorscenter.org/event/scott-illingworth-physical-actioning-fall2025/2025-10-23/ END:VEVENT BEGIN:VEVENT DTSTART;TZID=America/New_York:20251025T120000 DTEND;TZID=America/New_York:20251025T160000 DTSTAMP:20251007T124048Z CREATED:20251001T203511Z LAST-MODIFIED:20251007T124048Z UID:10003751-1761393600-1761408000@theactorscenter.org SUMMARY:Andrea Haring: Embodied Imagery in Voice and Text (10/25-10/26) DESCRIPTION:[vc_row][vc_column][vc_column_text el_class=”home_quote_name”] \nCompany Workshop\n[/vc_column_text][vc_column_text css=””] \nAndrea Haring: Embodied Imagery in Voice and Text\nSaturday & Sunday Afternoon\n[/vc_column_text][/vc_column][/vc_row][vc_row][vc_column width=”2/3″][vc_column_text] \nDates & Times\n[/vc_column_text][vc_column_text css=””]Saturday\, October 25\, 2025 – 12:00pm-4:00pm\nSunday\, October 26\, 2025 – 12:00pm-4:00pm\n \nVineyard Theatre Rehearsal Studio\, 101 East 15th Street\, 4th Floor \nThis workshop is only open to participants\, we cannot accommodate observers.[/vc_column_text][vc_empty_space height=”20px”][vc_column_text] \nAbout the Workshop\n[/vc_column_text][vc_column_text css=””] \n“Imagination is the language of acting. When you regularly employ imagery to exercise the experience of the voice\, you program a mind/body connection that brings imagination out of the head and into the realm of the body. Images arouse feelings that trigger impulse and action… Only when imagination is embodied in the actor’s organism will the actor perform as a whole entity.” \n— Kristin Linklater\, Freeing the Natural Voice\n\n\nVocal coach\, educator\, and Executive Director of The Linklater Center for Voice and Language\, Andrea Haring\, joins The Actors Center for the first time in October for a weekend workshop. The workshop will explore how our voice can express the vibrancy of our human emotional experience\, the complexity of our thought process\, and the power of our intention to enliven the communication of our text. An essential ingredient for this connection is opening to being influenced by imagery. \nOur ability to respond to images runs through our nervous system. We are training to develop our creative artistry as storytellers\, and to freely bring our unique personal perspective through our voices and bodies into our work. Andrea will guide participants through a vocal warm-up that focuses on releasing tensions that inhibit expression\, developing vocal resonance\, and building the actor’s range of expressive choices\, as well as clarity in speaking—allowing you to find your personal connection and vocal freedom\, and then see how that can translate to work on a text of your choice. Sessions run Saturday and Sunday\, 12:00pm-4:00pm. \n\n[/vc_column_text][vc_empty_space height=”20px”][vc_column_text css=””] \nAbout Andrea Haring\n[/vc_column_text][vc_column_text css=””] \n\nAndrea Haring is the Executive Director of The Linklater Center for Voice and Language in NYC. Recent Broadway plays and other projects she’s coached are: Danny and the Deep Blue Sea (Aubrey Plaza\, Christopher Abbott)\, American Buffalo (Laurence Fishburne\, Sam Rockwell\, Darren Criss)\, Walking With Ghosts (Gabriel Byrne)\, Fosse/Verdon (Sam Rockwell)\, Wolf Hall (RSC)\, Disgraced\, Fool for Love (Sam Rockwell)\, Private Lives (Kim Cattrall). Off-Broadway includes: Halfway Bitches Go Straight To Heaven (Liza Colon-Zayas\, Patrice Johnson)\, In the Blood (Russell G Jones\, Signature Theater)\, Sell/Buy/Date (Sarah Jones\, MTC)\, Lips Together\, Teeth Apart (America Ferrera\, Second Stage)\, John Gabriel Borkman (Alan Rickman\, BAM). \nShe is currently on faculty at The New School University MFA and BFA Acting program and Fordham University. Andrea has previously taught at Columbia University MFA Program\, and Yale School of Drama. A member of the LAByrinth Theater Company\, Andrea has given voice and text workshops for theater companies and acting programs in Germany\, London\, Scotland\, Ireland\, Spain\, Mexico\, Italy\, and Iceland. In her corporate work\, she’s taught voice and public speaking for leadership workshops to The Obama Foundation Scholars\, The World Economic Forum Global Leadership Fellows\, The Social Impact Fellowship Program\, Columbia Business School Senior Executive Program\, Senior Non-Profit Leaders Program\, and to professionals of all disciplines who want freer\, more expressive voices. \n\n[/vc_column_text][/vc_column][vc_column width=”1/3″][vc_column_text css=””] \nRegister Now\n[/vc_column_text]\n \n \n "*" indicates required fields \n \n Your Name*Your Email*\n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n[vc_empty_space][vc_column_text css=””] \nParticipants\nEnrollment is limited to 14 individuals.[/vc_column_text][vc_column_text css=”” el_class=”participant_list”]\n\n Entries\n \n \n \n \n \n \n Emma O'DonnellParticipant \n \n Jennifer FerrinParticipant \n \n John DomanParticipant \n \n Nicole LewisParticipant \n \n Katy EarlyParticipant \n \n Ken BarnettParticipant \n \n Perri GaffneyParticipant \n \n Ramsey FaragallahParticipant \n \n Sohina SidhuParticipant \n \n Juliana Aidén MartinezParticipant \n \n Carmen LoBueParticipant \n \n Reynaldo PiniellaParticipant \n \n Charles BrowningParticipant \n \n Patrick SabonguiParticipant \n \n Andres Santiago PiñaParticipant \n \n Emma RamosParticipant \n \n Amelia CampbellWaitlist \n \n Nicole ShalhoubWaitlist \n \n James ChenWaitlist \n \n Ana Cruz KayneWaitlist \n \n Becky LondonWaitlist \n \n Julyana SoelistyoWaitlist \n \n Edward O'BlenisWaitlist \n \n Andréa BurnsWaitlist \n \n Arturo Luíz SoriaWaitlist \n \n Elizabeth StahlmannWaitlist \n \n Jill LarsonWaitlist \n \n Neal BledsoeWaitlist \n \n Kate AbbruzzeseWaitlist \n \n Tina ChilipWaitlist \n \n Clark JacksonWaitlist \n \n Lana YoungWaitlist \n \n \n \n \n \n\n\n[/vc_column_text][/vc_column][/vc_row][vc_row][vc_column width=”2/3″][vc_column_text] \nComments/Queries\n[/vc_column_text][/vc_column][vc_column width=”1/3″][/vc_column][/vc_row] URL:https://theactorscenter.org/event/andrea-haring-embodied-imagery-in-voice-and-text-fall2025/2025-10-25/ END:VEVENT BEGIN:VEVENT DTSTART;TZID=America/New_York:20251026T120000 DTEND;TZID=America/New_York:20251026T160000 DTSTAMP:20251007T124048Z CREATED:20251001T203511Z LAST-MODIFIED:20251007T124048Z UID:10003752-1761480000-1761494400@theactorscenter.org SUMMARY:Andrea Haring: Embodied Imagery in Voice and Text (10/25-10/26) DESCRIPTION:[vc_row][vc_column][vc_column_text el_class=”home_quote_name”] \nCompany Workshop\n[/vc_column_text][vc_column_text css=””] \nAndrea Haring: Embodied Imagery in Voice and Text\nSaturday & Sunday Afternoon\n[/vc_column_text][/vc_column][/vc_row][vc_row][vc_column width=”2/3″][vc_column_text] \nDates & Times\n[/vc_column_text][vc_column_text css=””]Saturday\, October 25\, 2025 – 12:00pm-4:00pm\nSunday\, October 26\, 2025 – 12:00pm-4:00pm\n \nVineyard Theatre Rehearsal Studio\, 101 East 15th Street\, 4th Floor \nThis workshop is only open to participants\, we cannot accommodate observers.[/vc_column_text][vc_empty_space height=”20px”][vc_column_text] \nAbout the Workshop\n[/vc_column_text][vc_column_text css=””] \n“Imagination is the language of acting. When you regularly employ imagery to exercise the experience of the voice\, you program a mind/body connection that brings imagination out of the head and into the realm of the body. Images arouse feelings that trigger impulse and action… Only when imagination is embodied in the actor’s organism will the actor perform as a whole entity.” \n— Kristin Linklater\, Freeing the Natural Voice\n\n\nVocal coach\, educator\, and Executive Director of The Linklater Center for Voice and Language\, Andrea Haring\, joins The Actors Center for the first time in October for a weekend workshop. The workshop will explore how our voice can express the vibrancy of our human emotional experience\, the complexity of our thought process\, and the power of our intention to enliven the communication of our text. An essential ingredient for this connection is opening to being influenced by imagery. \nOur ability to respond to images runs through our nervous system. We are training to develop our creative artistry as storytellers\, and to freely bring our unique personal perspective through our voices and bodies into our work. Andrea will guide participants through a vocal warm-up that focuses on releasing tensions that inhibit expression\, developing vocal resonance\, and building the actor’s range of expressive choices\, as well as clarity in speaking—allowing you to find your personal connection and vocal freedom\, and then see how that can translate to work on a text of your choice. Sessions run Saturday and Sunday\, 12:00pm-4:00pm. \n\n[/vc_column_text][vc_empty_space height=”20px”][vc_column_text css=””] \nAbout Andrea Haring\n[/vc_column_text][vc_column_text css=””] \n\nAndrea Haring is the Executive Director of The Linklater Center for Voice and Language in NYC. Recent Broadway plays and other projects she’s coached are: Danny and the Deep Blue Sea (Aubrey Plaza\, Christopher Abbott)\, American Buffalo (Laurence Fishburne\, Sam Rockwell\, Darren Criss)\, Walking With Ghosts (Gabriel Byrne)\, Fosse/Verdon (Sam Rockwell)\, Wolf Hall (RSC)\, Disgraced\, Fool for Love (Sam Rockwell)\, Private Lives (Kim Cattrall). Off-Broadway includes: Halfway Bitches Go Straight To Heaven (Liza Colon-Zayas\, Patrice Johnson)\, In the Blood (Russell G Jones\, Signature Theater)\, Sell/Buy/Date (Sarah Jones\, MTC)\, Lips Together\, Teeth Apart (America Ferrera\, Second Stage)\, John Gabriel Borkman (Alan Rickman\, BAM). \nShe is currently on faculty at The New School University MFA and BFA Acting program and Fordham University. Andrea has previously taught at Columbia University MFA Program\, and Yale School of Drama. A member of the LAByrinth Theater Company\, Andrea has given voice and text workshops for theater companies and acting programs in Germany\, London\, Scotland\, Ireland\, Spain\, Mexico\, Italy\, and Iceland. In her corporate work\, she’s taught voice and public speaking for leadership workshops to The Obama Foundation Scholars\, The World Economic Forum Global Leadership Fellows\, The Social Impact Fellowship Program\, Columbia Business School Senior Executive Program\, Senior Non-Profit Leaders Program\, and to professionals of all disciplines who want freer\, more expressive voices. \n\n[/vc_column_text][/vc_column][vc_column width=”1/3″][vc_column_text css=””] \nRegister Now\n[/vc_column_text]\n \n \n "*" indicates required fields \n \n Your Name*Your Email*\n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n[vc_empty_space][vc_column_text css=””] \nParticipants\nEnrollment is limited to 14 individuals.[/vc_column_text][vc_column_text css=”” el_class=”participant_list”]\n\n Entries\n \n \n \n \n \n \n Emma O'DonnellParticipant \n \n Jennifer FerrinParticipant \n \n John DomanParticipant \n \n Nicole LewisParticipant \n \n Katy EarlyParticipant \n \n Ken BarnettParticipant \n \n Perri GaffneyParticipant \n \n Ramsey FaragallahParticipant \n \n Sohina SidhuParticipant \n \n Juliana Aidén MartinezParticipant \n \n Carmen LoBueParticipant \n \n Reynaldo PiniellaParticipant \n \n Charles BrowningParticipant \n \n Patrick SabonguiParticipant \n \n Andres Santiago PiñaParticipant \n \n Emma RamosParticipant \n \n Amelia CampbellWaitlist \n \n Nicole ShalhoubWaitlist \n \n James ChenWaitlist \n \n Ana Cruz KayneWaitlist \n \n Becky LondonWaitlist \n \n Julyana SoelistyoWaitlist \n \n Edward O'BlenisWaitlist \n \n Andréa BurnsWaitlist \n \n Arturo Luíz SoriaWaitlist \n \n Elizabeth StahlmannWaitlist \n \n Jill LarsonWaitlist \n \n Neal BledsoeWaitlist \n \n Kate AbbruzzeseWaitlist \n \n Tina ChilipWaitlist \n \n Clark JacksonWaitlist \n \n Lana YoungWaitlist \n \n \n \n \n \n\n\n[/vc_column_text][/vc_column][/vc_row][vc_row][vc_column width=”2/3″][vc_column_text] \nComments/Queries\n[/vc_column_text][/vc_column][vc_column width=”1/3″][/vc_column][/vc_row] URL:https://theactorscenter.org/event/andrea-haring-embodied-imagery-in-voice-and-text-fall2025/2025-10-26/ END:VEVENT BEGIN:VEVENT DTSTART;TZID=America/New_York:20251027T173000 DTEND;TZID=America/New_York:20251027T203000 DTSTAMP:20251022T221721Z CREATED:20251022T221449Z LAST-MODIFIED:20251022T221721Z UID:10003772-1761586200-1761597000@theactorscenter.org SUMMARY:Mentorship Program Kick-Off Party (10/27) DESCRIPTION:[vc_row][vc_column][vc_column_text el_class=”event_workout”] \nCompany Event\n[/vc_column_text][vc_column_text css=””] \nMentorship Program Kick-Off Party\n[/vc_column_text][/vc_column][/vc_row][vc_row][vc_column width=”2/3″][vc_single_image image=”16845″ img_size=”full” css=””][vc_empty_space][vc_column_text] \nAbout the Party\n[/vc_column_text][vc_column_text css=””]Monday\, October 27\, 2025 – 5:30pm-8:30pm\n5 East 22nd Street\, 30th Floor \nPlease join us for a kick-off party for the 2025-26 Mentorship Program! Come meet this year’s cohort and show your support. \nHosted generously by Tina Chilip\, snacks and drinks will be provided. \nWe hope to see you there![/vc_column_text][/vc_column][vc_column width=”1/3″][vc_column_text css=””] \nRSVP\n[/vc_column_text]\n \n \n "*" indicates required fields \n \n Your Name*Your Email*\n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n[vc_empty_space][/vc_column][/vc_row][vc_row][vc_column width=”2/3″][vc_column_text] \nComments/Queries\n[/vc_column_text][/vc_column][vc_column width=”1/3″][/vc_column][/vc_row] URL:https://theactorscenter.org/event/mentorship-program-kick-off-party-fall2025/ END:VEVENT BEGIN:VEVENT DTSTART;TZID=America/New_York:20251028T100000 DTEND;TZID=America/New_York:20251028T130000 DTSTAMP:20250908T150718Z CREATED:20250905T134419Z LAST-MODIFIED:20250908T150718Z UID:10003634-1761645600-1761656400@theactorscenter.org SUMMARY:Erica Fae: Body as Source (9/23-11/4) DESCRIPTION:[vc_row][vc_column][vc_column_text el_class=”home_quote_name”] \nCompany Workshop\n[/vc_column_text][vc_column_text css=””] \nERICA FAE:\nBody As Source\nSix Tuesday Mornings\n[/vc_column_text][/vc_column][/vc_row][vc_row][vc_column width=”2/3″][vc_column_text] \nDates & Times\n[/vc_column_text][vc_column_text css=””]Tuesday\, September 23\, 2025 – 10:00am-1:00pm\nTuesday\, September 30\, 2025 – 10:00am-1:00pm\nTuesday\, October 7\, 2025 – 10:00am-1:00pm\n—No Meeting October 14—\nTuesday\, October 21\, 2025 – 10:00am-1:00pm\nTuesday\, October 28\, 2025 – 10:00am-1:00pm\nTuesday\, November 4\, 2025 – 10:00am-1:00pm \nGibney Dance 280 Broadway\, Enter at 53A Chambers Street\n(9/23\, 9/30\, 10/7) \nAmanda Selwyn Dance Studio\, 412 Broadway (at Canal Street)\, 2nd Floor\n(10/21\, 10/28\, 11/4) \nThis workshop is only open to participants\, we cannot accommodate observers.[/vc_column_text][vc_empty_space height=”20px”][vc_column_text] \nAbout the Workshop\n[/vc_column_text][vc_column_text css=””]Teacher\, director\, performer\, and writer Erica Fae returns to The Actors Center for a workshop focusing on emotional and physical integration. Over six weeks\, participants will investigate the body as a vehicle for deep transformation\, a container of emotional experience\, and an elegant tool in articulation. Erica will begin with physical training practices based on the early work of Jerzy Grotowski to awaken and deepen an already-innate connection to mind\, heart\, and body. Erica will guide participants in expanding their emotional life through full-body training\, working with image as a source and tool\, and unpacking innate patterns or habits in the body. We will parse out experience\, observations\, and judgements within the work\, and work with how the body can be a roadmap towards specific acting choices.[/vc_column_text][vc_empty_space height=”20px”][vc_column_text css=””] \nAbout Erica Fae\n[/vc_column_text][vc_column_text css=””] \n\nWriter\, director\, performer\, and teacher Erica Fae brings radical stories from history to stage and screen. Her first feature film To Keep the Light won the Fipresci Prize\, among other festival awards\, and is currently on Amazon Prime. Her original plays include A Girl Joan\, Saved Again and by Him\, and Take What Is Yours with Jill A. Samuels. \nErica currently teaches Physical Acting at Yale’s David Geffen School of Drama. She first trained in Grotowski-based work at age 15 and studied at NYU’s Experimental Theatre Wing where she later taught. She has also taught at The New School for Drama\, Columbia’s M.F.A. Film Program\, The Actors Center\, and in private workshops and retreats. \nAs actor\, she’s been on HBO’s Boardwalk Empire\, Netflix’s Partner Track\, Random Acts of Flyness and Doll & Em\, and in feature films First Reformed\, Synecdoche New York\, The Savages\, Little Children\, Please Give. She’s also worked with\, among others\, Martha Clarke\, Rachel Dickstein/Ripe Time\, and Ping Chong; and has performed at The New Victory\, The Kennedy Center\, American Repertory Theater\, American Conservatory Theater\, the Walker Arts Center\, Performing Arts Chicago\, the McCarter Theatre and the Power Center in Michigan. \nShe was interviewed for Advanced Consciousness Training for Actors (by Kevin Page\, published by Routledge)\, was on a panel at Sundance Film Festival on Experimental Filmmaking and Social Justice\, and is currently in development on her second feature film. \n\n[/vc_column_text][/vc_column][vc_column width=”1/3″][vc_column_text css=””] \nRegister Now\n[/vc_column_text]\n \n \n "*" indicates required fields \n \n Your Name*Your Email*\n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n[vc_empty_space][vc_column_text css=””] \nParticipants\nEnrollment is limited to 16 individuals.[/vc_column_text][vc_column_text css=”” el_class=”participant_list”]\n\n Entries\n \n \n \n \n \n \n Emma RamosPending \n \n Arturo Luíz SoriaPending \n \n Magaly ColimonPending \n \n Julyana SoelistyoPending \n \n James ChenPending \n \n Sarah MantonPending \n \n Julienne Hanzelka KimParticipant \n \n Ana Cruz KayneParticipant \n \n Nancy LemenagerParticipant \n \n Tala AsheParticipant \n \n Kelly Coffield ParkParticipant \n \n Max WolkowitzParticipant \n \n Pun BandhuParticipant \n \n Ato Blankson-WoodParticipant \n \n Reynaldo PiniellaParticipant \n \n Brenna PalughiParticipant \n \n Elizabeth MortonParticipant \n \n Kathleen McNennyParticipant \n \n Ka-Ling CheungParticipant \n \n Cindy CheungParticipant \n \n Julian Elijah MartinezParticipant \n \n Maggie SiffParticipant \n \n Alexandra NeilParticipant \n \n Maureen SebastianParticipant \n \n Clark JacksonWaitlist \n \n Brian Scott McFaddenWaitlist \n \n Dee PelletierWaitlist \n \n Kate AbbruzzeseWaitlist \n \n Christine BrunoWaitlist \n \n Blake HacklerWaitlist \n \n Willa FitzgeraldWaitlist \n \n John Evans ReeseWaitlist \n \n Sohina SidhuWaitlist \n \n \n \n \n \n\n\n[/vc_column_text][/vc_column][/vc_row][vc_row][vc_column width=”2/3″][vc_column_text] \nComments/Queries\n[/vc_column_text][/vc_column][vc_column width=”1/3″][/vc_column][/vc_row] URL:https://theactorscenter.org/event/erica-fae-body-as-source-fall2025/2025-10-28/ END:VEVENT BEGIN:VEVENT DTSTART;TZID=America/New_York:20251028T110000 DTEND;TZID=America/New_York:20251028T123000 DTSTAMP:20240202T144116Z CREATED:20201130T195206Z LAST-MODIFIED:20240202T144116Z UID:10002417-1761649200-1761654600@theactorscenter.org SUMMARY:Weekly Community Space DESCRIPTION:[vc_row][vc_column][vc_column_text el_class=”event_roundtable”] \nCompany CoLabs\n[/vc_column_text][vc_column_text] \nCommunity Space\nTuesday Mornings\n[/vc_column_text][/vc_column][/vc_row][vc_row][vc_column width=”2/3″][vc_column_text] \nDates & Times\n[/vc_column_text][vc_column_text]Every Tuesday – 11:00am-12:30pm ET\n \nLaunch Zoom Link\nMeeting ID: 837 0411 7798\nPasscode: 374737 \nHosted by Jodie Lynne McClintock[/vc_column_text][vc_empty_space height=”20px”][vc_column_text] \nAbout the CoLab\n[/vc_column_text][vc_column_text]Started three years ago at the height of the Covid-19 lockdown as a way to connect\, it has continued weekly as a family of actors navigating the changing landscape of our times. Here you will find a supportive\, safe virtual space where artists in our company bring their stories\, concerns\, questions\, recommendations\, and inspirations in a free-wheeling but facilitated discussion. With no set agenda\, we delve into whatever is of interest or concern in any given week. We explore what it means to be an actor and what place our art holds in the world.  People suggest balm for body and soul while walking hand-in-hand along the actor’s way.[/vc_column_text][vc_column_text] \nAbout the Series\n[/vc_column_text][vc_column_text]Company CoLabs are a series at The Actors Center that offer a framework for collaborative explorations and community programming among company members. Company members host or facilitate projects—play reading groups\, explorations of new material or approaches\, writing labs\, devising work\, field trips\, retreats—in short\, anything inspiring to explore among peers. CoLabs offer creative outlets to explore work you might not otherwise have the opportunity for\, while continuing to share resources and deepen connections among our Actors Center community.[/vc_column_text][/vc_column][vc_column width=”1/3″][/vc_column][/vc_row][vc_row][vc_column width=”2/3″][vc_column_text] \nComments/Queries\n[/vc_column_text][/vc_column][vc_column width=”1/3″][/vc_column][/vc_row] URL:https://theactorscenter.org/event/weekly-community-space/2025-10-28/ END:VEVENT BEGIN:VEVENT DTSTART;TZID=America/New_York:20251028T140000 DTEND;TZID=America/New_York:20251028T170000 DTSTAMP:20251009T145901Z CREATED:20250929T173109Z LAST-MODIFIED:20251009T145901Z UID:10003645-1761660000-1761670800@theactorscenter.org SUMMARY:Scott Illingworth: Physical Actioning (10/21-10/30) DESCRIPTION:[vc_row][vc_column][vc_column_text el_class=”home_quote_name”] \nCompany Workshop\n[/vc_column_text][vc_column_text css=””] \nScott Illingworth: Physical Actioning\nTuesday & Thursday Afternoons\n[/vc_column_text][/vc_column][/vc_row][vc_row][vc_column width=”2/3″][vc_column_text] \nDates & Times\n[/vc_column_text][vc_column_text css=””]Tuesday\, October 21\, 2025 – 2:00pm-5:00pm\nThursday\, October 23\, 2025 – 2:00pm-5:00pm\nTuesday\, October 28\, 2025 – 2:00pm-5:00pm\nThursday\, October 30\, 2025 – 2:00pm-5:00pm\n \nVineyard Theatre Rehearsal Studio\, 101 East 15th Street\, 4th Floor \nThis workshop is only open to participants\, we cannot accommodate observers.[/vc_column_text][vc_empty_space height=”20px”][vc_column_text] \nAbout the Workshop\n[/vc_column_text][vc_column_text css=””]Director\, educator\, and faculty member at NYU Grad Acting\, Scott Illingworth\, joins The Actors Center for the first time for a workshop on his Physical Actioning technique. Physical Actioning builds on the vocabulary of simple action verbs to generate an entire set of practical tools from first read to performance that harnesses modern knowledge about the integration of the mind and the rest of the body. Scott will guide participants in creating character palettes to explore in rehearsal\, embodied exercises to deepen your relationship to character history\, and new ways to connect text with your physical response to partner and circumstance. Physical Actioning creates a modern toolkit for the actor’s work that keeps the exploration embodied at every step and empowers them with specific techniques to apply on stage and in front of the camera. Sessions run Tuesdays and Thursdays from 2:00pm-5:00pm.[/vc_column_text][vc_empty_space height=”20px”][vc_column_text css=””] \nAbout Scott Illingworth\n[/vc_column_text][vc_column_text css=””] \n\nScott is the Associate Chair of the Graduate Acting Program at New York University’s Tisch School of the Arts and a freelance director. He is the author of Exercises for Embodied Actors: Tools for Physical Actioning (Routledge); a founder of SOCIETY\, a New York City theatre company; and a Fulbright grant recipient. Scott has taught at universities and schools across the U.S. and internationally. \nDirecting credits span off-Broadway\, regional\, and international work including new play collaborations with Lucas Hnath\, Mona Mansour\, Christina Anderson\, Ken Urban\, Stefanie Zadravec\, and Keith Reddin\, among others. Scott’s work has been seen in New York\, across the United States\, Europe\, South America\, and Asia. \nRecent projects include The Verbatim Salon\, a monthly fundraising event where actors perform verbatim stories taken from interviews with people interacting with the US immigration system; and The Clear Blue Skies: Diaries from Ukraine\, a performance built entirely from audio diaries and interviews with young Ukrainians in 2022. \nScott is a member of the Stage Directors and Choreographers Society (SDC) and is a Guild Certified Feldenkrais Practitioner (GCFT). \n\n[/vc_column_text][/vc_column][vc_column width=”1/3″][vc_column_text css=””] \nRegister Now\n[/vc_column_text]\n \n \n "*" indicates required fields \n \n Your Name*Your Email*\n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n[vc_empty_space][vc_column_text css=””] \nParticipants\nEnrollment is limited to 16 individuals.[/vc_column_text][vc_column_text css=”” el_class=”participant_list”]\n\n Entries\n \n \n \n \n \n \n Magaly ColimonPending \n \n Ivory AquinoParticipant \n \n Rachel TicotinParticipant \n \n Christine BrunoParticipant \n \n Mary BaconParticipant \n \n Mel HouseParticipant \n \n Erik LibermanParticipant \n \n Jesse PenningtonParticipant \n \n Jonathan GordonParticipant \n \n Edward O'BlenisParticipant \n \n Maggie BofillParticipant \n \n Clark JacksonParticipant \n \n Marjan NeshatParticipant \n \n Fay SimpsonWaitlist \n \n Tina ChilipParticipant \n \n Brian Scott McFaddenWaitlist \n \n Neal BledsoeWaitlist \n \n June BallingerWaitlist \n \n James ChenWaitlist \n \n \n \n \n \n\n\n[/vc_column_text][/vc_column][/vc_row][vc_row][vc_column width=”2/3″][vc_column_text] \nComments/Queries\n[/vc_column_text][/vc_column][vc_column width=”1/3″][/vc_column][/vc_row] URL:https://theactorscenter.org/event/scott-illingworth-physical-actioning-fall2025/2025-10-28/ END:VEVENT BEGIN:VEVENT DTSTART;TZID=America/New_York:20251030T140000 DTEND;TZID=America/New_York:20251030T170000 DTSTAMP:20251009T145901Z CREATED:20250929T173109Z LAST-MODIFIED:20251009T145901Z UID:10003646-1761832800-1761843600@theactorscenter.org SUMMARY:Scott Illingworth: Physical Actioning (10/21-10/30) DESCRIPTION:[vc_row][vc_column][vc_column_text el_class=”home_quote_name”] \nCompany Workshop\n[/vc_column_text][vc_column_text css=””] \nScott Illingworth: Physical Actioning\nTuesday & Thursday Afternoons\n[/vc_column_text][/vc_column][/vc_row][vc_row][vc_column width=”2/3″][vc_column_text] \nDates & Times\n[/vc_column_text][vc_column_text css=””]Tuesday\, October 21\, 2025 – 2:00pm-5:00pm\nThursday\, October 23\, 2025 – 2:00pm-5:00pm\nTuesday\, October 28\, 2025 – 2:00pm-5:00pm\nThursday\, October 30\, 2025 – 2:00pm-5:00pm\n \nVineyard Theatre Rehearsal Studio\, 101 East 15th Street\, 4th Floor \nThis workshop is only open to participants\, we cannot accommodate observers.[/vc_column_text][vc_empty_space height=”20px”][vc_column_text] \nAbout the Workshop\n[/vc_column_text][vc_column_text css=””]Director\, educator\, and faculty member at NYU Grad Acting\, Scott Illingworth\, joins The Actors Center for the first time for a workshop on his Physical Actioning technique. Physical Actioning builds on the vocabulary of simple action verbs to generate an entire set of practical tools from first read to performance that harnesses modern knowledge about the integration of the mind and the rest of the body. Scott will guide participants in creating character palettes to explore in rehearsal\, embodied exercises to deepen your relationship to character history\, and new ways to connect text with your physical response to partner and circumstance. Physical Actioning creates a modern toolkit for the actor’s work that keeps the exploration embodied at every step and empowers them with specific techniques to apply on stage and in front of the camera. Sessions run Tuesdays and Thursdays from 2:00pm-5:00pm.[/vc_column_text][vc_empty_space height=”20px”][vc_column_text css=””] \nAbout Scott Illingworth\n[/vc_column_text][vc_column_text css=””] \n\nScott is the Associate Chair of the Graduate Acting Program at New York University’s Tisch School of the Arts and a freelance director. He is the author of Exercises for Embodied Actors: Tools for Physical Actioning (Routledge); a founder of SOCIETY\, a New York City theatre company; and a Fulbright grant recipient. Scott has taught at universities and schools across the U.S. and internationally. \nDirecting credits span off-Broadway\, regional\, and international work including new play collaborations with Lucas Hnath\, Mona Mansour\, Christina Anderson\, Ken Urban\, Stefanie Zadravec\, and Keith Reddin\, among others. Scott’s work has been seen in New York\, across the United States\, Europe\, South America\, and Asia. \nRecent projects include The Verbatim Salon\, a monthly fundraising event where actors perform verbatim stories taken from interviews with people interacting with the US immigration system; and The Clear Blue Skies: Diaries from Ukraine\, a performance built entirely from audio diaries and interviews with young Ukrainians in 2022. \nScott is a member of the Stage Directors and Choreographers Society (SDC) and is a Guild Certified Feldenkrais Practitioner (GCFT). \n\n[/vc_column_text][/vc_column][vc_column width=”1/3″][vc_column_text css=””] \nRegister Now\n[/vc_column_text]\n \n \n "*" indicates required fields \n \n Your Name*Your Email*\n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n[vc_empty_space][vc_column_text css=””] \nParticipants\nEnrollment is limited to 16 individuals.[/vc_column_text][vc_column_text css=”” el_class=”participant_list”]\n\n Entries\n \n \n \n \n \n \n Magaly ColimonPending \n \n Ivory AquinoParticipant \n \n Rachel TicotinParticipant \n \n Christine BrunoParticipant \n \n Mary BaconParticipant \n \n Mel HouseParticipant \n \n Erik LibermanParticipant \n \n Jesse PenningtonParticipant \n \n Jonathan GordonParticipant \n \n Edward O'BlenisParticipant \n \n Maggie BofillParticipant \n \n Clark JacksonParticipant \n \n Marjan NeshatParticipant \n \n Fay SimpsonWaitlist \n \n Tina ChilipParticipant \n \n Brian Scott McFaddenWaitlist \n \n Neal BledsoeWaitlist \n \n June BallingerWaitlist \n \n James ChenWaitlist \n \n \n \n \n \n\n\n[/vc_column_text][/vc_column][/vc_row][vc_row][vc_column width=”2/3″][vc_column_text] \nComments/Queries\n[/vc_column_text][/vc_column][vc_column width=”1/3″][/vc_column][/vc_row] URL:https://theactorscenter.org/event/scott-illingworth-physical-actioning-fall2025/2025-10-30/ END:VEVENT BEGIN:VEVENT DTSTART;TZID=America/New_York:20251104T100000 DTEND;TZID=America/New_York:20251104T130000 DTSTAMP:20250908T150718Z CREATED:20250905T134419Z LAST-MODIFIED:20250908T150718Z UID:10003635-1762250400-1762261200@theactorscenter.org SUMMARY:Erica Fae: Body as Source (9/23-11/4) DESCRIPTION:[vc_row][vc_column][vc_column_text el_class=”home_quote_name”] \nCompany Workshop\n[/vc_column_text][vc_column_text css=””] \nERICA FAE:\nBody As Source\nSix Tuesday Mornings\n[/vc_column_text][/vc_column][/vc_row][vc_row][vc_column width=”2/3″][vc_column_text] \nDates & Times\n[/vc_column_text][vc_column_text css=””]Tuesday\, September 23\, 2025 – 10:00am-1:00pm\nTuesday\, September 30\, 2025 – 10:00am-1:00pm\nTuesday\, October 7\, 2025 – 10:00am-1:00pm\n—No Meeting October 14—\nTuesday\, October 21\, 2025 – 10:00am-1:00pm\nTuesday\, October 28\, 2025 – 10:00am-1:00pm\nTuesday\, November 4\, 2025 – 10:00am-1:00pm \nGibney Dance 280 Broadway\, Enter at 53A Chambers Street\n(9/23\, 9/30\, 10/7) \nAmanda Selwyn Dance Studio\, 412 Broadway (at Canal Street)\, 2nd Floor\n(10/21\, 10/28\, 11/4) \nThis workshop is only open to participants\, we cannot accommodate observers.[/vc_column_text][vc_empty_space height=”20px”][vc_column_text] \nAbout the Workshop\n[/vc_column_text][vc_column_text css=””]Teacher\, director\, performer\, and writer Erica Fae returns to The Actors Center for a workshop focusing on emotional and physical integration. Over six weeks\, participants will investigate the body as a vehicle for deep transformation\, a container of emotional experience\, and an elegant tool in articulation. Erica will begin with physical training practices based on the early work of Jerzy Grotowski to awaken and deepen an already-innate connection to mind\, heart\, and body. Erica will guide participants in expanding their emotional life through full-body training\, working with image as a source and tool\, and unpacking innate patterns or habits in the body. We will parse out experience\, observations\, and judgements within the work\, and work with how the body can be a roadmap towards specific acting choices.[/vc_column_text][vc_empty_space height=”20px”][vc_column_text css=””] \nAbout Erica Fae\n[/vc_column_text][vc_column_text css=””] \n\nWriter\, director\, performer\, and teacher Erica Fae brings radical stories from history to stage and screen. Her first feature film To Keep the Light won the Fipresci Prize\, among other festival awards\, and is currently on Amazon Prime. Her original plays include A Girl Joan\, Saved Again and by Him\, and Take What Is Yours with Jill A. Samuels. \nErica currently teaches Physical Acting at Yale’s David Geffen School of Drama. She first trained in Grotowski-based work at age 15 and studied at NYU’s Experimental Theatre Wing where she later taught. She has also taught at The New School for Drama\, Columbia’s M.F.A. Film Program\, The Actors Center\, and in private workshops and retreats. \nAs actor\, she’s been on HBO’s Boardwalk Empire\, Netflix’s Partner Track\, Random Acts of Flyness and Doll & Em\, and in feature films First Reformed\, Synecdoche New York\, The Savages\, Little Children\, Please Give. She’s also worked with\, among others\, Martha Clarke\, Rachel Dickstein/Ripe Time\, and Ping Chong; and has performed at The New Victory\, The Kennedy Center\, American Repertory Theater\, American Conservatory Theater\, the Walker Arts Center\, Performing Arts Chicago\, the McCarter Theatre and the Power Center in Michigan. \nShe was interviewed for Advanced Consciousness Training for Actors (by Kevin Page\, published by Routledge)\, was on a panel at Sundance Film Festival on Experimental Filmmaking and Social Justice\, and is currently in development on her second feature film. \n\n[/vc_column_text][/vc_column][vc_column width=”1/3″][vc_column_text css=””] \nRegister Now\n[/vc_column_text]\n \n \n "*" indicates required fields \n \n Your Name*Your Email*\n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n[vc_empty_space][vc_column_text css=””] \nParticipants\nEnrollment is limited to 16 individuals.[/vc_column_text][vc_column_text css=”” el_class=”participant_list”]\n\n Entries\n \n \n \n \n \n \n Emma RamosPending \n \n Arturo Luíz SoriaPending \n \n Magaly ColimonPending \n \n Julyana SoelistyoPending \n \n James ChenPending \n \n Sarah MantonPending \n \n Julienne Hanzelka KimParticipant \n \n Ana Cruz KayneParticipant \n \n Nancy LemenagerParticipant \n \n Tala AsheParticipant \n \n Kelly Coffield ParkParticipant \n \n Max WolkowitzParticipant \n \n Pun BandhuParticipant \n \n Ato Blankson-WoodParticipant \n \n Reynaldo PiniellaParticipant \n \n Brenna PalughiParticipant \n \n Elizabeth MortonParticipant \n \n Kathleen McNennyParticipant \n \n Ka-Ling CheungParticipant \n \n Cindy CheungParticipant \n \n Julian Elijah MartinezParticipant \n \n Maggie SiffParticipant \n \n Alexandra NeilParticipant \n \n Maureen SebastianParticipant \n \n Clark JacksonWaitlist \n \n Brian Scott McFaddenWaitlist \n \n Dee PelletierWaitlist \n \n Kate AbbruzzeseWaitlist \n \n Christine BrunoWaitlist \n \n Blake HacklerWaitlist \n \n Willa FitzgeraldWaitlist \n \n John Evans ReeseWaitlist \n \n Sohina SidhuWaitlist \n \n \n \n \n \n\n\n[/vc_column_text][/vc_column][/vc_row][vc_row][vc_column width=”2/3″][vc_column_text] \nComments/Queries\n[/vc_column_text][/vc_column][vc_column width=”1/3″][/vc_column][/vc_row] URL:https://theactorscenter.org/event/erica-fae-body-as-source-fall2025/2025-11-04/ END:VEVENT BEGIN:VEVENT DTSTART;TZID=America/New_York:20251104T110000 DTEND;TZID=America/New_York:20251104T123000 DTSTAMP:20240202T144116Z CREATED:20201130T195206Z LAST-MODIFIED:20240202T144116Z UID:10002418-1762254000-1762259400@theactorscenter.org SUMMARY:Weekly Community Space DESCRIPTION:[vc_row][vc_column][vc_column_text el_class=”event_roundtable”] \nCompany CoLabs\n[/vc_column_text][vc_column_text] \nCommunity Space\nTuesday Mornings\n[/vc_column_text][/vc_column][/vc_row][vc_row][vc_column width=”2/3″][vc_column_text] \nDates & Times\n[/vc_column_text][vc_column_text]Every Tuesday – 11:00am-12:30pm ET\n \nLaunch Zoom Link\nMeeting ID: 837 0411 7798\nPasscode: 374737 \nHosted by Jodie Lynne McClintock[/vc_column_text][vc_empty_space height=”20px”][vc_column_text] \nAbout the CoLab\n[/vc_column_text][vc_column_text]Started three years ago at the height of the Covid-19 lockdown as a way to connect\, it has continued weekly as a family of actors navigating the changing landscape of our times. Here you will find a supportive\, safe virtual space where artists in our company bring their stories\, concerns\, questions\, recommendations\, and inspirations in a free-wheeling but facilitated discussion. With no set agenda\, we delve into whatever is of interest or concern in any given week. We explore what it means to be an actor and what place our art holds in the world.  People suggest balm for body and soul while walking hand-in-hand along the actor’s way.[/vc_column_text][vc_column_text] \nAbout the Series\n[/vc_column_text][vc_column_text]Company CoLabs are a series at The Actors Center that offer a framework for collaborative explorations and community programming among company members. Company members host or facilitate projects—play reading groups\, explorations of new material or approaches\, writing labs\, devising work\, field trips\, retreats—in short\, anything inspiring to explore among peers. CoLabs offer creative outlets to explore work you might not otherwise have the opportunity for\, while continuing to share resources and deepen connections among our Actors Center community.[/vc_column_text][/vc_column][vc_column width=”1/3″][/vc_column][/vc_row][vc_row][vc_column width=”2/3″][vc_column_text] \nComments/Queries\n[/vc_column_text][/vc_column][vc_column width=”1/3″][/vc_column][/vc_row] URL:https://theactorscenter.org/event/weekly-community-space/2025-11-04/ END:VEVENT BEGIN:VEVENT DTSTART;TZID=America/New_York:20251106T110000 DTEND;TZID=America/New_York:20251106T160000 DTSTAMP:20251021T113958Z CREATED:20251015T163525Z LAST-MODIFIED:20251021T113958Z UID:10003763-1762426800-1762444800@theactorscenter.org SUMMARY:Orlando Pabotoy: Elevation Through Stilt Walking (11/6-11/20) DESCRIPTION:[vc_row][vc_column][vc_column_text el_class=”home_quote_name”] \nCompany Workshop\n[/vc_column_text][vc_column_text css=””] \nOrlando Pabotoy: Elevation Through Stilt Walking\nTuesday & Thursday Afternoons\n[/vc_column_text][/vc_column][/vc_row][vc_row][vc_column width=”2/3″][vc_column_text] \nDates & Times\n[/vc_column_text][vc_column_text css=””]Thursday\, November 6\, 2025 – 11am-4pm\nTuesday\, November 11\, 2025 – 12pm-4pm\nThursday\, November 13\, 2025 – 12pm-4pm\nTuesday\, November 18\, 2025 – 12pm-4pm\nThursday\, November 20\, 2025 – 12pm-4pm \nBaryshnikov Arts Center\, 450 West 37th Street\, Sterner Studio \nThis workshop is only open to participants\, we cannot accommodate observers.[/vc_column_text][vc_empty_space height=”20px”][vc_column_text] \nAbout the Workshop\n[/vc_column_text][vc_column_text css=””] \nInterdisciplinary artist\, director\, and educator\, Orlando Pabotoy\, returns to The Actors Center for a 3-week workshop introducing the art of stilt walking. With Orlando’s guidance\, participants will develop their trust\, confidence\, and physical awareness while embracing vulnerability and rediscovering their childlike sense of play. Stilt work opens the body to new possibilities of movement\, scale\, and presence\, sparking fresh approaches to character\, storytelling\, and artistic inquiry. Alongside physical practice\, the workshop invites reflection on deeper questions of why we create\, how the artist impacts others on a human level\, and the cultural traditions that have long used stilts as a tool for performance and community. \n[/vc_column_text][vc_empty_space height=”20px”][vc_column_text css=””] \nAbout Orlando Pabotoy\n[/vc_column_text][vc_column_text css=””] \n\nOrlando Pabotoy is an Obie Award-winning multidisciplinary theatre artist. His role as a choreographer and movement designer has been showcased in productions of Henry VI (National Asian American Theatre Company)\, The Cherry Orchard (Classic Stage Company by Andrei Belgrader)\, and Marisol (Trinity Rep)\, among others. He is the winner of the 2023 Callaway award for Choreography in The Half God of Rainfall at New York Theatre Workshop. He has also directed a physical approach to Everybody by Branden Jacobs-Jenkins at PlayMakers Repertory Company\, and his contributions to the world of new productions extend to writing and performing in Sesar (commissioned by the Ma-Yi Theater Company) and writing and directing That Beautiful Laugh (La MaMa’s 50th year anniversary). \nHe is a founding member of the Campfire Project\, where he leads an innovative approach to arts therapy through the arts of stilt walking in order to support the resilience and wellbeing of refugees and asylum seekers worldwide. He is currently on faculty at the Juilliard School and has taught for graduate programs nationwide\, as well as at The Actors Center\, the Public Theater’s Summer Lab\, and internationally in Italy\, the Philippines\, Amsterdam\, and Abu-Dhabi. \n\n[/vc_column_text][/vc_column][vc_column width=”1/3″][vc_column_text css=””] \nRegister Now\n[/vc_column_text]\n \n \n "*" indicates required fields \n \n Your Name*Your Email*\n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n[vc_empty_space][vc_column_text css=””] \nParticipants\nEnrollment is limited to 10 individuals. Slight conflicts can be accommodated.[/vc_column_text][/vc_column][/vc_row][vc_row][vc_column width=”2/3″][vc_column_text] \nComments/Queries\n[/vc_column_text][/vc_column][vc_column width=”1/3″][/vc_column][/vc_row] URL:https://theactorscenter.org/event/orlando-pabotoy-elevation-through-stilt-walking-fall2025/2025-11-06/ END:VEVENT BEGIN:VEVENT DTSTART;TZID=America/New_York:20251110T100000 DTEND;TZID=America/New_York:20251110T130000 DTSTAMP:20251027T165537Z CREATED:20251021T155600Z LAST-MODIFIED:20251027T165537Z UID:10003767-1762768800-1762779600@theactorscenter.org SUMMARY:Fay Simpson: High-Stakes Scene Work (11/10-12/15) DESCRIPTION:[vc_row][vc_column][vc_column_text el_class=”home_quote_name”] \nCompany Workshop\n[/vc_column_text][vc_column_text css=””] \nFay Simpson: High-Stakes Scene Work\n5 Monday Mornings\n[/vc_column_text][/vc_column][/vc_row][vc_row][vc_column width=”2/3″][vc_column_text] \nDates & Times\n[/vc_column_text][vc_column_text css=””]Monday\, November 10\, 2025 – 10:00am-1:00pm\nMonday\, November 17\, 2025 – 10:00am-1:00pm\n— No Session November 24 —\nMonday\, December 1\, 2025 – 10:00am-1:00pm\nMonday\, December 8\, 2025 – 10:00am-1:00pm\nMonday\, December 15\, 2025 – 10:00am-1:00pm\n \nHoughton Hall\, 22 East 30th Street\, 2nd Floor Jefferson Studio \nThis workshop is only open to participants\, we cannot accommodate observers.[/vc_column_text][vc_empty_space height=”20px”][vc_column_text] \nAbout the Workshop\n[/vc_column_text][vc_column_text css=””] \nFounder of the Lucid Body\, an Intimacy Coordinator\, and Head of Movement at NYU Grad Acting\, Fay Simpson\, returns to The Actors Center for a five week workshop focusing on building high stakes scenes respectfully and deeply utilizing her physical approach. The first two weeks will delve into advanced tools for active listening and somatic sensitivity needed when approaching scenes involving close relationships. Over the subsequent three weeks\, a scene partner and scene will be chosen and explored using exercises to help build physical history\, affection\, and the bile that may occur as an aftermath. Whether you are new to Lucid Body or not\, this workshop will offer tools for embodying the conflicting layers present inside a character\, as well as between characters\, on a blood and bone level. \n[/vc_column_text][vc_empty_space height=”20px”][vc_column_text css=””] \nAbout Fay Simpson\n[/vc_column_text][vc_column_text css=””] \nFay Simpson is the Founder of the Lucid Body\, a psycho-physical process of introspection\, exertion\, and mental challenge that empowers actors and dancers to express human complexity and passion with safety and skill. She is Head of Movement at NYU’s Graduate Acting Program\, and has been the Artistic Director and co-founder of Impact Theatre since its creation in 1990 (D-Train\, Degas’ Little Dancer\, Marital Bliss of Francis and Maxine\, Kurt’s Wife: A Story of Lotte Lenya\, Grey Gone\, and most recently\, SCOTTY). She is an IPA-certified Intimacy Coordinator and has been a physical acting director and somatic acting coach for more than twenty years. \nFay has also taught at The Yale School of Drama\, the New School’s Eugene Lang\, Michael Howard Studios\, The Studio/NY\, Marymount Manhattan College\, and The Actors Center. Fay was awarded a Fox Foundation Fellowship to intern with Mark Rylance at the Globe Theater in London in 2000. \nRe-balancing the nervous system and energetic body of each actor and between actors after every rehearsal is a priority and the reason she became an intimacy coordinator. She has choreographed intimacy for numerous plays\, ballets\, and screen projects\, with credits that include A Midsummer Night’s Dream with the Classical Theater of Harlem directed by Carl Cofield\, Dracula with Ballet Met in Columbus\, Ohio\, Marys Seacole directed by Machel Ross at the Shubert Theatre\, A Song of Songs at El Puente\, and the film Gage County\, NE\, directed by Cecilia Rubino. \nShe also co-founded a Theatre for Social Change summer program in Tanzania for Yale Drama students\, as well as the Veterans Project in New York. She has a two year teacher training program with Lucid Body teachers now working around the world. The 2nd edition of her book\, The Lucid Body; A Guide for the Physical Actor was published in 2020 and hailed by Drama Book Shop as “one of the ten most essential books for the actor.” www.lucidbody.com[/vc_column_text][/vc_column][vc_column width=”1/3″][vc_column_text css=””] \nRegister Now\n[/vc_column_text]\n \n \n "*" indicates required fields \n \n Your Name*Your Email*\n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n[vc_empty_space][vc_column_text css=””] \nParticipants\nEnrollment limited to 14 actors. Very limited conflicts can me accommodated. \n[/vc_column_text][vc_column_text css=”” el_class=”participant_list”]\n\n Entries\n \n \n \n \n \n \n Andréa BurnsPending \n \n Mel HouseParticipant \n \n Ronald PeetParticipant \n \n Stephanie KurtzubaParticipant \n \n Willa FitzgeraldParticipant \n \n June BallingerParticipant \n \n Joanne KellyParticipant \n \n Jonathan GordonParticipant \n \n Julyana SoelistyoParticipant \n \n Karl BuryParticipant \n \n Kathleen Turco-LyonParticipant \n \n Dee PelletierParticipant \n \n Becky LondonParticipant \n \n Gian-Murray GianinoParticipant \n \n Baize BuzanParticipant \n \n Sarah MantonWaitlist \n \n Magaly ColimonWaitlist \n \n Ivory AquinoWaitlist \n \n \n \n \n \n\n\n[/vc_column_text][/vc_column][/vc_row][vc_row][vc_column width=”2/3″][vc_column_text] \nComments/Queries\n[/vc_column_text][/vc_column][vc_column width=”1/3″][/vc_column][/vc_row] URL:https://theactorscenter.org/event/fay-simpson-high-stakes-scene-work-fall2025/2025-11-10/ END:VEVENT BEGIN:VEVENT DTSTART;TZID=America/New_York:20251111T110000 DTEND;TZID=America/New_York:20251111T123000 DTSTAMP:20240202T144116Z CREATED:20201130T195206Z LAST-MODIFIED:20240202T144116Z UID:10002419-1762858800-1762864200@theactorscenter.org SUMMARY:Weekly Community Space DESCRIPTION:[vc_row][vc_column][vc_column_text el_class=”event_roundtable”] \nCompany CoLabs\n[/vc_column_text][vc_column_text] \nCommunity Space\nTuesday Mornings\n[/vc_column_text][/vc_column][/vc_row][vc_row][vc_column width=”2/3″][vc_column_text] \nDates & Times\n[/vc_column_text][vc_column_text]Every Tuesday – 11:00am-12:30pm ET\n \nLaunch Zoom Link\nMeeting ID: 837 0411 7798\nPasscode: 374737 \nHosted by Jodie Lynne McClintock[/vc_column_text][vc_empty_space height=”20px”][vc_column_text] \nAbout the CoLab\n[/vc_column_text][vc_column_text]Started three years ago at the height of the Covid-19 lockdown as a way to connect\, it has continued weekly as a family of actors navigating the changing landscape of our times. Here you will find a supportive\, safe virtual space where artists in our company bring their stories\, concerns\, questions\, recommendations\, and inspirations in a free-wheeling but facilitated discussion. With no set agenda\, we delve into whatever is of interest or concern in any given week. We explore what it means to be an actor and what place our art holds in the world.  People suggest balm for body and soul while walking hand-in-hand along the actor’s way.[/vc_column_text][vc_column_text] \nAbout the Series\n[/vc_column_text][vc_column_text]Company CoLabs are a series at The Actors Center that offer a framework for collaborative explorations and community programming among company members. Company members host or facilitate projects—play reading groups\, explorations of new material or approaches\, writing labs\, devising work\, field trips\, retreats—in short\, anything inspiring to explore among peers. CoLabs offer creative outlets to explore work you might not otherwise have the opportunity for\, while continuing to share resources and deepen connections among our Actors Center community.[/vc_column_text][/vc_column][vc_column width=”1/3″][/vc_column][/vc_row][vc_row][vc_column width=”2/3″][vc_column_text] \nComments/Queries\n[/vc_column_text][/vc_column][vc_column width=”1/3″][/vc_column][/vc_row] URL:https://theactorscenter.org/event/weekly-community-space/2025-11-11/ END:VEVENT BEGIN:VEVENT DTSTART;TZID=America/New_York:20251111T120000 DTEND;TZID=America/New_York:20251111T160000 DTSTAMP:20251021T113958Z CREATED:20251015T163525Z LAST-MODIFIED:20251021T113958Z UID:10003759-1762862400-1762876800@theactorscenter.org SUMMARY:Orlando Pabotoy: Elevation Through Stilt Walking (11/6-11/20) DESCRIPTION:[vc_row][vc_column][vc_column_text el_class=”home_quote_name”] \nCompany Workshop\n[/vc_column_text][vc_column_text css=””] \nOrlando Pabotoy: Elevation Through Stilt Walking\nTuesday & Thursday Afternoons\n[/vc_column_text][/vc_column][/vc_row][vc_row][vc_column width=”2/3″][vc_column_text] \nDates & Times\n[/vc_column_text][vc_column_text css=””]Thursday\, November 6\, 2025 – 11am-4pm\nTuesday\, November 11\, 2025 – 12pm-4pm\nThursday\, November 13\, 2025 – 12pm-4pm\nTuesday\, November 18\, 2025 – 12pm-4pm\nThursday\, November 20\, 2025 – 12pm-4pm \nBaryshnikov Arts Center\, 450 West 37th Street\, Sterner Studio \nThis workshop is only open to participants\, we cannot accommodate observers.[/vc_column_text][vc_empty_space height=”20px”][vc_column_text] \nAbout the Workshop\n[/vc_column_text][vc_column_text css=””] \nInterdisciplinary artist\, director\, and educator\, Orlando Pabotoy\, returns to The Actors Center for a 3-week workshop introducing the art of stilt walking. With Orlando’s guidance\, participants will develop their trust\, confidence\, and physical awareness while embracing vulnerability and rediscovering their childlike sense of play. Stilt work opens the body to new possibilities of movement\, scale\, and presence\, sparking fresh approaches to character\, storytelling\, and artistic inquiry. Alongside physical practice\, the workshop invites reflection on deeper questions of why we create\, how the artist impacts others on a human level\, and the cultural traditions that have long used stilts as a tool for performance and community. \n[/vc_column_text][vc_empty_space height=”20px”][vc_column_text css=””] \nAbout Orlando Pabotoy\n[/vc_column_text][vc_column_text css=””] \n\nOrlando Pabotoy is an Obie Award-winning multidisciplinary theatre artist. His role as a choreographer and movement designer has been showcased in productions of Henry VI (National Asian American Theatre Company)\, The Cherry Orchard (Classic Stage Company by Andrei Belgrader)\, and Marisol (Trinity Rep)\, among others. He is the winner of the 2023 Callaway award for Choreography in The Half God of Rainfall at New York Theatre Workshop. He has also directed a physical approach to Everybody by Branden Jacobs-Jenkins at PlayMakers Repertory Company\, and his contributions to the world of new productions extend to writing and performing in Sesar (commissioned by the Ma-Yi Theater Company) and writing and directing That Beautiful Laugh (La MaMa’s 50th year anniversary). \nHe is a founding member of the Campfire Project\, where he leads an innovative approach to arts therapy through the arts of stilt walking in order to support the resilience and wellbeing of refugees and asylum seekers worldwide. He is currently on faculty at the Juilliard School and has taught for graduate programs nationwide\, as well as at The Actors Center\, the Public Theater’s Summer Lab\, and internationally in Italy\, the Philippines\, Amsterdam\, and Abu-Dhabi. \n\n[/vc_column_text][/vc_column][vc_column width=”1/3″][vc_column_text css=””] \nRegister Now\n[/vc_column_text]\n \n \n "*" indicates required fields \n \n Your Name*Your Email*\n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n[vc_empty_space][vc_column_text css=””] \nParticipants\nEnrollment is limited to 10 individuals. Slight conflicts can be accommodated.[/vc_column_text][/vc_column][/vc_row][vc_row][vc_column width=”2/3″][vc_column_text] \nComments/Queries\n[/vc_column_text][/vc_column][vc_column width=”1/3″][/vc_column][/vc_row] URL:https://theactorscenter.org/event/orlando-pabotoy-elevation-through-stilt-walking-fall2025/2025-11-11/ END:VEVENT BEGIN:VEVENT DTSTART;TZID=America/New_York:20251113T120000 DTEND;TZID=America/New_York:20251113T160000 DTSTAMP:20251021T113958Z CREATED:20251015T163525Z LAST-MODIFIED:20251021T113958Z UID:10003760-1763035200-1763049600@theactorscenter.org SUMMARY:Orlando Pabotoy: Elevation Through Stilt Walking (11/6-11/20) DESCRIPTION:[vc_row][vc_column][vc_column_text el_class=”home_quote_name”] \nCompany Workshop\n[/vc_column_text][vc_column_text css=””] \nOrlando Pabotoy: Elevation Through Stilt Walking\nTuesday & Thursday Afternoons\n[/vc_column_text][/vc_column][/vc_row][vc_row][vc_column width=”2/3″][vc_column_text] \nDates & Times\n[/vc_column_text][vc_column_text css=””]Thursday\, November 6\, 2025 – 11am-4pm\nTuesday\, November 11\, 2025 – 12pm-4pm\nThursday\, November 13\, 2025 – 12pm-4pm\nTuesday\, November 18\, 2025 – 12pm-4pm\nThursday\, November 20\, 2025 – 12pm-4pm \nBaryshnikov Arts Center\, 450 West 37th Street\, Sterner Studio \nThis workshop is only open to participants\, we cannot accommodate observers.[/vc_column_text][vc_empty_space height=”20px”][vc_column_text] \nAbout the Workshop\n[/vc_column_text][vc_column_text css=””] \nInterdisciplinary artist\, director\, and educator\, Orlando Pabotoy\, returns to The Actors Center for a 3-week workshop introducing the art of stilt walking. With Orlando’s guidance\, participants will develop their trust\, confidence\, and physical awareness while embracing vulnerability and rediscovering their childlike sense of play. Stilt work opens the body to new possibilities of movement\, scale\, and presence\, sparking fresh approaches to character\, storytelling\, and artistic inquiry. Alongside physical practice\, the workshop invites reflection on deeper questions of why we create\, how the artist impacts others on a human level\, and the cultural traditions that have long used stilts as a tool for performance and community. \n[/vc_column_text][vc_empty_space height=”20px”][vc_column_text css=””] \nAbout Orlando Pabotoy\n[/vc_column_text][vc_column_text css=””] \n\nOrlando Pabotoy is an Obie Award-winning multidisciplinary theatre artist. His role as a choreographer and movement designer has been showcased in productions of Henry VI (National Asian American Theatre Company)\, The Cherry Orchard (Classic Stage Company by Andrei Belgrader)\, and Marisol (Trinity Rep)\, among others. He is the winner of the 2023 Callaway award for Choreography in The Half God of Rainfall at New York Theatre Workshop. He has also directed a physical approach to Everybody by Branden Jacobs-Jenkins at PlayMakers Repertory Company\, and his contributions to the world of new productions extend to writing and performing in Sesar (commissioned by the Ma-Yi Theater Company) and writing and directing That Beautiful Laugh (La MaMa’s 50th year anniversary). \nHe is a founding member of the Campfire Project\, where he leads an innovative approach to arts therapy through the arts of stilt walking in order to support the resilience and wellbeing of refugees and asylum seekers worldwide. He is currently on faculty at the Juilliard School and has taught for graduate programs nationwide\, as well as at The Actors Center\, the Public Theater’s Summer Lab\, and internationally in Italy\, the Philippines\, Amsterdam\, and Abu-Dhabi. \n\n[/vc_column_text][/vc_column][vc_column width=”1/3″][vc_column_text css=””] \nRegister Now\n[/vc_column_text]\n \n \n "*" indicates required fields \n \n Your Name*Your Email*\n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n[vc_empty_space][vc_column_text css=””] \nParticipants\nEnrollment is limited to 10 individuals. Slight conflicts can be accommodated.[/vc_column_text][/vc_column][/vc_row][vc_row][vc_column width=”2/3″][vc_column_text] \nComments/Queries\n[/vc_column_text][/vc_column][vc_column width=”1/3″][/vc_column][/vc_row] URL:https://theactorscenter.org/event/orlando-pabotoy-elevation-through-stilt-walking-fall2025/2025-11-13/ END:VEVENT BEGIN:VEVENT DTSTART;TZID=America/New_York:20251114T133000 DTEND;TZID=America/New_York:20251114T173000 DTSTAMP:20251027T165626Z CREATED:20251024T160353Z LAST-MODIFIED:20251027T165626Z UID:10003773-1763127000-1763141400@theactorscenter.org SUMMARY:Ken Barnett: Dreaming the Character (11/14-11/16) DESCRIPTION:[vc_row][vc_column][vc_column_text el_class=”home_quote_name”] \nCompany Workshop\n[/vc_column_text][vc_column_text css=””] \nKen Barnett: Dreaming the Character\nFriday\, Saturday\, & Sunday Afternoon\n[/vc_column_text][/vc_column][/vc_row][vc_row][vc_column width=”2/3″][vc_column_text] \nDates & Times\n[/vc_column_text][vc_column_text css=””]Friday\, November 14\, 2025 – 1:30pm-5:30pm\nSaturday\, November 15\, 2025 – 1:30pm-5:30pm\nSunday\, November 16\, 2025 – 1:30pm-5:30pm\n \n\n\nAmanda Selwyn Dance Studio\, 412 Broadway (at Canal Street)\, 2nd Floor \n\n\nThis workshop is only open to participants\, we cannot accommodate observers.[/vc_column_text][vc_empty_space height=”20px”][vc_column_text] \nAbout the Workshop\n[/vc_column_text][vc_column_text css=””] \n“Now is the moment to develop and commit yourself. For we are getting nearer and nearer to the subconscious and the more subtle our work\, the better conditioned our physical instrument must be to express it. The work you are doing is difficult\, impossible\, essential.”\n— Konstantin Stanislavski\n\n\nActor\, teacher\, and company member\, Ken Barnett\, will return to The Actors Center for a 3-day workshop sharing the tools of Dreamwork\, while focusing on using unconscious material to develop a character. Each participant is asked to choose a role to prepare and also bring in a dream to explore. The process of using Dreamwork to create a role is a beautiful\, mysterious\, and profoundly inspiring methodology. By engaging with fresh material from the unconscious as delivered by a dream\, we find the fertile intersection between our own selves and the character. We then discover what is deeply personal about the script and how urgent it is for us to inhabit this story and character. As is true with each dream\, each role becomes a new opportunity to learn\, grow\, and move towards wholeness: a call from one’s destiny. \nKen has offered Dreamwork to the company before\, but this is the first time we will focus on character work. Working physically\, Ken will guide participants in asking the thinking mind to soften in order to invite the truth held in the body to express freely. Discover what is within you that is longing to be revealed through the fiction of the character\, and unveil the connections to your personal truth that are held in the script. We will work with gesture in the body\, freedom in the voice\, and an expansive approach to engaging the imagination. Prior experience with Dreamwork is welcomed but not required. \n\n[/vc_column_text][vc_empty_space height=”20px”][vc_column_text css=””] \nAbout Ken Barnett\n[/vc_column_text][vc_column_text css=””] \n\nKen is an actor\, director\, acting coach\, and teacher of Dreamwork for Artists. He studied and trained extensively under his mentor\, Kim Gillingham\, in Los Angeles\, and he has furthered his study of Dreamwork with the Jungian Psychoanalytic Association of New York\, the C.G. Jung Foundation\, and Pacifica Graduate Institute. Ken has been coaching privately and teaching workshops in New York and Los Angeles for over a decade. He has worked with actors\, writers\, and artists of various disciplines who are interested in exploring the unconscious. Ken has been honored to lead workshops at training programs and retreat centers such as The Actors Center\, The National Alliance of Acting Teachers\, New York Stage & Film’s Powerhouse Summer Training Program\, and Space on Ryder Farm. \nAs an actor\, Ken has worked professionally for over twenty-five years. His Broadway credits include Fun Home (dir. Sam Gold)\, Wonderful Town (dir. Kathleen Marshall)\, and The Green Bird (dir. Julie Taymor). He has originated roles at the Public\, Playwrights Horizons\, Rattlestick\, the Vineyard\, and HERE\, and worked regionally at the Geffen Playhouse\, Hartford Stage\, Pittsburgh Public Theatre\, Old Globe\, Mark Taper Forum\, and the Guthrie\, among others. His TV and film work includes the award-winning short film\, Lavender\, and roles on Mad Men\, Mozart in the Jungle\, House of Cards\, High Maintenance\, The Good Fight\, Godfather of Harlem\, American Crime Story\, The Knick\, and Grey’s Anatomy\, among others. \n\n[/vc_column_text][/vc_column][vc_column width=”1/3″][vc_column_text css=””] \nRegister Now\n[/vc_column_text]\n \n \n "*" indicates required fields \n \n Your Name*Your Email*\n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n[vc_empty_space][vc_column_text css=””] \nParticipants\nEnrollment limited to 14 actors. Very limited conflicts can me accommodated. \n[/vc_column_text][vc_column_text css=”” el_class=”participant_list”]\n\n Entries\n \n \n \n \n \n \n Juliana Aidén MartinezPending \n \n Joel Van LiewPending \n \n Clark JacksonPending \n \n Welker WhiteParticipant \n \n Yadira Correa OrtizParticipant \n \n Sarah BaskinParticipant \n \n Lana YoungParticipant \n \n John Evans ReeseParticipant \n \n Jodie Lynne McClintockParticipant \n \n Ivory AquinoParticipant \n \n Bob AriParticipant \n \n Ben ThysParticipant \n \n Ana Cruz KayneParticipant \n \n Marjan NeshatParticipant \n \n Kim AwonParticipant \n \n Stephanie KurtzubaParticipant \n \n Stephen ParkParticipant \n \n Julyana SoelistyoWaitlist \n \n Mel HouseWaitlist \n \n Andres Santiago PiñaWaitlist \n \n \n \n \n \n\n\n[/vc_column_text][/vc_column][/vc_row][vc_row][vc_column width=”2/3″][vc_column_text] \nComments/Queries\n[/vc_column_text][/vc_column][vc_column width=”1/3″][/vc_column][/vc_row] URL:https://theactorscenter.org/event/ken-barnett-dreaming-the-character-fall2025/2025-11-14/ END:VEVENT BEGIN:VEVENT DTSTART;TZID=America/New_York:20251115T133000 DTEND;TZID=America/New_York:20251115T173000 DTSTAMP:20251027T165626Z CREATED:20251024T160353Z LAST-MODIFIED:20251027T165626Z UID:10003774-1763213400-1763227800@theactorscenter.org SUMMARY:Ken Barnett: Dreaming the Character (11/14-11/16) DESCRIPTION:[vc_row][vc_column][vc_column_text el_class=”home_quote_name”] \nCompany Workshop\n[/vc_column_text][vc_column_text css=””] \nKen Barnett: Dreaming the Character\nFriday\, Saturday\, & Sunday Afternoon\n[/vc_column_text][/vc_column][/vc_row][vc_row][vc_column width=”2/3″][vc_column_text] \nDates & Times\n[/vc_column_text][vc_column_text css=””]Friday\, November 14\, 2025 – 1:30pm-5:30pm\nSaturday\, November 15\, 2025 – 1:30pm-5:30pm\nSunday\, November 16\, 2025 – 1:30pm-5:30pm\n \n\n\nAmanda Selwyn Dance Studio\, 412 Broadway (at Canal Street)\, 2nd Floor \n\n\nThis workshop is only open to participants\, we cannot accommodate observers.[/vc_column_text][vc_empty_space height=”20px”][vc_column_text] \nAbout the Workshop\n[/vc_column_text][vc_column_text css=””] \n“Now is the moment to develop and commit yourself. For we are getting nearer and nearer to the subconscious and the more subtle our work\, the better conditioned our physical instrument must be to express it. The work you are doing is difficult\, impossible\, essential.”\n— Konstantin Stanislavski\n\n\nActor\, teacher\, and company member\, Ken Barnett\, will return to The Actors Center for a 3-day workshop sharing the tools of Dreamwork\, while focusing on using unconscious material to develop a character. Each participant is asked to choose a role to prepare and also bring in a dream to explore. The process of using Dreamwork to create a role is a beautiful\, mysterious\, and profoundly inspiring methodology. By engaging with fresh material from the unconscious as delivered by a dream\, we find the fertile intersection between our own selves and the character. We then discover what is deeply personal about the script and how urgent it is for us to inhabit this story and character. As is true with each dream\, each role becomes a new opportunity to learn\, grow\, and move towards wholeness: a call from one’s destiny. \nKen has offered Dreamwork to the company before\, but this is the first time we will focus on character work. Working physically\, Ken will guide participants in asking the thinking mind to soften in order to invite the truth held in the body to express freely. Discover what is within you that is longing to be revealed through the fiction of the character\, and unveil the connections to your personal truth that are held in the script. We will work with gesture in the body\, freedom in the voice\, and an expansive approach to engaging the imagination. Prior experience with Dreamwork is welcomed but not required. \n\n[/vc_column_text][vc_empty_space height=”20px”][vc_column_text css=””] \nAbout Ken Barnett\n[/vc_column_text][vc_column_text css=””] \n\nKen is an actor\, director\, acting coach\, and teacher of Dreamwork for Artists. He studied and trained extensively under his mentor\, Kim Gillingham\, in Los Angeles\, and he has furthered his study of Dreamwork with the Jungian Psychoanalytic Association of New York\, the C.G. Jung Foundation\, and Pacifica Graduate Institute. Ken has been coaching privately and teaching workshops in New York and Los Angeles for over a decade. He has worked with actors\, writers\, and artists of various disciplines who are interested in exploring the unconscious. Ken has been honored to lead workshops at training programs and retreat centers such as The Actors Center\, The National Alliance of Acting Teachers\, New York Stage & Film’s Powerhouse Summer Training Program\, and Space on Ryder Farm. \nAs an actor\, Ken has worked professionally for over twenty-five years. His Broadway credits include Fun Home (dir. Sam Gold)\, Wonderful Town (dir. Kathleen Marshall)\, and The Green Bird (dir. Julie Taymor). He has originated roles at the Public\, Playwrights Horizons\, Rattlestick\, the Vineyard\, and HERE\, and worked regionally at the Geffen Playhouse\, Hartford Stage\, Pittsburgh Public Theatre\, Old Globe\, Mark Taper Forum\, and the Guthrie\, among others. His TV and film work includes the award-winning short film\, Lavender\, and roles on Mad Men\, Mozart in the Jungle\, House of Cards\, High Maintenance\, The Good Fight\, Godfather of Harlem\, American Crime Story\, The Knick\, and Grey’s Anatomy\, among others. \n\n[/vc_column_text][/vc_column][vc_column width=”1/3″][vc_column_text css=””] \nRegister Now\n[/vc_column_text]\n \n \n "*" indicates required fields \n \n Your Name*Your Email*\n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n[vc_empty_space][vc_column_text css=””] \nParticipants\nEnrollment limited to 14 actors. Very limited conflicts can me accommodated. \n[/vc_column_text][vc_column_text css=”” el_class=”participant_list”]\n\n Entries\n \n \n \n \n \n \n Juliana Aidén MartinezPending \n \n Joel Van LiewPending \n \n Clark JacksonPending \n \n Welker WhiteParticipant \n \n Yadira Correa OrtizParticipant \n \n Sarah BaskinParticipant \n \n Lana YoungParticipant \n \n John Evans ReeseParticipant \n \n Jodie Lynne McClintockParticipant \n \n Ivory AquinoParticipant \n \n Bob AriParticipant \n \n Ben ThysParticipant \n \n Ana Cruz KayneParticipant \n \n Marjan NeshatParticipant \n \n Kim AwonParticipant \n \n Stephanie KurtzubaParticipant \n \n Stephen ParkParticipant \n \n Julyana SoelistyoWaitlist \n \n Mel HouseWaitlist \n \n Andres Santiago PiñaWaitlist \n \n \n \n \n \n\n\n[/vc_column_text][/vc_column][/vc_row][vc_row][vc_column width=”2/3″][vc_column_text] \nComments/Queries\n[/vc_column_text][/vc_column][vc_column width=”1/3″][/vc_column][/vc_row] URL:https://theactorscenter.org/event/ken-barnett-dreaming-the-character-fall2025/2025-11-15/ END:VEVENT BEGIN:VEVENT DTSTART;TZID=America/New_York:20251116T133000 DTEND;TZID=America/New_York:20251116T173000 DTSTAMP:20251027T165626Z CREATED:20251024T160353Z LAST-MODIFIED:20251027T165626Z UID:10003775-1763299800-1763314200@theactorscenter.org SUMMARY:Ken Barnett: Dreaming the Character (11/14-11/16) DESCRIPTION:[vc_row][vc_column][vc_column_text el_class=”home_quote_name”] \nCompany Workshop\n[/vc_column_text][vc_column_text css=””] \nKen Barnett: Dreaming the Character\nFriday\, Saturday\, & Sunday Afternoon\n[/vc_column_text][/vc_column][/vc_row][vc_row][vc_column width=”2/3″][vc_column_text] \nDates & Times\n[/vc_column_text][vc_column_text css=””]Friday\, November 14\, 2025 – 1:30pm-5:30pm\nSaturday\, November 15\, 2025 – 1:30pm-5:30pm\nSunday\, November 16\, 2025 – 1:30pm-5:30pm\n \n\n\nAmanda Selwyn Dance Studio\, 412 Broadway (at Canal Street)\, 2nd Floor \n\n\nThis workshop is only open to participants\, we cannot accommodate observers.[/vc_column_text][vc_empty_space height=”20px”][vc_column_text] \nAbout the Workshop\n[/vc_column_text][vc_column_text css=””] \n“Now is the moment to develop and commit yourself. For we are getting nearer and nearer to the subconscious and the more subtle our work\, the better conditioned our physical instrument must be to express it. The work you are doing is difficult\, impossible\, essential.”\n— Konstantin Stanislavski\n\n\nActor\, teacher\, and company member\, Ken Barnett\, will return to The Actors Center for a 3-day workshop sharing the tools of Dreamwork\, while focusing on using unconscious material to develop a character. Each participant is asked to choose a role to prepare and also bring in a dream to explore. The process of using Dreamwork to create a role is a beautiful\, mysterious\, and profoundly inspiring methodology. By engaging with fresh material from the unconscious as delivered by a dream\, we find the fertile intersection between our own selves and the character. We then discover what is deeply personal about the script and how urgent it is for us to inhabit this story and character. As is true with each dream\, each role becomes a new opportunity to learn\, grow\, and move towards wholeness: a call from one’s destiny. \nKen has offered Dreamwork to the company before\, but this is the first time we will focus on character work. Working physically\, Ken will guide participants in asking the thinking mind to soften in order to invite the truth held in the body to express freely. Discover what is within you that is longing to be revealed through the fiction of the character\, and unveil the connections to your personal truth that are held in the script. We will work with gesture in the body\, freedom in the voice\, and an expansive approach to engaging the imagination. Prior experience with Dreamwork is welcomed but not required. \n\n[/vc_column_text][vc_empty_space height=”20px”][vc_column_text css=””] \nAbout Ken Barnett\n[/vc_column_text][vc_column_text css=””] \n\nKen is an actor\, director\, acting coach\, and teacher of Dreamwork for Artists. He studied and trained extensively under his mentor\, Kim Gillingham\, in Los Angeles\, and he has furthered his study of Dreamwork with the Jungian Psychoanalytic Association of New York\, the C.G. Jung Foundation\, and Pacifica Graduate Institute. Ken has been coaching privately and teaching workshops in New York and Los Angeles for over a decade. He has worked with actors\, writers\, and artists of various disciplines who are interested in exploring the unconscious. Ken has been honored to lead workshops at training programs and retreat centers such as The Actors Center\, The National Alliance of Acting Teachers\, New York Stage & Film’s Powerhouse Summer Training Program\, and Space on Ryder Farm. \nAs an actor\, Ken has worked professionally for over twenty-five years. His Broadway credits include Fun Home (dir. Sam Gold)\, Wonderful Town (dir. Kathleen Marshall)\, and The Green Bird (dir. Julie Taymor). He has originated roles at the Public\, Playwrights Horizons\, Rattlestick\, the Vineyard\, and HERE\, and worked regionally at the Geffen Playhouse\, Hartford Stage\, Pittsburgh Public Theatre\, Old Globe\, Mark Taper Forum\, and the Guthrie\, among others. His TV and film work includes the award-winning short film\, Lavender\, and roles on Mad Men\, Mozart in the Jungle\, House of Cards\, High Maintenance\, The Good Fight\, Godfather of Harlem\, American Crime Story\, The Knick\, and Grey’s Anatomy\, among others. \n\n[/vc_column_text][/vc_column][vc_column width=”1/3″][vc_column_text css=””] \nRegister Now\n[/vc_column_text]\n \n \n "*" indicates required fields \n \n Your Name*Your Email*\n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n[vc_empty_space][vc_column_text css=””] \nParticipants\nEnrollment limited to 14 actors. Very limited conflicts can me accommodated. \n[/vc_column_text][vc_column_text css=”” el_class=”participant_list”]\n\n Entries\n \n \n \n \n \n \n Juliana Aidén MartinezPending \n \n Joel Van LiewPending \n \n Clark JacksonPending \n \n Welker WhiteParticipant \n \n Yadira Correa OrtizParticipant \n \n Sarah BaskinParticipant \n \n Lana YoungParticipant \n \n John Evans ReeseParticipant \n \n Jodie Lynne McClintockParticipant \n \n Ivory AquinoParticipant \n \n Bob AriParticipant \n \n Ben ThysParticipant \n \n Ana Cruz KayneParticipant \n \n Marjan NeshatParticipant \n \n Kim AwonParticipant \n \n Stephanie KurtzubaParticipant \n \n Stephen ParkParticipant \n \n Julyana SoelistyoWaitlist \n \n Mel HouseWaitlist \n \n Andres Santiago PiñaWaitlist \n \n \n \n \n \n\n\n[/vc_column_text][/vc_column][/vc_row][vc_row][vc_column width=”2/3″][vc_column_text] \nComments/Queries\n[/vc_column_text][/vc_column][vc_column width=”1/3″][/vc_column][/vc_row] URL:https://theactorscenter.org/event/ken-barnett-dreaming-the-character-fall2025/2025-11-16/ END:VEVENT BEGIN:VEVENT DTSTART;TZID=America/New_York:20251117T100000 DTEND;TZID=America/New_York:20251117T130000 DTSTAMP:20251027T165537Z CREATED:20251021T155600Z LAST-MODIFIED:20251027T165537Z UID:10003768-1763373600-1763384400@theactorscenter.org SUMMARY:Fay Simpson: High-Stakes Scene Work (11/10-12/15) DESCRIPTION:[vc_row][vc_column][vc_column_text el_class=”home_quote_name”] \nCompany Workshop\n[/vc_column_text][vc_column_text css=””] \nFay Simpson: High-Stakes Scene Work\n5 Monday Mornings\n[/vc_column_text][/vc_column][/vc_row][vc_row][vc_column width=”2/3″][vc_column_text] \nDates & Times\n[/vc_column_text][vc_column_text css=””]Monday\, November 10\, 2025 – 10:00am-1:00pm\nMonday\, November 17\, 2025 – 10:00am-1:00pm\n— No Session November 24 —\nMonday\, December 1\, 2025 – 10:00am-1:00pm\nMonday\, December 8\, 2025 – 10:00am-1:00pm\nMonday\, December 15\, 2025 – 10:00am-1:00pm\n \nHoughton Hall\, 22 East 30th Street\, 2nd Floor Jefferson Studio \nThis workshop is only open to participants\, we cannot accommodate observers.[/vc_column_text][vc_empty_space height=”20px”][vc_column_text] \nAbout the Workshop\n[/vc_column_text][vc_column_text css=””] \nFounder of the Lucid Body\, an Intimacy Coordinator\, and Head of Movement at NYU Grad Acting\, Fay Simpson\, returns to The Actors Center for a five week workshop focusing on building high stakes scenes respectfully and deeply utilizing her physical approach. The first two weeks will delve into advanced tools for active listening and somatic sensitivity needed when approaching scenes involving close relationships. Over the subsequent three weeks\, a scene partner and scene will be chosen and explored using exercises to help build physical history\, affection\, and the bile that may occur as an aftermath. Whether you are new to Lucid Body or not\, this workshop will offer tools for embodying the conflicting layers present inside a character\, as well as between characters\, on a blood and bone level. \n[/vc_column_text][vc_empty_space height=”20px”][vc_column_text css=””] \nAbout Fay Simpson\n[/vc_column_text][vc_column_text css=””] \nFay Simpson is the Founder of the Lucid Body\, a psycho-physical process of introspection\, exertion\, and mental challenge that empowers actors and dancers to express human complexity and passion with safety and skill. She is Head of Movement at NYU’s Graduate Acting Program\, and has been the Artistic Director and co-founder of Impact Theatre since its creation in 1990 (D-Train\, Degas’ Little Dancer\, Marital Bliss of Francis and Maxine\, Kurt’s Wife: A Story of Lotte Lenya\, Grey Gone\, and most recently\, SCOTTY). She is an IPA-certified Intimacy Coordinator and has been a physical acting director and somatic acting coach for more than twenty years. \nFay has also taught at The Yale School of Drama\, the New School’s Eugene Lang\, Michael Howard Studios\, The Studio/NY\, Marymount Manhattan College\, and The Actors Center. Fay was awarded a Fox Foundation Fellowship to intern with Mark Rylance at the Globe Theater in London in 2000. \nRe-balancing the nervous system and energetic body of each actor and between actors after every rehearsal is a priority and the reason she became an intimacy coordinator. She has choreographed intimacy for numerous plays\, ballets\, and screen projects\, with credits that include A Midsummer Night’s Dream with the Classical Theater of Harlem directed by Carl Cofield\, Dracula with Ballet Met in Columbus\, Ohio\, Marys Seacole directed by Machel Ross at the Shubert Theatre\, A Song of Songs at El Puente\, and the film Gage County\, NE\, directed by Cecilia Rubino. \nShe also co-founded a Theatre for Social Change summer program in Tanzania for Yale Drama students\, as well as the Veterans Project in New York. She has a two year teacher training program with Lucid Body teachers now working around the world. The 2nd edition of her book\, The Lucid Body; A Guide for the Physical Actor was published in 2020 and hailed by Drama Book Shop as “one of the ten most essential books for the actor.” www.lucidbody.com[/vc_column_text][/vc_column][vc_column width=”1/3″][vc_column_text css=””] \nRegister Now\n[/vc_column_text]\n \n \n "*" indicates required fields \n \n Your Name*Your Email*\n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n[vc_empty_space][vc_column_text css=””] \nParticipants\nEnrollment limited to 14 actors. Very limited conflicts can me accommodated. \n[/vc_column_text][vc_column_text css=”” el_class=”participant_list”]\n\n Entries\n \n \n \n \n \n \n Andréa BurnsPending \n \n Mel HouseParticipant \n \n Ronald PeetParticipant \n \n Stephanie KurtzubaParticipant \n \n Willa FitzgeraldParticipant \n \n June BallingerParticipant \n \n Joanne KellyParticipant \n \n Jonathan GordonParticipant \n \n Julyana SoelistyoParticipant \n \n Karl BuryParticipant \n \n Kathleen Turco-LyonParticipant \n \n Dee PelletierParticipant \n \n Becky LondonParticipant \n \n Gian-Murray GianinoParticipant \n \n Baize BuzanParticipant \n \n Sarah MantonWaitlist \n \n Magaly ColimonWaitlist \n \n Ivory AquinoWaitlist \n \n \n \n \n \n\n\n[/vc_column_text][/vc_column][/vc_row][vc_row][vc_column width=”2/3″][vc_column_text] \nComments/Queries\n[/vc_column_text][/vc_column][vc_column width=”1/3″][/vc_column][/vc_row] URL:https://theactorscenter.org/event/fay-simpson-high-stakes-scene-work-fall2025/2025-11-17/ END:VEVENT BEGIN:VEVENT DTSTART;TZID=America/New_York:20251118T110000 DTEND;TZID=America/New_York:20251118T123000 DTSTAMP:20240202T144116Z CREATED:20201130T195206Z LAST-MODIFIED:20240202T144116Z UID:10002420-1763463600-1763469000@theactorscenter.org SUMMARY:Weekly Community Space DESCRIPTION:[vc_row][vc_column][vc_column_text el_class=”event_roundtable”] \nCompany CoLabs\n[/vc_column_text][vc_column_text] \nCommunity Space\nTuesday Mornings\n[/vc_column_text][/vc_column][/vc_row][vc_row][vc_column width=”2/3″][vc_column_text] \nDates & Times\n[/vc_column_text][vc_column_text]Every Tuesday – 11:00am-12:30pm ET\n \nLaunch Zoom Link\nMeeting ID: 837 0411 7798\nPasscode: 374737 \nHosted by Jodie Lynne McClintock[/vc_column_text][vc_empty_space height=”20px”][vc_column_text] \nAbout the CoLab\n[/vc_column_text][vc_column_text]Started three years ago at the height of the Covid-19 lockdown as a way to connect\, it has continued weekly as a family of actors navigating the changing landscape of our times. Here you will find a supportive\, safe virtual space where artists in our company bring their stories\, concerns\, questions\, recommendations\, and inspirations in a free-wheeling but facilitated discussion. With no set agenda\, we delve into whatever is of interest or concern in any given week. We explore what it means to be an actor and what place our art holds in the world.  People suggest balm for body and soul while walking hand-in-hand along the actor’s way.[/vc_column_text][vc_column_text] \nAbout the Series\n[/vc_column_text][vc_column_text]Company CoLabs are a series at The Actors Center that offer a framework for collaborative explorations and community programming among company members. Company members host or facilitate projects—play reading groups\, explorations of new material or approaches\, writing labs\, devising work\, field trips\, retreats—in short\, anything inspiring to explore among peers. CoLabs offer creative outlets to explore work you might not otherwise have the opportunity for\, while continuing to share resources and deepen connections among our Actors Center community.[/vc_column_text][/vc_column][vc_column width=”1/3″][/vc_column][/vc_row][vc_row][vc_column width=”2/3″][vc_column_text] \nComments/Queries\n[/vc_column_text][/vc_column][vc_column width=”1/3″][/vc_column][/vc_row] URL:https://theactorscenter.org/event/weekly-community-space/2025-11-18/ END:VEVENT BEGIN:VEVENT DTSTART;TZID=America/New_York:20251118T120000 DTEND;TZID=America/New_York:20251118T160000 DTSTAMP:20251021T113958Z CREATED:20251015T163525Z LAST-MODIFIED:20251021T113958Z UID:10003761-1763467200-1763481600@theactorscenter.org SUMMARY:Orlando Pabotoy: Elevation Through Stilt Walking (11/6-11/20) DESCRIPTION:[vc_row][vc_column][vc_column_text el_class=”home_quote_name”] \nCompany Workshop\n[/vc_column_text][vc_column_text css=””] \nOrlando Pabotoy: Elevation Through Stilt Walking\nTuesday & Thursday Afternoons\n[/vc_column_text][/vc_column][/vc_row][vc_row][vc_column width=”2/3″][vc_column_text] \nDates & Times\n[/vc_column_text][vc_column_text css=””]Thursday\, November 6\, 2025 – 11am-4pm\nTuesday\, November 11\, 2025 – 12pm-4pm\nThursday\, November 13\, 2025 – 12pm-4pm\nTuesday\, November 18\, 2025 – 12pm-4pm\nThursday\, November 20\, 2025 – 12pm-4pm \nBaryshnikov Arts Center\, 450 West 37th Street\, Sterner Studio \nThis workshop is only open to participants\, we cannot accommodate observers.[/vc_column_text][vc_empty_space height=”20px”][vc_column_text] \nAbout the Workshop\n[/vc_column_text][vc_column_text css=””] \nInterdisciplinary artist\, director\, and educator\, Orlando Pabotoy\, returns to The Actors Center for a 3-week workshop introducing the art of stilt walking. With Orlando’s guidance\, participants will develop their trust\, confidence\, and physical awareness while embracing vulnerability and rediscovering their childlike sense of play. Stilt work opens the body to new possibilities of movement\, scale\, and presence\, sparking fresh approaches to character\, storytelling\, and artistic inquiry. Alongside physical practice\, the workshop invites reflection on deeper questions of why we create\, how the artist impacts others on a human level\, and the cultural traditions that have long used stilts as a tool for performance and community. \n[/vc_column_text][vc_empty_space height=”20px”][vc_column_text css=””] \nAbout Orlando Pabotoy\n[/vc_column_text][vc_column_text css=””] \n\nOrlando Pabotoy is an Obie Award-winning multidisciplinary theatre artist. His role as a choreographer and movement designer has been showcased in productions of Henry VI (National Asian American Theatre Company)\, The Cherry Orchard (Classic Stage Company by Andrei Belgrader)\, and Marisol (Trinity Rep)\, among others. He is the winner of the 2023 Callaway award for Choreography in The Half God of Rainfall at New York Theatre Workshop. He has also directed a physical approach to Everybody by Branden Jacobs-Jenkins at PlayMakers Repertory Company\, and his contributions to the world of new productions extend to writing and performing in Sesar (commissioned by the Ma-Yi Theater Company) and writing and directing That Beautiful Laugh (La MaMa’s 50th year anniversary). \nHe is a founding member of the Campfire Project\, where he leads an innovative approach to arts therapy through the arts of stilt walking in order to support the resilience and wellbeing of refugees and asylum seekers worldwide. He is currently on faculty at the Juilliard School and has taught for graduate programs nationwide\, as well as at The Actors Center\, the Public Theater’s Summer Lab\, and internationally in Italy\, the Philippines\, Amsterdam\, and Abu-Dhabi. \n\n[/vc_column_text][/vc_column][vc_column width=”1/3″][vc_column_text css=””] \nRegister Now\n[/vc_column_text]\n \n \n "*" indicates required fields \n \n Your Name*Your Email*\n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n[vc_empty_space][vc_column_text css=””] \nParticipants\nEnrollment is limited to 10 individuals. Slight conflicts can be accommodated.[/vc_column_text][/vc_column][/vc_row][vc_row][vc_column width=”2/3″][vc_column_text] \nComments/Queries\n[/vc_column_text][/vc_column][vc_column width=”1/3″][/vc_column][/vc_row] URL:https://theactorscenter.org/event/orlando-pabotoy-elevation-through-stilt-walking-fall2025/2025-11-18/ END:VEVENT BEGIN:VEVENT DTSTART;TZID=America/New_York:20251120T120000 DTEND;TZID=America/New_York:20251120T160000 DTSTAMP:20251021T113958Z CREATED:20251015T163525Z LAST-MODIFIED:20251021T113958Z UID:10003762-1763640000-1763654400@theactorscenter.org SUMMARY:Orlando Pabotoy: Elevation Through Stilt Walking (11/6-11/20) DESCRIPTION:[vc_row][vc_column][vc_column_text el_class=”home_quote_name”] \nCompany Workshop\n[/vc_column_text][vc_column_text css=””] \nOrlando Pabotoy: Elevation Through Stilt Walking\nTuesday & Thursday Afternoons\n[/vc_column_text][/vc_column][/vc_row][vc_row][vc_column width=”2/3″][vc_column_text] \nDates & Times\n[/vc_column_text][vc_column_text css=””]Thursday\, November 6\, 2025 – 11am-4pm\nTuesday\, November 11\, 2025 – 12pm-4pm\nThursday\, November 13\, 2025 – 12pm-4pm\nTuesday\, November 18\, 2025 – 12pm-4pm\nThursday\, November 20\, 2025 – 12pm-4pm \nBaryshnikov Arts Center\, 450 West 37th Street\, Sterner Studio \nThis workshop is only open to participants\, we cannot accommodate observers.[/vc_column_text][vc_empty_space height=”20px”][vc_column_text] \nAbout the Workshop\n[/vc_column_text][vc_column_text css=””] \nInterdisciplinary artist\, director\, and educator\, Orlando Pabotoy\, returns to The Actors Center for a 3-week workshop introducing the art of stilt walking. With Orlando’s guidance\, participants will develop their trust\, confidence\, and physical awareness while embracing vulnerability and rediscovering their childlike sense of play. Stilt work opens the body to new possibilities of movement\, scale\, and presence\, sparking fresh approaches to character\, storytelling\, and artistic inquiry. Alongside physical practice\, the workshop invites reflection on deeper questions of why we create\, how the artist impacts others on a human level\, and the cultural traditions that have long used stilts as a tool for performance and community. \n[/vc_column_text][vc_empty_space height=”20px”][vc_column_text css=””] \nAbout Orlando Pabotoy\n[/vc_column_text][vc_column_text css=””] \n\nOrlando Pabotoy is an Obie Award-winning multidisciplinary theatre artist. His role as a choreographer and movement designer has been showcased in productions of Henry VI (National Asian American Theatre Company)\, The Cherry Orchard (Classic Stage Company by Andrei Belgrader)\, and Marisol (Trinity Rep)\, among others. He is the winner of the 2023 Callaway award for Choreography in The Half God of Rainfall at New York Theatre Workshop. He has also directed a physical approach to Everybody by Branden Jacobs-Jenkins at PlayMakers Repertory Company\, and his contributions to the world of new productions extend to writing and performing in Sesar (commissioned by the Ma-Yi Theater Company) and writing and directing That Beautiful Laugh (La MaMa’s 50th year anniversary). \nHe is a founding member of the Campfire Project\, where he leads an innovative approach to arts therapy through the arts of stilt walking in order to support the resilience and wellbeing of refugees and asylum seekers worldwide. He is currently on faculty at the Juilliard School and has taught for graduate programs nationwide\, as well as at The Actors Center\, the Public Theater’s Summer Lab\, and internationally in Italy\, the Philippines\, Amsterdam\, and Abu-Dhabi. \n\n[/vc_column_text][/vc_column][vc_column width=”1/3″][vc_column_text css=””] \nRegister Now\n[/vc_column_text]\n \n \n "*" indicates required fields \n \n Your Name*Your Email*\n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n[vc_empty_space][vc_column_text css=””] \nParticipants\nEnrollment is limited to 10 individuals. Slight conflicts can be accommodated.[/vc_column_text][/vc_column][/vc_row][vc_row][vc_column width=”2/3″][vc_column_text] \nComments/Queries\n[/vc_column_text][/vc_column][vc_column width=”1/3″][/vc_column][/vc_row] URL:https://theactorscenter.org/event/orlando-pabotoy-elevation-through-stilt-walking-fall2025/2025-11-20/ END:VEVENT BEGIN:VEVENT DTSTART;TZID=America/New_York:20251122T103000 DTEND;TZID=America/New_York:20251122T133000 DTSTAMP:20251031T132526Z CREATED:20251008T181906Z LAST-MODIFIED:20251031T132526Z UID:10003764-1763807400-1763818200@theactorscenter.org SUMMARY:Ron Van Lieu: Scene Study (11/22-11/24) DESCRIPTION:[vc_row][vc_column][vc_column_text el_class=”home_quote_name”] \nCompany Workshop\n[/vc_column_text][vc_column_text css=””] \nRon Van Lieu: Scene Study\n3-Day Weekend\n[/vc_column_text][/vc_column][/vc_row][vc_row][vc_column width=”2/3″][vc_column_text] \nDates & Times\n[/vc_column_text][vc_column_text css=””]Saturday\, November 22\, 2025 – 10:30am-1:30pm\nSunday\, November 23\, 2025 – 10:30am-1:30pm\nMonday\, November 24\, 2025 – 10:00am-1:00pm\n \nHoughton Hall\, 22 East 30th Street\, 2nd Floor \nThis workshop is open to observers and all company members are invited to attend. Observers may attend for any portion of each session.[/vc_column_text][vc_empty_space height=”20px”][vc_column_text] \nAbout the Workshop\n[/vc_column_text][vc_column_text css=””]Revered acting teacher Ron Van Lieu\, founding faculty member of The Actors Center and former faculty at NYU\, Yale\, and Columbia\, returns for 3 days of scene work. Ron will be working with company members on scenes of their choice from any 20th- or 21st-century play. Sessions meet 10:30am-1:30pm on Saturday and Sunday\, and 10:00am-1:00pm on Monday. \nRon will work on up to three scenes each day. You can sign up either together with a scene partner or as an individual and you will be paired with another individual. When registering\, you may indicate your availability and you will have a one-hour time slot assigned for your scene accordingly. \nYou should be off-book and well rehearsed with your material for this workshop. If your schedule does not permit sufficient time to prepare\, please sign up for a future workshop instead.[/vc_column_text][vc_empty_space height=”20px”][vc_column_text css=””] \nAbout Ron Van Lieu\n[/vc_column_text][vc_column_text css=””]Ron Van Lieu was the Master Teacher of Acting and eventually Chair of the NYU Graduate Acting Program where he taught from 1975 to 2004. In 2004 he was appointed the Lloyd Richards Professor of Acting and Chair of the Acting Program at the Yale School of Drama where he taught until 2017\, and where he is now Professor Emeritus. In 2017\, Ron was appointed Professor of Professional Practice at the Columbia University School of the Arts Graduate Actor Training Program. \nActors who have trained with Ron over the past 50 years have won every major award in the field of theater\, acting\, and dramatic arts\, including the Pulitzer Prize\, the Academy Award\, Tony Award\, Drama Desk Award\, Golden Globe\, Emmy\, and Obie\, among others. \nIn addition to his university work\, Ron is a founding faculty member of both The Shakespeare Lab at the New York Shakespeare Festival Public Theater where he headed the actor training for 10 years\, as well as The Actors Center\, where is Artistic Director Emeritus. \nRon trained at New York University Tisch School of the Arts. His acting credits include major regional theaters\, leading roles off-Broadway\, New York Shakespeare Festival\, The Public Theatre\, Playwrights Horizons\, and a member of the Milwaukee Repertory Theater’s acting company. His directing credits include productions at Playwrights Horizons\, The Public Theater\, Syracuse Stage\, the Greer Garson Theater in Santa Fe\, and over 50 productions at the NYU Graduate Acting Program. In 1993 he was awarded the New York University Distinguished Teaching Medal\, the university’s highest award given in recognition of outstanding achievement in classroom teaching.[/vc_column_text][/vc_column][vc_column width=”1/3″][vc_column_text css=””] \nRegister Now\n[/vc_column_text]\n \n \n "*" indicates required fields \n \n Registration Type*\n \n \n Register with Scene Partner\n \n \n \n Register Individually\, Please Pair Me\n Your Name*Your Email*\n \n Scene Partner NameScene Partner Email\n \n Available DatesNote: The more available you are\, the more likely you'll receive a slot.\n \n Sat. 11/22 - 10:30am\n \n \n Sat. 11/22 - 11:30am\n \n \n Sat. 11/22 - 12:30pm\n \n \n Sun. 11/23 - 10:30am\n \n \n Sun. 11/23 - 11:30am\n \n \n Sun. 11/23 - 12:30pm\n \n \n Mon. 11/24 - 10:00am\n \n \n Mon. 11/24 - 11:00am\n \n \n Mon. 11/24 - 12:00pm\n Select AllWhat are you hoping to work on? / Partnering requestsIf you have any particular genre or style of work in mind\, please list. Or if open to anything\, simply put Any.\n\nAlso\, if you have any requests for considerations regarding partnering with another individual\, please share.\n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n[vc_empty_space][vc_column_text css=””] \nParticipants\nEnrollment is limited to 9 scenes.[/vc_column_text][vc_column_text css=”” el_class=”participant_list”]\n\n Entries\n \n \n \n \n \n \n Ato Blankson-WoodZenzi Williams \n \n Bre BlairNeal Bledsoe \n \n Sarah MantonKa-Ling CheungSat. 11/22 - 10:30am \n \n Joby EarleJoe TippettSat. 11/22 - 11:30am \n \n Adinah AlexanderAndrea BurnsSat. 11/22 - 12:30pm \n \n Brandon FlynnSeann GallagherSun. 11/23 - 10:30am \n \n Maria-Christina OliverasPatrick SabonguiSun. 11/23 - 11:30am \n \n Monica WycheRebecca HarrisSun. 11/23 - 12:30pm \n \n Adepero OduyeStacey SargeantMon. 11/24 - 10:00am \n \n Jason Butler HarnerCrystal DickinsonMon. 11/24 - 11:00am \n \n Annie MeiselsChris McLindenMon. 11/24 - 12:00pm \n \n Anney GiobbeNathan DarrowWaitlist #1 \n \n Kim AwonCarmen LoBueWaitlist #2 \n \n Christine BrunoMarilee TalkingtonWaitlist #3 \n \n Reynaldo PiniellaAndres Santiago PinaWaitlist #4 \n \n Kim SykesNeal LernerWaitlist #5 \n \n Valeri MudekWalker JonesWaitlist #6 \n \n John Evans ReeseNeal BledsoeWaitlist #7 \n \n Yuval BoimIvory AquinoWaitlist #8 \n \n Mary BaconErik JensenWaitlist #9 \n \n Ana Cruz KayneJoanne KellyWaitlist #10 \n \n Caroline AaronWaitlist \n \n Ben BeckleyWaitlist \n \n David Dean BottrellWaitlist \n \n \n \n \n \n\n\n[/vc_column_text][/vc_column][/vc_row][vc_row][vc_column width=”2/3″][vc_column_text] \nComments/Queries\n[/vc_column_text][/vc_column][vc_column width=”1/3″][/vc_column][/vc_row] URL:https://theactorscenter.org/event/ron-van-lieu-scene-study-fall2025/2025-11-22/ END:VEVENT BEGIN:VEVENT DTSTART;TZID=America/New_York:20251123T103000 DTEND;TZID=America/New_York:20251123T133000 DTSTAMP:20251031T132526Z CREATED:20251008T181906Z LAST-MODIFIED:20251031T132526Z UID:10003765-1763893800-1763904600@theactorscenter.org SUMMARY:Ron Van Lieu: Scene Study (11/22-11/24) DESCRIPTION:[vc_row][vc_column][vc_column_text el_class=”home_quote_name”] \nCompany Workshop\n[/vc_column_text][vc_column_text css=””] \nRon Van Lieu: Scene Study\n3-Day Weekend\n[/vc_column_text][/vc_column][/vc_row][vc_row][vc_column width=”2/3″][vc_column_text] \nDates & Times\n[/vc_column_text][vc_column_text css=””]Saturday\, November 22\, 2025 – 10:30am-1:30pm\nSunday\, November 23\, 2025 – 10:30am-1:30pm\nMonday\, November 24\, 2025 – 10:00am-1:00pm\n \nHoughton Hall\, 22 East 30th Street\, 2nd Floor \nThis workshop is open to observers and all company members are invited to attend. Observers may attend for any portion of each session.[/vc_column_text][vc_empty_space height=”20px”][vc_column_text] \nAbout the Workshop\n[/vc_column_text][vc_column_text css=””]Revered acting teacher Ron Van Lieu\, founding faculty member of The Actors Center and former faculty at NYU\, Yale\, and Columbia\, returns for 3 days of scene work. Ron will be working with company members on scenes of their choice from any 20th- or 21st-century play. Sessions meet 10:30am-1:30pm on Saturday and Sunday\, and 10:00am-1:00pm on Monday. \nRon will work on up to three scenes each day. You can sign up either together with a scene partner or as an individual and you will be paired with another individual. When registering\, you may indicate your availability and you will have a one-hour time slot assigned for your scene accordingly. \nYou should be off-book and well rehearsed with your material for this workshop. If your schedule does not permit sufficient time to prepare\, please sign up for a future workshop instead.[/vc_column_text][vc_empty_space height=”20px”][vc_column_text css=””] \nAbout Ron Van Lieu\n[/vc_column_text][vc_column_text css=””]Ron Van Lieu was the Master Teacher of Acting and eventually Chair of the NYU Graduate Acting Program where he taught from 1975 to 2004. In 2004 he was appointed the Lloyd Richards Professor of Acting and Chair of the Acting Program at the Yale School of Drama where he taught until 2017\, and where he is now Professor Emeritus. In 2017\, Ron was appointed Professor of Professional Practice at the Columbia University School of the Arts Graduate Actor Training Program. \nActors who have trained with Ron over the past 50 years have won every major award in the field of theater\, acting\, and dramatic arts\, including the Pulitzer Prize\, the Academy Award\, Tony Award\, Drama Desk Award\, Golden Globe\, Emmy\, and Obie\, among others. \nIn addition to his university work\, Ron is a founding faculty member of both The Shakespeare Lab at the New York Shakespeare Festival Public Theater where he headed the actor training for 10 years\, as well as The Actors Center\, where is Artistic Director Emeritus. \nRon trained at New York University Tisch School of the Arts. His acting credits include major regional theaters\, leading roles off-Broadway\, New York Shakespeare Festival\, The Public Theatre\, Playwrights Horizons\, and a member of the Milwaukee Repertory Theater’s acting company. His directing credits include productions at Playwrights Horizons\, The Public Theater\, Syracuse Stage\, the Greer Garson Theater in Santa Fe\, and over 50 productions at the NYU Graduate Acting Program. In 1993 he was awarded the New York University Distinguished Teaching Medal\, the university’s highest award given in recognition of outstanding achievement in classroom teaching.[/vc_column_text][/vc_column][vc_column width=”1/3″][vc_column_text css=””] \nRegister Now\n[/vc_column_text]\n \n \n "*" indicates required fields \n \n Registration Type*\n \n \n Register with Scene Partner\n \n \n \n Register Individually\, Please Pair Me\n Your Name*Your Email*\n \n Scene Partner NameScene Partner Email\n \n Available DatesNote: The more available you are\, the more likely you'll receive a slot.\n \n Sat. 11/22 - 10:30am\n \n \n Sat. 11/22 - 11:30am\n \n \n Sat. 11/22 - 12:30pm\n \n \n Sun. 11/23 - 10:30am\n \n \n Sun. 11/23 - 11:30am\n \n \n Sun. 11/23 - 12:30pm\n \n \n Mon. 11/24 - 10:00am\n \n \n Mon. 11/24 - 11:00am\n \n \n Mon. 11/24 - 12:00pm\n Select AllWhat are you hoping to work on? / Partnering requestsIf you have any particular genre or style of work in mind\, please list. Or if open to anything\, simply put Any.\n\nAlso\, if you have any requests for considerations regarding partnering with another individual\, please share.\n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n[vc_empty_space][vc_column_text css=””] \nParticipants\nEnrollment is limited to 9 scenes.[/vc_column_text][vc_column_text css=”” el_class=”participant_list”]\n\n Entries\n \n \n \n \n \n \n Ato Blankson-WoodZenzi Williams \n \n Bre BlairNeal Bledsoe \n \n Sarah MantonKa-Ling CheungSat. 11/22 - 10:30am \n \n Joby EarleJoe TippettSat. 11/22 - 11:30am \n \n Adinah AlexanderAndrea BurnsSat. 11/22 - 12:30pm \n \n Brandon FlynnSeann GallagherSun. 11/23 - 10:30am \n \n Maria-Christina OliverasPatrick SabonguiSun. 11/23 - 11:30am \n \n Monica WycheRebecca HarrisSun. 11/23 - 12:30pm \n \n Adepero OduyeStacey SargeantMon. 11/24 - 10:00am \n \n Jason Butler HarnerCrystal DickinsonMon. 11/24 - 11:00am \n \n Annie MeiselsChris McLindenMon. 11/24 - 12:00pm \n \n Anney GiobbeNathan DarrowWaitlist #1 \n \n Kim AwonCarmen LoBueWaitlist #2 \n \n Christine BrunoMarilee TalkingtonWaitlist #3 \n \n Reynaldo PiniellaAndres Santiago PinaWaitlist #4 \n \n Kim SykesNeal LernerWaitlist #5 \n \n Valeri MudekWalker JonesWaitlist #6 \n \n John Evans ReeseNeal BledsoeWaitlist #7 \n \n Yuval BoimIvory AquinoWaitlist #8 \n \n Mary BaconErik JensenWaitlist #9 \n \n Ana Cruz KayneJoanne KellyWaitlist #10 \n \n Caroline AaronWaitlist \n \n Ben BeckleyWaitlist \n \n David Dean BottrellWaitlist \n \n \n \n \n \n\n\n[/vc_column_text][/vc_column][/vc_row][vc_row][vc_column width=”2/3″][vc_column_text] \nComments/Queries\n[/vc_column_text][/vc_column][vc_column width=”1/3″][/vc_column][/vc_row] URL:https://theactorscenter.org/event/ron-van-lieu-scene-study-fall2025/2025-11-23/ END:VEVENT BEGIN:VEVENT DTSTART;TZID=America/New_York:20251124T100000 DTEND;TZID=America/New_York:20251124T130000 DTSTAMP:20251031T132526Z CREATED:20251008T181906Z LAST-MODIFIED:20251031T132526Z UID:10003766-1763978400-1763989200@theactorscenter.org SUMMARY:Ron Van Lieu: Scene Study (11/22-11/24) DESCRIPTION:[vc_row][vc_column][vc_column_text el_class=”home_quote_name”] \nCompany Workshop\n[/vc_column_text][vc_column_text css=””] \nRon Van Lieu: Scene Study\n3-Day Weekend\n[/vc_column_text][/vc_column][/vc_row][vc_row][vc_column width=”2/3″][vc_column_text] \nDates & Times\n[/vc_column_text][vc_column_text css=””]Saturday\, November 22\, 2025 – 10:30am-1:30pm\nSunday\, November 23\, 2025 – 10:30am-1:30pm\nMonday\, November 24\, 2025 – 10:00am-1:00pm\n \nHoughton Hall\, 22 East 30th Street\, 2nd Floor \nThis workshop is open to observers and all company members are invited to attend. Observers may attend for any portion of each session.[/vc_column_text][vc_empty_space height=”20px”][vc_column_text] \nAbout the Workshop\n[/vc_column_text][vc_column_text css=””]Revered acting teacher Ron Van Lieu\, founding faculty member of The Actors Center and former faculty at NYU\, Yale\, and Columbia\, returns for 3 days of scene work. Ron will be working with company members on scenes of their choice from any 20th- or 21st-century play. Sessions meet 10:30am-1:30pm on Saturday and Sunday\, and 10:00am-1:00pm on Monday. \nRon will work on up to three scenes each day. You can sign up either together with a scene partner or as an individual and you will be paired with another individual. When registering\, you may indicate your availability and you will have a one-hour time slot assigned for your scene accordingly. \nYou should be off-book and well rehearsed with your material for this workshop. If your schedule does not permit sufficient time to prepare\, please sign up for a future workshop instead.[/vc_column_text][vc_empty_space height=”20px”][vc_column_text css=””] \nAbout Ron Van Lieu\n[/vc_column_text][vc_column_text css=””]Ron Van Lieu was the Master Teacher of Acting and eventually Chair of the NYU Graduate Acting Program where he taught from 1975 to 2004. In 2004 he was appointed the Lloyd Richards Professor of Acting and Chair of the Acting Program at the Yale School of Drama where he taught until 2017\, and where he is now Professor Emeritus. In 2017\, Ron was appointed Professor of Professional Practice at the Columbia University School of the Arts Graduate Actor Training Program. \nActors who have trained with Ron over the past 50 years have won every major award in the field of theater\, acting\, and dramatic arts\, including the Pulitzer Prize\, the Academy Award\, Tony Award\, Drama Desk Award\, Golden Globe\, Emmy\, and Obie\, among others. \nIn addition to his university work\, Ron is a founding faculty member of both The Shakespeare Lab at the New York Shakespeare Festival Public Theater where he headed the actor training for 10 years\, as well as The Actors Center\, where is Artistic Director Emeritus. \nRon trained at New York University Tisch School of the Arts. His acting credits include major regional theaters\, leading roles off-Broadway\, New York Shakespeare Festival\, The Public Theatre\, Playwrights Horizons\, and a member of the Milwaukee Repertory Theater’s acting company. His directing credits include productions at Playwrights Horizons\, The Public Theater\, Syracuse Stage\, the Greer Garson Theater in Santa Fe\, and over 50 productions at the NYU Graduate Acting Program. In 1993 he was awarded the New York University Distinguished Teaching Medal\, the university’s highest award given in recognition of outstanding achievement in classroom teaching.[/vc_column_text][/vc_column][vc_column width=”1/3″][vc_column_text css=””] \nRegister Now\n[/vc_column_text]\n \n \n "*" indicates required fields \n \n Registration Type*\n \n \n Register with Scene Partner\n \n \n \n Register Individually\, Please Pair Me\n Your Name*Your Email*\n \n Scene Partner NameScene Partner Email\n \n Available DatesNote: The more available you are\, the more likely you'll receive a slot.\n \n Sat. 11/22 - 10:30am\n \n \n Sat. 11/22 - 11:30am\n \n \n Sat. 11/22 - 12:30pm\n \n \n Sun. 11/23 - 10:30am\n \n \n Sun. 11/23 - 11:30am\n \n \n Sun. 11/23 - 12:30pm\n \n \n Mon. 11/24 - 10:00am\n \n \n Mon. 11/24 - 11:00am\n \n \n Mon. 11/24 - 12:00pm\n Select AllWhat are you hoping to work on? / Partnering requestsIf you have any particular genre or style of work in mind\, please list. Or if open to anything\, simply put Any.\n\nAlso\, if you have any requests for considerations regarding partnering with another individual\, please share.\n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n[vc_empty_space][vc_column_text css=””] \nParticipants\nEnrollment is limited to 9 scenes.[/vc_column_text][vc_column_text css=”” el_class=”participant_list”]\n\n Entries\n \n \n \n \n \n \n Ato Blankson-WoodZenzi Williams \n \n Bre BlairNeal Bledsoe \n \n Sarah MantonKa-Ling CheungSat. 11/22 - 10:30am \n \n Joby EarleJoe TippettSat. 11/22 - 11:30am \n \n Adinah AlexanderAndrea BurnsSat. 11/22 - 12:30pm \n \n Brandon FlynnSeann GallagherSun. 11/23 - 10:30am \n \n Maria-Christina OliverasPatrick SabonguiSun. 11/23 - 11:30am \n \n Monica WycheRebecca HarrisSun. 11/23 - 12:30pm \n \n Adepero OduyeStacey SargeantMon. 11/24 - 10:00am \n \n Jason Butler HarnerCrystal DickinsonMon. 11/24 - 11:00am \n \n Annie MeiselsChris McLindenMon. 11/24 - 12:00pm \n \n Anney GiobbeNathan DarrowWaitlist #1 \n \n Kim AwonCarmen LoBueWaitlist #2 \n \n Christine BrunoMarilee TalkingtonWaitlist #3 \n \n Reynaldo PiniellaAndres Santiago PinaWaitlist #4 \n \n Kim SykesNeal LernerWaitlist #5 \n \n Valeri MudekWalker JonesWaitlist #6 \n \n John Evans ReeseNeal BledsoeWaitlist #7 \n \n Yuval BoimIvory AquinoWaitlist #8 \n \n Mary BaconErik JensenWaitlist #9 \n \n Ana Cruz KayneJoanne KellyWaitlist #10 \n \n Caroline AaronWaitlist \n \n Ben BeckleyWaitlist \n \n David Dean BottrellWaitlist \n \n \n \n \n \n\n\n[/vc_column_text][/vc_column][/vc_row][vc_row][vc_column width=”2/3″][vc_column_text] \nComments/Queries\n[/vc_column_text][/vc_column][vc_column width=”1/3″][/vc_column][/vc_row] URL:https://theactorscenter.org/event/ron-van-lieu-scene-study-fall2025/2025-11-24/ END:VEVENT BEGIN:VEVENT DTSTART;TZID=America/New_York:20251125T110000 DTEND;TZID=America/New_York:20251125T123000 DTSTAMP:20240202T144116Z CREATED:20201130T195206Z LAST-MODIFIED:20240202T144116Z UID:10002421-1764068400-1764073800@theactorscenter.org SUMMARY:Weekly Community Space DESCRIPTION:[vc_row][vc_column][vc_column_text el_class=”event_roundtable”] \nCompany CoLabs\n[/vc_column_text][vc_column_text] \nCommunity Space\nTuesday Mornings\n[/vc_column_text][/vc_column][/vc_row][vc_row][vc_column width=”2/3″][vc_column_text] \nDates & Times\n[/vc_column_text][vc_column_text]Every Tuesday – 11:00am-12:30pm ET\n \nLaunch Zoom Link\nMeeting ID: 837 0411 7798\nPasscode: 374737 \nHosted by Jodie Lynne McClintock[/vc_column_text][vc_empty_space height=”20px”][vc_column_text] \nAbout the CoLab\n[/vc_column_text][vc_column_text]Started three years ago at the height of the Covid-19 lockdown as a way to connect\, it has continued weekly as a family of actors navigating the changing landscape of our times. Here you will find a supportive\, safe virtual space where artists in our company bring their stories\, concerns\, questions\, recommendations\, and inspirations in a free-wheeling but facilitated discussion. With no set agenda\, we delve into whatever is of interest or concern in any given week. We explore what it means to be an actor and what place our art holds in the world.  People suggest balm for body and soul while walking hand-in-hand along the actor’s way.[/vc_column_text][vc_column_text] \nAbout the Series\n[/vc_column_text][vc_column_text]Company CoLabs are a series at The Actors Center that offer a framework for collaborative explorations and community programming among company members. Company members host or facilitate projects—play reading groups\, explorations of new material or approaches\, writing labs\, devising work\, field trips\, retreats—in short\, anything inspiring to explore among peers. CoLabs offer creative outlets to explore work you might not otherwise have the opportunity for\, while continuing to share resources and deepen connections among our Actors Center community.[/vc_column_text][/vc_column][vc_column width=”1/3″][/vc_column][/vc_row][vc_row][vc_column width=”2/3″][vc_column_text] \nComments/Queries\n[/vc_column_text][/vc_column][vc_column width=”1/3″][/vc_column][/vc_row] URL:https://theactorscenter.org/event/weekly-community-space/2025-11-25/ END:VEVENT BEGIN:VEVENT DTSTART;TZID=America/New_York:20251201T100000 DTEND;TZID=America/New_York:20251201T130000 DTSTAMP:20251027T165537Z CREATED:20251021T155600Z LAST-MODIFIED:20251027T165537Z UID:10003769-1764583200-1764594000@theactorscenter.org SUMMARY:Fay Simpson: High-Stakes Scene Work (11/10-12/15) DESCRIPTION:[vc_row][vc_column][vc_column_text el_class=”home_quote_name”] \nCompany Workshop\n[/vc_column_text][vc_column_text css=””] \nFay Simpson: High-Stakes Scene Work\n5 Monday Mornings\n[/vc_column_text][/vc_column][/vc_row][vc_row][vc_column width=”2/3″][vc_column_text] \nDates & Times\n[/vc_column_text][vc_column_text css=””]Monday\, November 10\, 2025 – 10:00am-1:00pm\nMonday\, November 17\, 2025 – 10:00am-1:00pm\n— No Session November 24 —\nMonday\, December 1\, 2025 – 10:00am-1:00pm\nMonday\, December 8\, 2025 – 10:00am-1:00pm\nMonday\, December 15\, 2025 – 10:00am-1:00pm\n \nHoughton Hall\, 22 East 30th Street\, 2nd Floor Jefferson Studio \nThis workshop is only open to participants\, we cannot accommodate observers.[/vc_column_text][vc_empty_space height=”20px”][vc_column_text] \nAbout the Workshop\n[/vc_column_text][vc_column_text css=””] \nFounder of the Lucid Body\, an Intimacy Coordinator\, and Head of Movement at NYU Grad Acting\, Fay Simpson\, returns to The Actors Center for a five week workshop focusing on building high stakes scenes respectfully and deeply utilizing her physical approach. The first two weeks will delve into advanced tools for active listening and somatic sensitivity needed when approaching scenes involving close relationships. Over the subsequent three weeks\, a scene partner and scene will be chosen and explored using exercises to help build physical history\, affection\, and the bile that may occur as an aftermath. Whether you are new to Lucid Body or not\, this workshop will offer tools for embodying the conflicting layers present inside a character\, as well as between characters\, on a blood and bone level. \n[/vc_column_text][vc_empty_space height=”20px”][vc_column_text css=””] \nAbout Fay Simpson\n[/vc_column_text][vc_column_text css=””] \nFay Simpson is the Founder of the Lucid Body\, a psycho-physical process of introspection\, exertion\, and mental challenge that empowers actors and dancers to express human complexity and passion with safety and skill. She is Head of Movement at NYU’s Graduate Acting Program\, and has been the Artistic Director and co-founder of Impact Theatre since its creation in 1990 (D-Train\, Degas’ Little Dancer\, Marital Bliss of Francis and Maxine\, Kurt’s Wife: A Story of Lotte Lenya\, Grey Gone\, and most recently\, SCOTTY). She is an IPA-certified Intimacy Coordinator and has been a physical acting director and somatic acting coach for more than twenty years. \nFay has also taught at The Yale School of Drama\, the New School’s Eugene Lang\, Michael Howard Studios\, The Studio/NY\, Marymount Manhattan College\, and The Actors Center. Fay was awarded a Fox Foundation Fellowship to intern with Mark Rylance at the Globe Theater in London in 2000. \nRe-balancing the nervous system and energetic body of each actor and between actors after every rehearsal is a priority and the reason she became an intimacy coordinator. She has choreographed intimacy for numerous plays\, ballets\, and screen projects\, with credits that include A Midsummer Night’s Dream with the Classical Theater of Harlem directed by Carl Cofield\, Dracula with Ballet Met in Columbus\, Ohio\, Marys Seacole directed by Machel Ross at the Shubert Theatre\, A Song of Songs at El Puente\, and the film Gage County\, NE\, directed by Cecilia Rubino. \nShe also co-founded a Theatre for Social Change summer program in Tanzania for Yale Drama students\, as well as the Veterans Project in New York. She has a two year teacher training program with Lucid Body teachers now working around the world. The 2nd edition of her book\, The Lucid Body; A Guide for the Physical Actor was published in 2020 and hailed by Drama Book Shop as “one of the ten most essential books for the actor.” www.lucidbody.com[/vc_column_text][/vc_column][vc_column width=”1/3″][vc_column_text css=””] \nRegister Now\n[/vc_column_text]\n \n \n "*" indicates required fields \n \n Your Name*Your Email*\n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n[vc_empty_space][vc_column_text css=””] \nParticipants\nEnrollment limited to 14 actors. Very limited conflicts can me accommodated. \n[/vc_column_text][vc_column_text css=”” el_class=”participant_list”]\n\n Entries\n \n \n \n \n \n \n Andréa BurnsPending \n \n Mel HouseParticipant \n \n Ronald PeetParticipant \n \n Stephanie KurtzubaParticipant \n \n Willa FitzgeraldParticipant \n \n June BallingerParticipant \n \n Joanne KellyParticipant \n \n Jonathan GordonParticipant \n \n Julyana SoelistyoParticipant \n \n Karl BuryParticipant \n \n Kathleen Turco-LyonParticipant \n \n Dee PelletierParticipant \n \n Becky LondonParticipant \n \n Gian-Murray GianinoParticipant \n \n Baize BuzanParticipant \n \n Sarah MantonWaitlist \n \n Magaly ColimonWaitlist \n \n Ivory AquinoWaitlist \n \n \n \n \n \n\n\n[/vc_column_text][/vc_column][/vc_row][vc_row][vc_column width=”2/3″][vc_column_text] \nComments/Queries\n[/vc_column_text][/vc_column][vc_column width=”1/3″][/vc_column][/vc_row] URL:https://theactorscenter.org/event/fay-simpson-high-stakes-scene-work-fall2025/2025-12-01/ END:VEVENT BEGIN:VEVENT DTSTART;TZID=America/New_York:20251202T110000 DTEND;TZID=America/New_York:20251202T123000 DTSTAMP:20240202T144116Z CREATED:20201130T195206Z LAST-MODIFIED:20240202T144116Z UID:10002422-1764673200-1764678600@theactorscenter.org SUMMARY:Weekly Community Space DESCRIPTION:[vc_row][vc_column][vc_column_text el_class=”event_roundtable”] \nCompany CoLabs\n[/vc_column_text][vc_column_text] \nCommunity Space\nTuesday Mornings\n[/vc_column_text][/vc_column][/vc_row][vc_row][vc_column width=”2/3″][vc_column_text] \nDates & Times\n[/vc_column_text][vc_column_text]Every Tuesday – 11:00am-12:30pm ET\n \nLaunch Zoom Link\nMeeting ID: 837 0411 7798\nPasscode: 374737 \nHosted by Jodie Lynne McClintock[/vc_column_text][vc_empty_space height=”20px”][vc_column_text] \nAbout the CoLab\n[/vc_column_text][vc_column_text]Started three years ago at the height of the Covid-19 lockdown as a way to connect\, it has continued weekly as a family of actors navigating the changing landscape of our times. Here you will find a supportive\, safe virtual space where artists in our company bring their stories\, concerns\, questions\, recommendations\, and inspirations in a free-wheeling but facilitated discussion. With no set agenda\, we delve into whatever is of interest or concern in any given week. We explore what it means to be an actor and what place our art holds in the world.  People suggest balm for body and soul while walking hand-in-hand along the actor’s way.[/vc_column_text][vc_column_text] \nAbout the Series\n[/vc_column_text][vc_column_text]Company CoLabs are a series at The Actors Center that offer a framework for collaborative explorations and community programming among company members. Company members host or facilitate projects—play reading groups\, explorations of new material or approaches\, writing labs\, devising work\, field trips\, retreats—in short\, anything inspiring to explore among peers. CoLabs offer creative outlets to explore work you might not otherwise have the opportunity for\, while continuing to share resources and deepen connections among our Actors Center community.[/vc_column_text][/vc_column][vc_column width=”1/3″][/vc_column][/vc_row][vc_row][vc_column width=”2/3″][vc_column_text] \nComments/Queries\n[/vc_column_text][/vc_column][vc_column width=”1/3″][/vc_column][/vc_row] URL:https://theactorscenter.org/event/weekly-community-space/2025-12-02/ END:VEVENT END:VCALENDAR