Emmanuelle Delpech: Neutral Mask (4/4-4/5)
Company Workshop Emmanuelle Delpech: Neutral Mask Weekend Workshop Dates & Times Saturday, April 4, 2026 – 10:00am-5:00pm Sunday, April 5, 2026 – 10:00am-5:00pm ART/New York, 520 8th Avenue, 3rd Floor, Studio E This workshop is only open to participants. We are unable to accommodate observers. About the Workshop Physical theatre artist, director, and teacher Emmanuelle Delpech joins The Actors Center for the first time for a weekend workshop devoted to Neutral Mask. The mask of calm and balance, it is a pedagogical tool that challenges the actor to use their entire body to discover presence through experiencing and understanding the ‘neutral state’—a state without personal stories, where there is no past nor future. Through emphasizing presence, the actor works toward an economy of movement, and thus, uncovers their unique, personal rhythms and habits. By letting go of those habits, the actor can create a blank slate from which characters can be built and acting can begin. About Emmanuelle Delpech Emmanuelle Delpech is a French physical theater artist and teacher living in the United States. She was classically trained in France at the Ecole Supérieure d’Art Dramatique de la Ville de Paris and then studied physical theater at l’Ecole Internationale de Théâtre Jacques Lecoq, where she now serves on the faculty. Emmanuelle was a member of The Pig Iron Theatre Company for 8 years as an actor/creator and now teaches at the Pig Iron School for Advanced Training. She has an MFA in Directing from Temple University, where she currently serves on faculty as well. As an independent artist, Emmanuelle directs new creations for other artists, she also creates and performs in her own pieces or directs for regional theaters. She created and performed Spinning Immigrant, and in Madame Douce-Amere produced by 1812 Productions. Her collaboration with Jen Child continued for her project The Woman and Comedy Project: It’s my party! Emmanuelle also directed Oedipus at FDR, FRONTIN’ with James Ijames on the tradition of Blackface performances and the identity of the black performers in America, Charlotte Ford’s BANG, her clown adaptation of Marivaux’s La Dispute, and for her thesis Moliere’s Tartuffe as an urban clown feast. As a teacher, Emmanuelle has taught semester-long courses at Swarthmore College, Bryn Mawr College and University of the Arts. She has also taught workshops for the Volcano Institute in Toronto and the Movement Theater Studio in NYC (where she is a regular on the...

