Company member Mary Bacon is in Ivanov, written by Anton Chekhov and directed by Michael DeFilippis, presented by New American Ensemble. Once a magnetic and idealistic young figure within his community, Nikolai Ivánov was driven by a belief that he could change the world. Now, he finds himself abruptly cut off from the convictions, emotions, and sense of purpose that once defined both his inner life and his public identity. Confused by what is happening to him, and increasingly unable to control his own behavior, Ivanov’s unraveling begins to reverberate outward, taking a devastating toll on a community already stretched to its limits, where personal needs run high and no one seems capable of meeting anyone else where they are. Performances run through April 5.

Company member Santino Fontana will perform in the Lamb of God concert, composed and conducted by Rob Gardner at the Metropolitan Opera. This historic performance will feature a full symphony orchestra, the joint forces of the renowned BYU Singers and BYU Concert Choir, and other acclaimed soloists including Jessie Mueller and Joy Woods. Epic in scale yet intimate in spirit, the final days of Jesus’ life unfold in music through the eyes of those who walked beside him—including Peter, Mary the Mother, John, Thomas, Martha, Judas, and Mary Magdalene. The one-night-only concert will be held on March 30.

Company member Tamilla Woodard directs The Monsters, written by Ngozi Anyanwu in a co-production with Berkeley Repertory Theatre and La Jolla Playhouse. For years, LIL has observed her estranged brother from the shadows—watching, waiting, studying every punch he throws. BIG, an aging but respected force in the local mixed martial arts circuit, remains unaware his little sister has been tracking his career from afar…until she appears unexpectedly on his doorstep. The Monsters wrestles with the demons we must face to reconnect, rebuild, and forgive. Performances run March 27-May 3 in Berkeley, CA, followed by June 2-28 in La Jolla, CA.

Company member Heather Raffo will debut a production of her play, Tomorrow Will Be Sunday, at The Carver Community Culture Center in San Antonio, Texas. Blending theatrical storytelling with themes of migration and global economics, it challenges us to reconsider human value by examining what we choose to value. From border towns to heartland supermarkets, the play infuses emotion and theatricality into data, painting a sweeping vision of a world in motion and our daily impact on it. Part of a larger “Migration Cycle” of plays developed across multiple cities, Tomorrow Will Be Sunday premieres with a unique season crafted specifically for San Antonio. Featuring live music, soaring vocals, and a cast of local and international artists, this deeply personal yet globally resonant work invites audiences into a powerful dialogue about movement, survival, and belonging. Performances run through March 28.

Company member Delphi Harrington is in the feature film Mallory’s Ghost, directed by Arabella Oz, which premiered at SXSW earlier this month in Austin, TX. Mallory, plagued by fears of being unremarkable, joins her playwright boyfriend Sam on a retreat to coastal Maine. When she learns he once brought his glamorous ex, Louise, there, she’s struck with an obsessive curiosity about his past. As her jealousy takes hold, Mallory becomes convinced she’s being haunted by the ghost of Louise herself… Pulled into a journey that slips between past and present, rivalry and affection, melancholy and creativity, Mallory drifts further from her old life and toward something essential. “Mallory’s Ghost” is a psychological and playful exploration of envy, and the strange path it can lead back to the Self.

Company members Ethan Dubin and Celia Keenan-Bolger are in the world premiere of Antigone (This Play I Read in High School), written by Anna Ziegler and directed by Tyne Rafaeli, now playing at The Public Theater. This riveting take on Sophocles’ classic reimagines the story of Oedipus’ daughter Antigone through a bold new lens. The lyrical epic follows a fiercely independent young woman determined to control her own body in a kingdom ruled by archaic laws that regulate women’s autonomy.  It paints a world that is both modern and ancient; a world of lost leaders, hapless cops, and one very righteous daughter on an all-night bender. Performances run through March 29.

Company member Tonya Pinkins is in The Wild Party, with music and lyrics by Michael John LaChiusa, book by Michael John LaChiusa and George C. Wolfe, and directed by Lili-Anne Brown, presented as part of New York City Center’s Encores! series. Join Jasmine Amy Rogers as Queenie and Jordan Donica as Burrs for an unforgettable night in the dark underbelly of the city at the end of the 1920s. The cast also includes Adrienne Warren and Jelani Alladin. Full of irreverence, exuberant madness, and joyful defiance, this vivid, jazz-inflected musical adaptation brings Joseph Moncure March’s notorious narrative poem to life. Performances run March 18-29.

Company member Kristin Villanueva and the cast The Pitt were awarded Best Ensemble in a Drama Series at the 32nd annual Actor Awards, presented by SAG-AFTRA. The Pitt, from creator R. Scott Gemmill, is a realistic examination of the challenges facing healthcare workers in America as seen through the lens of the frontline heroes working in a modern-day hospital in Pittsburgh, Pennsylvania. Kristin plays Princess Dela Cruz, a nurse who works in the emergency department. Season two of the series, which also features company member Sepideh Moafi, is now airing on HBO Max. The 32nd annual Actor Awards (formerly known as the SAG Awards) were presented on March 1, 2026, at the Shrine Auditorium and Expo Hall in Los Angeles, CA.

Company member Tina Chilip is in Jesa, written by Jeena Yi and directed by Mei Ann Teo, presented by Ma-Yi Theater Company in residence at The Public Theater. When four estranged Korean American sisters reunite in Orange County to perform their father’s Jesa—a traditional ritual honoring the dead—old wounds erupt, secrets surface, and ghosts (literal and emotional) refuse to stay buried. Jesa asks how we honor our ancestors when we can barely stand each other. Come for the sibling brawls and burning shrimp, stay for the aching truth of what binds us. Performances run through April 12.