Movement director and choreographer, Yasmine Lee, and actor and Columbia faculty member Peter Jay Fernandez will join The Actors Center’s Resident Company this Spring for a series of artist development workshops focused on ensemble creation and contemporary scene work.
Yasmine Lee is a movement director and choreographer based in New York City, whose work spans theater, film, television, large-scale events, music videos, and concert dance.
As Movement Director and/or Choreographer: The Thing About Jellyfish (Berkeley Rep), Disco Show (Caesar’s directed by Steven Hoggett), SOCIAL! The Social Distance Dance Club collaboration with David Byrne (Park Avenue Armory), Parable Of The Sower Opera (Toshi Reagon and Dr. Bernice Johnson Reagon at Lincoln Center), Wild Goose Dreams (The Public Theater), Tender Napalm (U.S. premiere at 59E59), Knives In Hens (59E59), World Expo2020 Opening Ceremony (Dubai), American Horror Story: Delicate (FX), Made For Love (MAX), SNL (Season 42 Finale), Opening Ceremonies of the 2014 Winter Olympic Games (Sochi). She is the Tour Choreographer of A Beautiful Noise and choreographed a physical theater flash mob at the Louvre for Issey Miyake. Yasmine was assistant choreographer on Francis Ford Coppola’s film Megalopolis.
As Associate Choreographer and/or Movement Director Yasmine has contributed to the Broadway productions of: A Beautiful Noise: The Neil Diamond Musical, Harry Potter and the Cursed Child, The Curious Incident of the Dog in the Night-Time, The Crucible (2016 revival), ONCE, and RENT. She was the Associate Choreographer for the acclaimed immersive production of Sweeney Todd at the Barrow Street Theatre and Let The Right One In at Berkeley Rep. Up next, Yasmine will movement direct Franklin’s Key for Pig Iron Theater Company this spring.
Peter Jay Fernandez is co-head of Columbia University’s MFA acting program. He previously served as co-head of acting in the graduate theatre program at The New School and has also taught at Yale School of Drama, Sarah Lawrence College, NYU Tisch School of the Arts, the Black Arts Institute, the Brown University/Trinity Repertory MFA Program, and the Berklee College of Music, among others.
Peter is a two time Audelco winner and has appeared on Broadway in productions of All The Way, Cyrano De Bergerac; Julius Caesar; Henry IV; Jelly’s Last Jam; and The Merchant Of Venice. He originated the role of Caesar in August Wilson’s Gem of the Ocean at the Goodman Theater, the role of Curtis Lowe in the premiere of Ben Bettenbender’s Bliss at the Rattlestick Theatre Company, and the role of ‘the Oldest Old Man’ in Father Comes Home from the Wars, by Suzan Lori Parks, at the Public Theater. Off-Broadway credits include Macbeth (Theatre for a New Audience), Othello, As You Like It, Coriolanus, The Winter’s Tale, Henry VIII, Spell #7 (Public Theatre), Red Speedo (New York Theatre Workshop), Zooman and the Sign (Signature), Too Much Memory (Fourth St. Theater), The Pain and The Itch (Playwrights Horizons), Thunder Knocking On The Door (Minetta Lane), RICHARD III: Born with Teeth and Widowers’ Houses (Epic Theatre), among many others.
He has worked throughout the United States at regional theatres including Arena Stage, Goodman Theatre, Old Globe, Long Wharf Theatre, Hartford Stage, McCarter Theatre, Seattle Rep, Williamstown, Alliance Theatre, Milwaukee Rep, Cincinnati Playhouse, Geva, The Wilma, among others. Peter’s film and television credits include Shades of Blue, Luke Cage, Royal Pains, Gotham, Elementary, House of Cards, Fringe, Deception, Damages, Law and Order(s), The Good Wife, Blue Bloods, Body of Proof, The Adjustment Bureau, Preaching To The Choir, and Funny Valentines.
