Julienne Hanzelka Kim
Broadway: Metamorphoses; Golden Child. Off-Broadway credits include: Among the Dead and Chairs and a Long Table with Ma-Yi Theater Co.; Yellow Face at The Public; The Intelligent Design of Jenny Chow at The Atlantic Theater; The Notebooks of Leonardo Da Vinci at Second Stage; Blood Orange at the Cherry Lane Theatre and the Blue Heron Arts Center; and The House of Bernarda Alba for NAATCO. Regional and Int'l: The Bridge of San Luis Rey at Two River Theater; Phaedra Backwards at the McCarter Theater, Language Rooms at the Wilma Theater; Krystian Lupa’s adaptation of Three Sisters at A.R.T. and the Edinburgh Int’l Festival; Yellow Face at Mark Taper Forum; Golden Child at The Kennedy Center, A.C.T., Singapore Rep. and Seattle Rep.; Everything That Rises Must Converge and The World is Round with Compagnia de' Colombari. TV/Film credits include: Hit and Run (recurring, NETFLIX); Manifest (recurring, NETFLIX/NBC); Castle Rock (Hulu); The Affair (Showtime); Evil (CBS); Blue Bloods (CBS); Elementary (CBS); The Good Wife (recurring, CBS); Royal Pains (USA); Law and Order, CI (NBC); Rescue Me (FX); One Life to Live (recurring, ABC); Children of the Northern Lights (ITVS, FutureStates); When We Dead Awaken, The Adderall Diaries; Shadows and Lies; The Tested; Robot Stories; Split; and Life in Bed. Julienne holds an MFA from NYU’s Tisch School of the Arts Graduate Acting Program where she was the recipient of a NYU Departmental Scholarship. She is a proud member of the Workshop Company at The Actors Center, on the steering committee of the OBIE award-winning AAPAC (Asian American Performers Action Coalition) where she co-chairs and co-writes The Visibility Report - an annual report on race in NY theater, and is the recipient of a Van Lier Literary fellowship.