Keith Randolph-Smith

Keith Randolph-Smith

Broadway: Jitney; American Psycho; Fences; Salome; Come Back Little Sheba; King Hedley II; Piano Lesson

Off-Broadway: The Revolving Cycles Truly and Steadily Roll’d (Playwright’s Realm); Paradise Blue (Signature); Fabulation (Playwright’s Horizons); Holiday Heart (MTC); Jitney (2nd Stage/ Union Square/ National Theatre London); First Breeze of Summer (Signature); Before It Hits Home (2nd Stage/ Public Theatre); A Midsummer Night’s Dream (Delacorte); Intimacy (The New Group); The Resistabe Rise of Auturo Ui (CSC)

Regional: How To Catch Creation (Goodman); Our Town (Miami New Drama); The Absolute Brightness of Leonard Pelkey (Pittsburgh City Theatre); Water By The Spoonful (Old Globe); Death Of A Salesman/ Three Sisters/ The Tempest/ Romeo and Juliet (Chautauqua Theatre Co); Midsummer Night’s Dream (Cal Shakes/Two River Theatre Co); Tartuffe/Antony and Cleopatra (Hartford Stage); The Dreams of Sarah Breedlove (Alabama Shakespeare Festival/ Goodman); In Walks Ed (Long Wharf/ Cincinnati Playhouse); God of Carnage/ King Hedley II/ The Whipping Man/ Blues for an Alabama Sky (Alliance Theatre)

Film: Malcolm X; Girl Six; Path to Paradise; Fallout; The Warrior Class; Backstreet Justice; Anesthesia; Dead Dogs Lie; Oreos with Attitude (short); Journeymen (short); Steve (short)

Television: The Good Fight; Law & Order; Law & Order - Criminal Intent; Law & Order - SVU; NY Undercover; I’ll Fly Away; The Cosby Show; Onion Sports Desk; One Life to Live; All My Children; Another World

Graduate of the Conservatory of The American Academy of Dramatic Arts NY.

Recipient of a TCG/Fox Fellowship for Actors and a Lunt- Fontanne Fellowship for Actors.