Events

Company Workshop Judy Kuhn: Acting the Song Monday & Thursday Mornings Dates & Times Monday, March 16, 2026 – 10:30am-1:30pm Thursday, March 19, 2026 – 10:30am-1:30pm Monday, March 23, 2026 – 10:30am-1:30pm Thursday, March 26, 2026 – 10:30am-1:30pm ART/New York, 520 8th Avenue, 3rd Floor, Bruce Mitchell Room Open to observers, all company members are invited to attend. About the Workshop Actor, singer, and company member Judy Kuhn returns to The Actors Center to lead a two-week Acting the Song workshop this March. Designed for the actor who sings or the actor curious about singing, this workshop explores how thought, intention, and impulse are expressed through song. Participants will work individually on material of their choice, investigating song interpretation through improvisation, personalization, close attention to text, and how to “speak” a song. The focus is not on vocal polish, but on storytelling: clarity of intention, relationship to scene partner and audience, and the courage to let a song reveal something immediate and human. About Judy Kuhn Judy Kuhn is a multiple Tony, Olivier and Grammy Award nominee best known for her work on Broadway in such shows as Fun Home, She Loves Me, Chess, and Les Misérables. Other Broadway credits include Fiddler on the Roof, Richard Nelson’s Two Shakespearean Actors, Alan Menken & Tim Rice’s King David, the Charles Strouse/Stephen Schwartz musical Rags, and The Mystery of Edwin Drood. Recent credits include The Baker's Wife and I Can Get It For You Wholesale with Classic Stage Company (OCC Award), Becoming Eve at New York Theatre Workshop, and Unknown Soldier at Arena Stage. She played Sara Jane Moore in John Doyle’s production of Stephen Sondheim and John Weidman’s Assassins at Classic Stage Company (OCC & Drama Desk Noms). Other Off-Broadway credits include Helen Bechdel in Fun Home at the Public Theater (Lucille Lortel Award), Eli’s Comin’ at Vineyard Theatre (Obie Award), Fosca in Passion (Drama League Award Nom) In 2019 she starred in Trevor Nunn’s Olivier Award winning production of Fiddler on the Roof in London’s West End for which she received her 2nd Olivier Award Nomination. Film & TV includes: Dear Edward, Tick Tick Boom, Disney’s Pocahontas; Enchanted; Law & Order. Judy has appeared on concert stages around the world including Carnegie Hall, Alice Tully Hall and London’s Royal Albert Hall. She has recorded four solo albums. Register Now Participants Enrollment limited to 14 actors. Limited conflicts can be accommodated. Comments/Queries

Company Workshop Peter Jay Fernandez: Scene Study Two Weekends Dates & Times Saturday, March 21, 2026 – 10:30am-1:30pm Sunday, March 22, 2026 – 10:30am-1:30pm Saturday, March 28, 2026 – 10:30am-1:30pm Sunday, March 29, 2026 – 10:30am-1:30pm ART/New York, 520 8th Avenue, 3rd Floor This workshop is open to observers and all company members are invited to attend. Observers may attend for any portion of each session. About the Workshop Actor and Columbia faculty member Peter Jay Fernandez returns to The Actors Center for four days of scene study this spring. Peter Jay will work with company members on scenes of their choice from any 20th- or 21st-century play. Participants are encouraged to bring in new material that intrigues and challenges them, with an emphasis on practicing process as opposed to performance. Sessions meet 10:30am-1:30pm on Saturdays and Sundays over two weekends. Peter Jay will work on up to three scenes each day. You can sign up either together with a scene partner or as an individual and you will be paired with another individual. When registering, you may indicate your availability. If desired, you may bring your scene in twice over the four days. You should be well rehearsed with your material for this workshop. If your schedule does not permit sufficient time to prepare, please sign up for a future workshop instead. If you are looking for a scene partner, you may post in the comments thread, or you can also find contact information for all members in the member directory. About Peter Jay Fernandez Peter Jay Fernandez is co-head of Columbia University’s MFA acting program. He previously served as co-head of acting in the graduate theatre program at The New School and has also taught at Yale School of Drama, Sarah Lawrence College, NYU Tisch School of the Arts, the Black Arts Institute, the Brown University/Trinity Repertory MFA Program, and the Berklee College of Music, among others. Peter is a two time Audelco winner and has appeared on Broadway in productions of All The Way, Cyrano De Bergerac; Julius Caesar; Henry IV; Jelly’s Last Jam; and The Merchant Of Venice. He originated the role of Caesar in August Wilson’s Gem of the Ocean at the Goodman Theater, the role of Curtis Lowe in the premiere of Ben Bettenbender’s Bliss at the Rattlestick Theatre Company, and the role of ‘the Oldest Old Man’ in Father Comes Home from the Wars, by...

Company Workshop Peter Jay Fernandez: Scene Study Two Weekends Dates & Times Saturday, March 21, 2026 – 10:30am-1:30pm Sunday, March 22, 2026 – 10:30am-1:30pm Saturday, March 28, 2026 – 10:30am-1:30pm Sunday, March 29, 2026 – 10:30am-1:30pm ART/New York, 520 8th Avenue, 3rd Floor This workshop is open to observers and all company members are invited to attend. Observers may attend for any portion of each session. About the Workshop Actor and Columbia faculty member Peter Jay Fernandez returns to The Actors Center for four days of scene study this spring. Peter Jay will work with company members on scenes of their choice from any 20th- or 21st-century play. Participants are encouraged to bring in new material that intrigues and challenges them, with an emphasis on practicing process as opposed to performance. Sessions meet 10:30am-1:30pm on Saturdays and Sundays over two weekends. Peter Jay will work on up to three scenes each day. You can sign up either together with a scene partner or as an individual and you will be paired with another individual. When registering, you may indicate your availability. If desired, you may bring your scene in twice over the four days. You should be well rehearsed with your material for this workshop. If your schedule does not permit sufficient time to prepare, please sign up for a future workshop instead. If you are looking for a scene partner, you may post in the comments thread, or you can also find contact information for all members in the member directory. About Peter Jay Fernandez Peter Jay Fernandez is co-head of Columbia University’s MFA acting program. He previously served as co-head of acting in the graduate theatre program at The New School and has also taught at Yale School of Drama, Sarah Lawrence College, NYU Tisch School of the Arts, the Black Arts Institute, the Brown University/Trinity Repertory MFA Program, and the Berklee College of Music, among others. Peter is a two time Audelco winner and has appeared on Broadway in productions of All The Way, Cyrano De Bergerac; Julius Caesar; Henry IV; Jelly’s Last Jam; and The Merchant Of Venice. He originated the role of Caesar in August Wilson’s Gem of the Ocean at the Goodman Theater, the role of Curtis Lowe in the premiere of Ben Bettenbender’s Bliss at the Rattlestick Theatre Company, and the role of ‘the Oldest Old Man’ in Father Comes Home from the Wars, by...

Company Workshop Judy Kuhn: Acting the Song Monday & Thursday Mornings Dates & Times Monday, March 16, 2026 – 10:30am-1:30pm Thursday, March 19, 2026 – 10:30am-1:30pm Monday, March 23, 2026 – 10:30am-1:30pm Thursday, March 26, 2026 – 10:30am-1:30pm ART/New York, 520 8th Avenue, 3rd Floor, Bruce Mitchell Room Open to observers, all company members are invited to attend. About the Workshop Actor, singer, and company member Judy Kuhn returns to The Actors Center to lead a two-week Acting the Song workshop this March. Designed for the actor who sings or the actor curious about singing, this workshop explores how thought, intention, and impulse are expressed through song. Participants will work individually on material of their choice, investigating song interpretation through improvisation, personalization, close attention to text, and how to “speak” a song. The focus is not on vocal polish, but on storytelling: clarity of intention, relationship to scene partner and audience, and the courage to let a song reveal something immediate and human. About Judy Kuhn Judy Kuhn is a multiple Tony, Olivier and Grammy Award nominee best known for her work on Broadway in such shows as Fun Home, She Loves Me, Chess, and Les Misérables. Other Broadway credits include Fiddler on the Roof, Richard Nelson’s Two Shakespearean Actors, Alan Menken & Tim Rice’s King David, the Charles Strouse/Stephen Schwartz musical Rags, and The Mystery of Edwin Drood. Recent credits include The Baker's Wife and I Can Get It For You Wholesale with Classic Stage Company (OCC Award), Becoming Eve at New York Theatre Workshop, and Unknown Soldier at Arena Stage. She played Sara Jane Moore in John Doyle’s production of Stephen Sondheim and John Weidman’s Assassins at Classic Stage Company (OCC & Drama Desk Noms). Other Off-Broadway credits include Helen Bechdel in Fun Home at the Public Theater (Lucille Lortel Award), Eli’s Comin’ at Vineyard Theatre (Obie Award), Fosca in Passion (Drama League Award Nom) In 2019 she starred in Trevor Nunn’s Olivier Award winning production of Fiddler on the Roof in London’s West End for which she received her 2nd Olivier Award Nomination. Film & TV includes: Dear Edward, Tick Tick Boom, Disney’s Pocahontas; Enchanted; Law & Order. Judy has appeared on concert stages around the world including Carnegie Hall, Alice Tully Hall and London’s Royal Albert Hall. She has recorded four solo albums. Register Now Participants Enrollment limited to 14 actors. Limited conflicts can be accommodated. Comments/Queries

Company CoLabs Community Space Tuesday Mornings Dates & Times Every Tuesday – 11:00am-12:30pm ET Launch Zoom Link Meeting ID: 837 0411 7798 Passcode: 374737 Hosted by Jodie Lynne McClintock About the CoLab Started three years ago at the height of the Covid-19 lockdown as a way to connect, it has continued weekly as a family of actors navigating the changing landscape of our times. Here you will find a supportive, safe virtual space where artists in our company bring their stories, concerns, questions, recommendations, and inspirations in a free-wheeling but facilitated discussion. With no set agenda, we delve into whatever is of interest or concern in any given week. We explore what it means to be an actor and what place our art holds in the world.  People suggest balm for body and soul while walking hand-in-hand along the actor’s way. About the Series Company CoLabs are a series at The Actors Center that offer a framework for collaborative explorations and community programming among company members. Company members host or facilitate projects—play reading groups, explorations of new material or approaches, writing labs, devising work, field trips, retreats—in short, anything inspiring to explore among peers. CoLabs offer creative outlets to explore work you might not otherwise have the opportunity for, while continuing to share resources and deepen connections among our Actors Center community. Comments/Queries

Company Workshop Judy Kuhn: Acting the Song Monday & Thursday Mornings Dates & Times Monday, March 16, 2026 – 10:30am-1:30pm Thursday, March 19, 2026 – 10:30am-1:30pm Monday, March 23, 2026 – 10:30am-1:30pm Thursday, March 26, 2026 – 10:30am-1:30pm ART/New York, 520 8th Avenue, 3rd Floor, Bruce Mitchell Room Open to observers, all company members are invited to attend. About the Workshop Actor, singer, and company member Judy Kuhn returns to The Actors Center to lead a two-week Acting the Song workshop this March. Designed for the actor who sings or the actor curious about singing, this workshop explores how thought, intention, and impulse are expressed through song. Participants will work individually on material of their choice, investigating song interpretation through improvisation, personalization, close attention to text, and how to “speak” a song. The focus is not on vocal polish, but on storytelling: clarity of intention, relationship to scene partner and audience, and the courage to let a song reveal something immediate and human. About Judy Kuhn Judy Kuhn is a multiple Tony, Olivier and Grammy Award nominee best known for her work on Broadway in such shows as Fun Home, She Loves Me, Chess, and Les Misérables. Other Broadway credits include Fiddler on the Roof, Richard Nelson’s Two Shakespearean Actors, Alan Menken & Tim Rice’s King David, the Charles Strouse/Stephen Schwartz musical Rags, and The Mystery of Edwin Drood. Recent credits include The Baker's Wife and I Can Get It For You Wholesale with Classic Stage Company (OCC Award), Becoming Eve at New York Theatre Workshop, and Unknown Soldier at Arena Stage. She played Sara Jane Moore in John Doyle’s production of Stephen Sondheim and John Weidman’s Assassins at Classic Stage Company (OCC & Drama Desk Noms). Other Off-Broadway credits include Helen Bechdel in Fun Home at the Public Theater (Lucille Lortel Award), Eli’s Comin’ at Vineyard Theatre (Obie Award), Fosca in Passion (Drama League Award Nom) In 2019 she starred in Trevor Nunn’s Olivier Award winning production of Fiddler on the Roof in London’s West End for which she received her 2nd Olivier Award Nomination. Film & TV includes: Dear Edward, Tick Tick Boom, Disney’s Pocahontas; Enchanted; Law & Order. Judy has appeared on concert stages around the world including Carnegie Hall, Alice Tully Hall and London’s Royal Albert Hall. She has recorded four solo albums. Register Now Participants Enrollment limited to 14 actors. Limited conflicts can be accommodated. Comments/Queries

Company Workshop Peter Jay Fernandez: Scene Study Two Weekends Dates & Times Saturday, March 21, 2026 – 10:30am-1:30pm Sunday, March 22, 2026 – 10:30am-1:30pm Saturday, March 28, 2026 – 10:30am-1:30pm Sunday, March 29, 2026 – 10:30am-1:30pm ART/New York, 520 8th Avenue, 3rd Floor This workshop is open to observers and all company members are invited to attend. Observers may attend for any portion of each session. About the Workshop Actor and Columbia faculty member Peter Jay Fernandez returns to The Actors Center for four days of scene study this spring. Peter Jay will work with company members on scenes of their choice from any 20th- or 21st-century play. Participants are encouraged to bring in new material that intrigues and challenges them, with an emphasis on practicing process as opposed to performance. Sessions meet 10:30am-1:30pm on Saturdays and Sundays over two weekends. Peter Jay will work on up to three scenes each day. You can sign up either together with a scene partner or as an individual and you will be paired with another individual. When registering, you may indicate your availability. If desired, you may bring your scene in twice over the four days. You should be well rehearsed with your material for this workshop. If your schedule does not permit sufficient time to prepare, please sign up for a future workshop instead. If you are looking for a scene partner, you may post in the comments thread, or you can also find contact information for all members in the member directory. About Peter Jay Fernandez Peter Jay Fernandez is co-head of Columbia University’s MFA acting program. He previously served as co-head of acting in the graduate theatre program at The New School and has also taught at Yale School of Drama, Sarah Lawrence College, NYU Tisch School of the Arts, the Black Arts Institute, the Brown University/Trinity Repertory MFA Program, and the Berklee College of Music, among others. Peter is a two time Audelco winner and has appeared on Broadway in productions of All The Way, Cyrano De Bergerac; Julius Caesar; Henry IV; Jelly’s Last Jam; and The Merchant Of Venice. He originated the role of Caesar in August Wilson’s Gem of the Ocean at the Goodman Theater, the role of Curtis Lowe in the premiere of Ben Bettenbender’s Bliss at the Rattlestick Theatre Company, and the role of ‘the Oldest Old Man’ in Father Comes Home from the Wars, by...

Company Workshop Peter Jay Fernandez: Scene Study Two Weekends Dates & Times Saturday, March 21, 2026 – 10:30am-1:30pm Sunday, March 22, 2026 – 10:30am-1:30pm Saturday, March 28, 2026 – 10:30am-1:30pm Sunday, March 29, 2026 – 10:30am-1:30pm ART/New York, 520 8th Avenue, 3rd Floor This workshop is open to observers and all company members are invited to attend. Observers may attend for any portion of each session. About the Workshop Actor and Columbia faculty member Peter Jay Fernandez returns to The Actors Center for four days of scene study this spring. Peter Jay will work with company members on scenes of their choice from any 20th- or 21st-century play. Participants are encouraged to bring in new material that intrigues and challenges them, with an emphasis on practicing process as opposed to performance. Sessions meet 10:30am-1:30pm on Saturdays and Sundays over two weekends. Peter Jay will work on up to three scenes each day. You can sign up either together with a scene partner or as an individual and you will be paired with another individual. When registering, you may indicate your availability. If desired, you may bring your scene in twice over the four days. You should be well rehearsed with your material for this workshop. If your schedule does not permit sufficient time to prepare, please sign up for a future workshop instead. If you are looking for a scene partner, you may post in the comments thread, or you can also find contact information for all members in the member directory. About Peter Jay Fernandez Peter Jay Fernandez is co-head of Columbia University’s MFA acting program. He previously served as co-head of acting in the graduate theatre program at The New School and has also taught at Yale School of Drama, Sarah Lawrence College, NYU Tisch School of the Arts, the Black Arts Institute, the Brown University/Trinity Repertory MFA Program, and the Berklee College of Music, among others. Peter is a two time Audelco winner and has appeared on Broadway in productions of All The Way, Cyrano De Bergerac; Julius Caesar; Henry IV; Jelly’s Last Jam; and The Merchant Of Venice. He originated the role of Caesar in August Wilson’s Gem of the Ocean at the Goodman Theater, the role of Curtis Lowe in the premiere of Ben Bettenbender’s Bliss at the Rattlestick Theatre Company, and the role of ‘the Oldest Old Man’ in Father Comes Home from the Wars, by...

Company CoLabs Community Space Tuesday Mornings Dates & Times Every Tuesday – 11:00am-12:30pm ET Launch Zoom Link Meeting ID: 837 0411 7798 Passcode: 374737 Hosted by Jodie Lynne McClintock About the CoLab Started three years ago at the height of the Covid-19 lockdown as a way to connect, it has continued weekly as a family of actors navigating the changing landscape of our times. Here you will find a supportive, safe virtual space where artists in our company bring their stories, concerns, questions, recommendations, and inspirations in a free-wheeling but facilitated discussion. With no set agenda, we delve into whatever is of interest or concern in any given week. We explore what it means to be an actor and what place our art holds in the world.  People suggest balm for body and soul while walking hand-in-hand along the actor’s way. About the Series Company CoLabs are a series at The Actors Center that offer a framework for collaborative explorations and community programming among company members. Company members host or facilitate projects—play reading groups, explorations of new material or approaches, writing labs, devising work, field trips, retreats—in short, anything inspiring to explore among peers. CoLabs offer creative outlets to explore work you might not otherwise have the opportunity for, while continuing to share resources and deepen connections among our Actors Center community. Comments/Queries

Company Workshop Emmanuelle Delpech: Neutral Mask Weekend Workshop Dates & Times Saturday, April 4, 2026 – 10:00am-5:00pm Sunday,  April 5, 2026 – 10:00am-5:00pm ART/New York, 520 8th Avenue, 3rd Floor, Studio E This workshop is only open to participants. We are unable to accommodate observers. About the Workshop Physical theatre artist, director, and teacher Emmanuelle Delpech joins The Actors Center for the first time for a weekend workshop devoted to Neutral Mask. The mask of calm and balance, it is a pedagogical tool that challenges the actor to use their entire body to discover presence through experiencing and understanding the ‘neutral state’—a state without personal stories, where there is no past nor future. Through emphasizing presence, the actor works toward an economy of movement, and thus, uncovers their unique, personal rhythms and habits. By letting go of those habits, the actor can create a blank slate from which characters can be built and acting can begin. About Emmanuelle Delpech Emmanuelle Delpech is a French physical theater artist and teacher living in the United States. She was classically trained in France at the Ecole Supérieure d’Art Dramatique de la Ville de Paris and then studied physical theater at l’Ecole Internationale de Théâtre Jacques Lecoq, where she now serves on the faculty. Emmanuelle was a member of The Pig Iron Theatre Company for 8 years as an actor/creator and now teaches at the Pig Iron School for Advanced Training. She has an MFA in Directing from Temple University, where she currently serves on faculty as well. As an independent artist, Emmanuelle directs new creations for other artists, she also creates and performs in her own pieces or directs for regional theaters. She created and performed Spinning Immigrant, and in Madame Douce-Amere produced by 1812 Productions. Her collaboration with Jen Child continued for her project The Woman and Comedy Project: It’s my party! ‍Emmanuelle also directed Oedipus at FDR, FRONTIN’ with James Ijames on the tradition of Blackface performances and the identity of the black performers in America, Charlotte Ford’s BANG, her clown adaptation of Marivaux’s La Dispute, and for her thesis Moliere’s Tartuffe as an urban clown feast. As a teacher, Emmanuelle has taught semester-long courses at Swarthmore College, Bryn Mawr College and University of the Arts. She has also taught workshops for the Volcano Institute in Toronto and the Movement Theater Studio in NYC (where she is a regular on the...

Company Workshop Emmanuelle Delpech: Neutral Mask Weekend Workshop Dates & Times Saturday, April 4, 2026 – 10:00am-5:00pm Sunday,  April 5, 2026 – 10:00am-5:00pm ART/New York, 520 8th Avenue, 3rd Floor, Studio E This workshop is only open to participants. We are unable to accommodate observers. About the Workshop Physical theatre artist, director, and teacher Emmanuelle Delpech joins The Actors Center for the first time for a weekend workshop devoted to Neutral Mask. The mask of calm and balance, it is a pedagogical tool that challenges the actor to use their entire body to discover presence through experiencing and understanding the ‘neutral state’—a state without personal stories, where there is no past nor future. Through emphasizing presence, the actor works toward an economy of movement, and thus, uncovers their unique, personal rhythms and habits. By letting go of those habits, the actor can create a blank slate from which characters can be built and acting can begin. About Emmanuelle Delpech Emmanuelle Delpech is a French physical theater artist and teacher living in the United States. She was classically trained in France at the Ecole Supérieure d’Art Dramatique de la Ville de Paris and then studied physical theater at l’Ecole Internationale de Théâtre Jacques Lecoq, where she now serves on the faculty. Emmanuelle was a member of The Pig Iron Theatre Company for 8 years as an actor/creator and now teaches at the Pig Iron School for Advanced Training. She has an MFA in Directing from Temple University, where she currently serves on faculty as well. As an independent artist, Emmanuelle directs new creations for other artists, she also creates and performs in her own pieces or directs for regional theaters. She created and performed Spinning Immigrant, and in Madame Douce-Amere produced by 1812 Productions. Her collaboration with Jen Child continued for her project The Woman and Comedy Project: It’s my party! ‍Emmanuelle also directed Oedipus at FDR, FRONTIN’ with James Ijames on the tradition of Blackface performances and the identity of the black performers in America, Charlotte Ford’s BANG, her clown adaptation of Marivaux’s La Dispute, and for her thesis Moliere’s Tartuffe as an urban clown feast. As a teacher, Emmanuelle has taught semester-long courses at Swarthmore College, Bryn Mawr College and University of the Arts. She has also taught workshops for the Volcano Institute in Toronto and the Movement Theater Studio in NYC (where she is a regular on the...

Company CoLabs Community Space Tuesday Mornings Dates & Times Every Tuesday – 11:00am-12:30pm ET Launch Zoom Link Meeting ID: 837 0411 7798 Passcode: 374737 Hosted by Jodie Lynne McClintock About the CoLab Started three years ago at the height of the Covid-19 lockdown as a way to connect, it has continued weekly as a family of actors navigating the changing landscape of our times. Here you will find a supportive, safe virtual space where artists in our company bring their stories, concerns, questions, recommendations, and inspirations in a free-wheeling but facilitated discussion. With no set agenda, we delve into whatever is of interest or concern in any given week. We explore what it means to be an actor and what place our art holds in the world.  People suggest balm for body and soul while walking hand-in-hand along the actor’s way. About the Series Company CoLabs are a series at The Actors Center that offer a framework for collaborative explorations and community programming among company members. Company members host or facilitate projects—play reading groups, explorations of new material or approaches, writing labs, devising work, field trips, retreats—in short, anything inspiring to explore among peers. CoLabs offer creative outlets to explore work you might not otherwise have the opportunity for, while continuing to share resources and deepen connections among our Actors Center community. Comments/Queries

Company Workshop Jane Guyer Fujita: Voice, Movement, and Creation Three Monday Mornings Dates & Times Monday, April 13, 2026 – 10:00am-1:30pm Monday, April 20, 2026 – 10:00am-1:30pm Monday, April 27, 2026 – 10:00am-1:30pm FABnyc, 70 East 4th Street, 2nd Floor Studio This workshop is only open to participants. We are unable to accommodate observers. About the Workshop Head of Voice and Speech at NYU Grad Acting and voice and dialect coach, Jane Guyer Fujita, joins The Actors Center for the first time for a workshop over three Monday mornings. Jane will investigate release work in the body through movement and voice exercises that connect the actor’s experience to their sound. This workshop acknowledges the challenges that require an actor’s perseverance and aims to create space for restoration, curiosity, and play. The goal is to bring the actor back into contact with the body as a responsive, imaginative instrument. We are capable of greater ease, resonance, and expressive freedom. Jane will guide participants in resetting habits of tension, deepening their listening, and reawakening a sense of creative aliveness that can sustain both the craft and the long arc of a life in the theater. About Jane Guyer Fujita Jane Guyer Fujita is the Head of Voice and Speech at New York University’s Graduate Acting Program. As a voice and speech specialist, she has coached voice and accents for productions on Broadway, Off-Broadway, and at regional theaters across the country. She has also served as a dialect coach for both major film studios and independent film productions. As a voice teacher, she has trained in several major vocal techniques, including Fitzmaurice Voicework, Linklater, Roy Hart, and Chuck Jones. Her background in speech training includes both the Knight-Thompson and Skinner methodologies. Jane is certified by Catherine Fitzmaurice as an Associate Teacher of Fitzmaurice Voicework. Her previous teaching appointments include positions in the MFA acting programs at the Yale School of Drama, the Mason Gross School of the Arts at Rutgers University, and the American Repertory Theater Institute at Harvard University, where she earned her MFA under Nancy Houfek. Register Now Participants Enrollment limited to 14 actors. Very limited conflicts can be accommodated. Comments/Queries

Company CoLabs Community Space Tuesday Mornings Dates & Times Every Tuesday – 11:00am-12:30pm ET Launch Zoom Link Meeting ID: 837 0411 7798 Passcode: 374737 Hosted by Jodie Lynne McClintock About the CoLab Started three years ago at the height of the Covid-19 lockdown as a way to connect, it has continued weekly as a family of actors navigating the changing landscape of our times. Here you will find a supportive, safe virtual space where artists in our company bring their stories, concerns, questions, recommendations, and inspirations in a free-wheeling but facilitated discussion. With no set agenda, we delve into whatever is of interest or concern in any given week. We explore what it means to be an actor and what place our art holds in the world.  People suggest balm for body and soul while walking hand-in-hand along the actor’s way. About the Series Company CoLabs are a series at The Actors Center that offer a framework for collaborative explorations and community programming among company members. Company members host or facilitate projects—play reading groups, explorations of new material or approaches, writing labs, devising work, field trips, retreats—in short, anything inspiring to explore among peers. CoLabs offer creative outlets to explore work you might not otherwise have the opportunity for, while continuing to share resources and deepen connections among our Actors Center community. Comments/Queries

Company Workshop Welker White & Damian Young: Cinematic Scene Study Two Weeknights & Two Weekends Dates & Times Tuesday, April 14, 2026 – 6:30pm-9:00pm (Zoom) Wednesday, April 15, 2026 – 6:30pm-9:00pm (Zoom) Saturday, April 18, 2026 – 12:00pm-4:00pm Sunday, April 19, 2026 – 12:00pm-4:00pm Saturday, April 25, 2026 – 12:00pm-4:00pm Sunday, April 26, 2026 – 12:00pm-4:00pm 538 Johnson Avenue Unit A205, Bushwick This workshop is open to observers and all company members are invited to attend. Observers may attend for any portion of each session. About the Workshop Actors, teachers, and founders of The Moving Frame, Welker White and Damian Young, return to The Actors Center to lead a cinematic scene study workshop. Over two analysis sessions and two weekends of filming, this workshop is intended to aid actors in building a more sustainable framework from which to draw upon in their film and television work and to provide actors with a safe, supportive, and rich environment to explore key principles in cinematic storytelling. The workshop begins with two sessions on Zoom with an analysis of text aimed at identifying how and where visual story is expressed on the page. Actors will then move into two weekends shooting short scripted scenes in pairs. Each scene will have the opportunity to work twice over the two weekends, moving through multiple takes. Participants will explore letting go of previous takes and allowing new stimuli to inform and deepen the possibilities in the work. Introductory sessions run Tuesday and Wednesday evening, 6:30pm-9:00pm. The two weekends of filming are on consecutive Saturdays and Sundays, 12:00pm-4:00pm. About Welker White & Damian Young Welker White and Damian Young are co-founders of The Moving Frame, a process-oriented exploration of screen acting that offers actors an immersion into the language of cinematic storytelling. They have conducted screen acting intensives in some of the most respected universities and training programs across the U.S. and abroad, including The Actors Center, NYU Grad Acting, Brown/Trinity MFA, Columbia MFA Acting, ACT, FSU/Asolo Conservatory, U of Iowa MFA Acting, SMU MFA/BFA Acting, Bowdoin College, The Freeman Studio, Montclair State, Emerson MFA Film, Wesleyan University, The Atlantic Conservatory, and private studios in South Korea, Melbourne and Brisbane Australia, and Berlin. As an actor, Welker White has worked with Martin Scorsese on several projects, including The Irishman (Josephine Hoffa opposite Al Pacino) and Goodfellas. Additional select film credits include the Sundance award-winning The 40-Year Old Version, Emmy award-winning HBO’s Bad Education, Eat Pray Love, Dead...

Company Workshop Welker White & Damian Young: Cinematic Scene Study Two Weeknights & Two Weekends Dates & Times Tuesday, April 14, 2026 – 6:30pm-9:00pm (Zoom) Wednesday, April 15, 2026 – 6:30pm-9:00pm (Zoom) Saturday, April 18, 2026 – 12:00pm-4:00pm Sunday, April 19, 2026 – 12:00pm-4:00pm Saturday, April 25, 2026 – 12:00pm-4:00pm Sunday, April 26, 2026 – 12:00pm-4:00pm 538 Johnson Avenue Unit A205, Bushwick This workshop is open to observers and all company members are invited to attend. Observers may attend for any portion of each session. About the Workshop Actors, teachers, and founders of The Moving Frame, Welker White and Damian Young, return to The Actors Center to lead a cinematic scene study workshop. Over two analysis sessions and two weekends of filming, this workshop is intended to aid actors in building a more sustainable framework from which to draw upon in their film and television work and to provide actors with a safe, supportive, and rich environment to explore key principles in cinematic storytelling. The workshop begins with two sessions on Zoom with an analysis of text aimed at identifying how and where visual story is expressed on the page. Actors will then move into two weekends shooting short scripted scenes in pairs. Each scene will have the opportunity to work twice over the two weekends, moving through multiple takes. Participants will explore letting go of previous takes and allowing new stimuli to inform and deepen the possibilities in the work. Introductory sessions run Tuesday and Wednesday evening, 6:30pm-9:00pm. The two weekends of filming are on consecutive Saturdays and Sundays, 12:00pm-4:00pm. About Welker White & Damian Young Welker White and Damian Young are co-founders of The Moving Frame, a process-oriented exploration of screen acting that offers actors an immersion into the language of cinematic storytelling. They have conducted screen acting intensives in some of the most respected universities and training programs across the U.S. and abroad, including The Actors Center, NYU Grad Acting, Brown/Trinity MFA, Columbia MFA Acting, ACT, FSU/Asolo Conservatory, U of Iowa MFA Acting, SMU MFA/BFA Acting, Bowdoin College, The Freeman Studio, Montclair State, Emerson MFA Film, Wesleyan University, The Atlantic Conservatory, and private studios in South Korea, Melbourne and Brisbane Australia, and Berlin. As an actor, Welker White has worked with Martin Scorsese on several projects, including The Irishman (Josephine Hoffa opposite Al Pacino) and Goodfellas. Additional select film credits include the Sundance award-winning The 40-Year Old Version, Emmy award-winning HBO’s Bad Education, Eat Pray Love, Dead...

Company Workshop Steven Epp: Molière Wednesday & Friday Afternoons Dates & Times Friday, April 17, 2026 – 1:00pm-4:00pm Wednesday, April 22, 2026 – 1:00pm-4:00pm Friday, April 24, 2026 – 1:00pm-4:00pm Wednesday, April 29, 2026 – 1:00pm-4:00pm Friday, May 1, 2026 – 1:00pm-4:00pm Houghton Hall Arts Community, 22 East 30th Street All dates except for Friday, April 17 will be open to observers. About the Workshop Actor, writer, director, and Co-Artistic Director of The Moving Company, Steven Epp, joins The Actors Center for the first time for a workshop devoted to Molière. Over five sessions, we'll tear into some scenes from Tartuffe, The Miser, The Misanthrope, possibly Don Juan and Scapin—fresh American adaptations that Steven co-wrote and performed. Molière was first and foremost an actor. He loved actors. He wrote specifically for his company of actors, whose lives were the theatre 24/7. He was incendiary, hilarious, provocative, and philosophical; also ridiculous, muscular, brutal, immediate, and profoundly human. A tragedian trapped in a comedian's body and mind. His characters are pure joy for the actor—inviting and demanding boundless invention, wild interpretation, and exuberant play. We'll work scripts in hand, moving towards off-booked-ness as we go. We'll paraphrase, improvise, change it up, play any and all parts—casting ourselves across gender, age, and type. There's no right or wrong here, but we'll be looking for the truth of that moment where the comic and the tragic live in each other's arms. Sessions run Wednesday and Friday afternoons, 1:00–4:00pm. About Steven Epp Steven Epp is an actor and writer based in Brooklyn, New York and Minneapolis, Minnesota. Steven was the co-Artistic Director of Theatre de la Jeune Lune, winner of the 2005 Tony award for Best Regional Theatre. In his 25 years with Jeune Lune, Steven collaborated on the creation and performance of over 50 productions. Steven has been seen in New York and throughout the United States. He has played lead roles in everything from Hamlet, The Miser, Tartuffe, Figaro, and The Servant of Two Masters to Fiddler on the Roof, Treasure Island, and The Lorax. For Jeune Lune, Steven co-authored Children of Paradise, shortlisted for the 1993 Pulitzer Prize, and winner of the Outer-Critics Circle Award for best new play. Steven has received numerous acting awards including Helen Hayes, Norton, Ivey, Connecticut Critics Circle, Bay Area Critics, Fox Fellow, Beinecke Fellow, and Playwrights’ Center McKnight Theater Artist Fellow, and the Joe A. Callaway...

Company Workshop Welker White & Damian Young: Cinematic Scene Study Two Weeknights & Two Weekends Dates & Times Tuesday, April 14, 2026 – 6:30pm-9:00pm (Zoom) Wednesday, April 15, 2026 – 6:30pm-9:00pm (Zoom) Saturday, April 18, 2026 – 12:00pm-4:00pm Sunday, April 19, 2026 – 12:00pm-4:00pm Saturday, April 25, 2026 – 12:00pm-4:00pm Sunday, April 26, 2026 – 12:00pm-4:00pm 538 Johnson Avenue Unit A205, Bushwick This workshop is open to observers and all company members are invited to attend. Observers may attend for any portion of each session. About the Workshop Actors, teachers, and founders of The Moving Frame, Welker White and Damian Young, return to The Actors Center to lead a cinematic scene study workshop. Over two analysis sessions and two weekends of filming, this workshop is intended to aid actors in building a more sustainable framework from which to draw upon in their film and television work and to provide actors with a safe, supportive, and rich environment to explore key principles in cinematic storytelling. The workshop begins with two sessions on Zoom with an analysis of text aimed at identifying how and where visual story is expressed on the page. Actors will then move into two weekends shooting short scripted scenes in pairs. Each scene will have the opportunity to work twice over the two weekends, moving through multiple takes. Participants will explore letting go of previous takes and allowing new stimuli to inform and deepen the possibilities in the work. Introductory sessions run Tuesday and Wednesday evening, 6:30pm-9:00pm. The two weekends of filming are on consecutive Saturdays and Sundays, 12:00pm-4:00pm. About Welker White & Damian Young Welker White and Damian Young are co-founders of The Moving Frame, a process-oriented exploration of screen acting that offers actors an immersion into the language of cinematic storytelling. They have conducted screen acting intensives in some of the most respected universities and training programs across the U.S. and abroad, including The Actors Center, NYU Grad Acting, Brown/Trinity MFA, Columbia MFA Acting, ACT, FSU/Asolo Conservatory, U of Iowa MFA Acting, SMU MFA/BFA Acting, Bowdoin College, The Freeman Studio, Montclair State, Emerson MFA Film, Wesleyan University, The Atlantic Conservatory, and private studios in South Korea, Melbourne and Brisbane Australia, and Berlin. As an actor, Welker White has worked with Martin Scorsese on several projects, including The Irishman (Josephine Hoffa opposite Al Pacino) and Goodfellas. Additional select film credits include the Sundance award-winning The 40-Year Old Version, Emmy award-winning HBO’s Bad Education, Eat Pray Love, Dead...

Company Workshop Welker White & Damian Young: Cinematic Scene Study Two Weeknights & Two Weekends Dates & Times Tuesday, April 14, 2026 – 6:30pm-9:00pm (Zoom) Wednesday, April 15, 2026 – 6:30pm-9:00pm (Zoom) Saturday, April 18, 2026 – 12:00pm-4:00pm Sunday, April 19, 2026 – 12:00pm-4:00pm Saturday, April 25, 2026 – 12:00pm-4:00pm Sunday, April 26, 2026 – 12:00pm-4:00pm 538 Johnson Avenue Unit A205, Bushwick This workshop is open to observers and all company members are invited to attend. Observers may attend for any portion of each session. About the Workshop Actors, teachers, and founders of The Moving Frame, Welker White and Damian Young, return to The Actors Center to lead a cinematic scene study workshop. Over two analysis sessions and two weekends of filming, this workshop is intended to aid actors in building a more sustainable framework from which to draw upon in their film and television work and to provide actors with a safe, supportive, and rich environment to explore key principles in cinematic storytelling. The workshop begins with two sessions on Zoom with an analysis of text aimed at identifying how and where visual story is expressed on the page. Actors will then move into two weekends shooting short scripted scenes in pairs. Each scene will have the opportunity to work twice over the two weekends, moving through multiple takes. Participants will explore letting go of previous takes and allowing new stimuli to inform and deepen the possibilities in the work. Introductory sessions run Tuesday and Wednesday evening, 6:30pm-9:00pm. The two weekends of filming are on consecutive Saturdays and Sundays, 12:00pm-4:00pm. About Welker White & Damian Young Welker White and Damian Young are co-founders of The Moving Frame, a process-oriented exploration of screen acting that offers actors an immersion into the language of cinematic storytelling. They have conducted screen acting intensives in some of the most respected universities and training programs across the U.S. and abroad, including The Actors Center, NYU Grad Acting, Brown/Trinity MFA, Columbia MFA Acting, ACT, FSU/Asolo Conservatory, U of Iowa MFA Acting, SMU MFA/BFA Acting, Bowdoin College, The Freeman Studio, Montclair State, Emerson MFA Film, Wesleyan University, The Atlantic Conservatory, and private studios in South Korea, Melbourne and Brisbane Australia, and Berlin. As an actor, Welker White has worked with Martin Scorsese on several projects, including The Irishman (Josephine Hoffa opposite Al Pacino) and Goodfellas. Additional select film credits include the Sundance award-winning The 40-Year Old Version, Emmy award-winning HBO’s Bad Education, Eat Pray Love, Dead...

Company Workshop Jane Guyer Fujita: Voice, Movement, and Creation Three Monday Mornings Dates & Times Monday, April 13, 2026 – 10:00am-1:30pm Monday, April 20, 2026 – 10:00am-1:30pm Monday, April 27, 2026 – 10:00am-1:30pm FABnyc, 70 East 4th Street, 2nd Floor Studio This workshop is only open to participants. We are unable to accommodate observers. About the Workshop Head of Voice and Speech at NYU Grad Acting and voice and dialect coach, Jane Guyer Fujita, joins The Actors Center for the first time for a workshop over three Monday mornings. Jane will investigate release work in the body through movement and voice exercises that connect the actor’s experience to their sound. This workshop acknowledges the challenges that require an actor’s perseverance and aims to create space for restoration, curiosity, and play. The goal is to bring the actor back into contact with the body as a responsive, imaginative instrument. We are capable of greater ease, resonance, and expressive freedom. Jane will guide participants in resetting habits of tension, deepening their listening, and reawakening a sense of creative aliveness that can sustain both the craft and the long arc of a life in the theater. About Jane Guyer Fujita Jane Guyer Fujita is the Head of Voice and Speech at New York University’s Graduate Acting Program. As a voice and speech specialist, she has coached voice and accents for productions on Broadway, Off-Broadway, and at regional theaters across the country. She has also served as a dialect coach for both major film studios and independent film productions. As a voice teacher, she has trained in several major vocal techniques, including Fitzmaurice Voicework, Linklater, Roy Hart, and Chuck Jones. Her background in speech training includes both the Knight-Thompson and Skinner methodologies. Jane is certified by Catherine Fitzmaurice as an Associate Teacher of Fitzmaurice Voicework. Her previous teaching appointments include positions in the MFA acting programs at the Yale School of Drama, the Mason Gross School of the Arts at Rutgers University, and the American Repertory Theater Institute at Harvard University, where she earned her MFA under Nancy Houfek. Register Now Participants Enrollment limited to 14 actors. Very limited conflicts can be accommodated. Comments/Queries

Company Workshop Welker White & Damian Young: Cinematic Scene Study Two Weeknights & Two Weekends Dates & Times Tuesday, April 14, 2026 – 6:30pm-9:00pm (Zoom) Wednesday, April 15, 2026 – 6:30pm-9:00pm (Zoom) Saturday, April 18, 2026 – 12:00pm-4:00pm Sunday, April 19, 2026 – 12:00pm-4:00pm Saturday, April 25, 2026 – 12:00pm-4:00pm Sunday, April 26, 2026 – 12:00pm-4:00pm 538 Johnson Avenue Unit A205, Bushwick This workshop is open to observers and all company members are invited to attend. Observers may attend for any portion of each session. About the Workshop Actors, teachers, and founders of The Moving Frame, Welker White and Damian Young, return to The Actors Center to lead a cinematic scene study workshop. Over two analysis sessions and two weekends of filming, this workshop is intended to aid actors in building a more sustainable framework from which to draw upon in their film and television work and to provide actors with a safe, supportive, and rich environment to explore key principles in cinematic storytelling. The workshop begins with two sessions on Zoom with an analysis of text aimed at identifying how and where visual story is expressed on the page. Actors will then move into two weekends shooting short scripted scenes in pairs. Each scene will have the opportunity to work twice over the two weekends, moving through multiple takes. Participants will explore letting go of previous takes and allowing new stimuli to inform and deepen the possibilities in the work. Introductory sessions run Tuesday and Wednesday evening, 6:30pm-9:00pm. The two weekends of filming are on consecutive Saturdays and Sundays, 12:00pm-4:00pm. About Welker White & Damian Young Welker White and Damian Young are co-founders of The Moving Frame, a process-oriented exploration of screen acting that offers actors an immersion into the language of cinematic storytelling. They have conducted screen acting intensives in some of the most respected universities and training programs across the U.S. and abroad, including The Actors Center, NYU Grad Acting, Brown/Trinity MFA, Columbia MFA Acting, ACT, FSU/Asolo Conservatory, U of Iowa MFA Acting, SMU MFA/BFA Acting, Bowdoin College, The Freeman Studio, Montclair State, Emerson MFA Film, Wesleyan University, The Atlantic Conservatory, and private studios in South Korea, Melbourne and Brisbane Australia, and Berlin. As an actor, Welker White has worked with Martin Scorsese on several projects, including The Irishman (Josephine Hoffa opposite Al Pacino) and Goodfellas. Additional select film credits include the Sundance award-winning The 40-Year Old Version, Emmy award-winning HBO’s Bad Education, Eat Pray Love, Dead...

Company CoLabs Community Space Tuesday Mornings Dates & Times Every Tuesday – 11:00am-12:30pm ET Launch Zoom Link Meeting ID: 837 0411 7798 Passcode: 374737 Hosted by Jodie Lynne McClintock About the CoLab Started three years ago at the height of the Covid-19 lockdown as a way to connect, it has continued weekly as a family of actors navigating the changing landscape of our times. Here you will find a supportive, safe virtual space where artists in our company bring their stories, concerns, questions, recommendations, and inspirations in a free-wheeling but facilitated discussion. With no set agenda, we delve into whatever is of interest or concern in any given week. We explore what it means to be an actor and what place our art holds in the world.  People suggest balm for body and soul while walking hand-in-hand along the actor’s way. About the Series Company CoLabs are a series at The Actors Center that offer a framework for collaborative explorations and community programming among company members. Company members host or facilitate projects—play reading groups, explorations of new material or approaches, writing labs, devising work, field trips, retreats—in short, anything inspiring to explore among peers. CoLabs offer creative outlets to explore work you might not otherwise have the opportunity for, while continuing to share resources and deepen connections among our Actors Center community. Comments/Queries

Company Workshop Steven Epp: Molière Wednesday & Friday Afternoons Dates & Times Friday, April 17, 2026 – 1:00pm-4:00pm Wednesday, April 22, 2026 – 1:00pm-4:00pm Friday, April 24, 2026 – 1:00pm-4:00pm Wednesday, April 29, 2026 – 1:00pm-4:00pm Friday, May 1, 2026 – 1:00pm-4:00pm Houghton Hall Arts Community, 22 East 30th Street All dates except for Friday, April 17 will be open to observers. About the Workshop Actor, writer, director, and Co-Artistic Director of The Moving Company, Steven Epp, joins The Actors Center for the first time for a workshop devoted to Molière. Over five sessions, we'll tear into some scenes from Tartuffe, The Miser, The Misanthrope, possibly Don Juan and Scapin—fresh American adaptations that Steven co-wrote and performed. Molière was first and foremost an actor. He loved actors. He wrote specifically for his company of actors, whose lives were the theatre 24/7. He was incendiary, hilarious, provocative, and philosophical; also ridiculous, muscular, brutal, immediate, and profoundly human. A tragedian trapped in a comedian's body and mind. His characters are pure joy for the actor—inviting and demanding boundless invention, wild interpretation, and exuberant play. We'll work scripts in hand, moving towards off-booked-ness as we go. We'll paraphrase, improvise, change it up, play any and all parts—casting ourselves across gender, age, and type. There's no right or wrong here, but we'll be looking for the truth of that moment where the comic and the tragic live in each other's arms. Sessions run Wednesday and Friday afternoons, 1:00–4:00pm. About Steven Epp Steven Epp is an actor and writer based in Brooklyn, New York and Minneapolis, Minnesota. Steven was the co-Artistic Director of Theatre de la Jeune Lune, winner of the 2005 Tony award for Best Regional Theatre. In his 25 years with Jeune Lune, Steven collaborated on the creation and performance of over 50 productions. Steven has been seen in New York and throughout the United States. He has played lead roles in everything from Hamlet, The Miser, Tartuffe, Figaro, and The Servant of Two Masters to Fiddler on the Roof, Treasure Island, and The Lorax. For Jeune Lune, Steven co-authored Children of Paradise, shortlisted for the 1993 Pulitzer Prize, and winner of the Outer-Critics Circle Award for best new play. Steven has received numerous acting awards including Helen Hayes, Norton, Ivey, Connecticut Critics Circle, Bay Area Critics, Fox Fellow, Beinecke Fellow, and Playwrights’ Center McKnight Theater Artist Fellow, and the Joe A. Callaway...

Company Workshop Steven Epp: Molière Wednesday & Friday Afternoons Dates & Times Friday, April 17, 2026 – 1:00pm-4:00pm Wednesday, April 22, 2026 – 1:00pm-4:00pm Friday, April 24, 2026 – 1:00pm-4:00pm Wednesday, April 29, 2026 – 1:00pm-4:00pm Friday, May 1, 2026 – 1:00pm-4:00pm Houghton Hall Arts Community, 22 East 30th Street All dates except for Friday, April 17 will be open to observers. About the Workshop Actor, writer, director, and Co-Artistic Director of The Moving Company, Steven Epp, joins The Actors Center for the first time for a workshop devoted to Molière. Over five sessions, we'll tear into some scenes from Tartuffe, The Miser, The Misanthrope, possibly Don Juan and Scapin—fresh American adaptations that Steven co-wrote and performed. Molière was first and foremost an actor. He loved actors. He wrote specifically for his company of actors, whose lives were the theatre 24/7. He was incendiary, hilarious, provocative, and philosophical; also ridiculous, muscular, brutal, immediate, and profoundly human. A tragedian trapped in a comedian's body and mind. His characters are pure joy for the actor—inviting and demanding boundless invention, wild interpretation, and exuberant play. We'll work scripts in hand, moving towards off-booked-ness as we go. We'll paraphrase, improvise, change it up, play any and all parts—casting ourselves across gender, age, and type. There's no right or wrong here, but we'll be looking for the truth of that moment where the comic and the tragic live in each other's arms. Sessions run Wednesday and Friday afternoons, 1:00–4:00pm. About Steven Epp Steven Epp is an actor and writer based in Brooklyn, New York and Minneapolis, Minnesota. Steven was the co-Artistic Director of Theatre de la Jeune Lune, winner of the 2005 Tony award for Best Regional Theatre. In his 25 years with Jeune Lune, Steven collaborated on the creation and performance of over 50 productions. Steven has been seen in New York and throughout the United States. He has played lead roles in everything from Hamlet, The Miser, Tartuffe, Figaro, and The Servant of Two Masters to Fiddler on the Roof, Treasure Island, and The Lorax. For Jeune Lune, Steven co-authored Children of Paradise, shortlisted for the 1993 Pulitzer Prize, and winner of the Outer-Critics Circle Award for best new play. Steven has received numerous acting awards including Helen Hayes, Norton, Ivey, Connecticut Critics Circle, Bay Area Critics, Fox Fellow, Beinecke Fellow, and Playwrights’ Center McKnight Theater Artist Fellow, and the Joe A. Callaway...

Company Workshop Welker White & Damian Young: Cinematic Scene Study Two Weeknights & Two Weekends Dates & Times Tuesday, April 14, 2026 – 6:30pm-9:00pm (Zoom) Wednesday, April 15, 2026 – 6:30pm-9:00pm (Zoom) Saturday, April 18, 2026 – 12:00pm-4:00pm Sunday, April 19, 2026 – 12:00pm-4:00pm Saturday, April 25, 2026 – 12:00pm-4:00pm Sunday, April 26, 2026 – 12:00pm-4:00pm 538 Johnson Avenue Unit A205, Bushwick This workshop is open to observers and all company members are invited to attend. Observers may attend for any portion of each session. About the Workshop Actors, teachers, and founders of The Moving Frame, Welker White and Damian Young, return to The Actors Center to lead a cinematic scene study workshop. Over two analysis sessions and two weekends of filming, this workshop is intended to aid actors in building a more sustainable framework from which to draw upon in their film and television work and to provide actors with a safe, supportive, and rich environment to explore key principles in cinematic storytelling. The workshop begins with two sessions on Zoom with an analysis of text aimed at identifying how and where visual story is expressed on the page. Actors will then move into two weekends shooting short scripted scenes in pairs. Each scene will have the opportunity to work twice over the two weekends, moving through multiple takes. Participants will explore letting go of previous takes and allowing new stimuli to inform and deepen the possibilities in the work. Introductory sessions run Tuesday and Wednesday evening, 6:30pm-9:00pm. The two weekends of filming are on consecutive Saturdays and Sundays, 12:00pm-4:00pm. About Welker White & Damian Young Welker White and Damian Young are co-founders of The Moving Frame, a process-oriented exploration of screen acting that offers actors an immersion into the language of cinematic storytelling. They have conducted screen acting intensives in some of the most respected universities and training programs across the U.S. and abroad, including The Actors Center, NYU Grad Acting, Brown/Trinity MFA, Columbia MFA Acting, ACT, FSU/Asolo Conservatory, U of Iowa MFA Acting, SMU MFA/BFA Acting, Bowdoin College, The Freeman Studio, Montclair State, Emerson MFA Film, Wesleyan University, The Atlantic Conservatory, and private studios in South Korea, Melbourne and Brisbane Australia, and Berlin. As an actor, Welker White has worked with Martin Scorsese on several projects, including The Irishman (Josephine Hoffa opposite Al Pacino) and Goodfellas. Additional select film credits include the Sundance award-winning The 40-Year Old Version, Emmy award-winning HBO’s Bad Education, Eat Pray Love, Dead...

Company Workshop Welker White & Damian Young: Cinematic Scene Study Two Weeknights & Two Weekends Dates & Times Tuesday, April 14, 2026 – 6:30pm-9:00pm (Zoom) Wednesday, April 15, 2026 – 6:30pm-9:00pm (Zoom) Saturday, April 18, 2026 – 12:00pm-4:00pm Sunday, April 19, 2026 – 12:00pm-4:00pm Saturday, April 25, 2026 – 12:00pm-4:00pm Sunday, April 26, 2026 – 12:00pm-4:00pm 538 Johnson Avenue Unit A205, Bushwick This workshop is open to observers and all company members are invited to attend. Observers may attend for any portion of each session. About the Workshop Actors, teachers, and founders of The Moving Frame, Welker White and Damian Young, return to The Actors Center to lead a cinematic scene study workshop. Over two analysis sessions and two weekends of filming, this workshop is intended to aid actors in building a more sustainable framework from which to draw upon in their film and television work and to provide actors with a safe, supportive, and rich environment to explore key principles in cinematic storytelling. The workshop begins with two sessions on Zoom with an analysis of text aimed at identifying how and where visual story is expressed on the page. Actors will then move into two weekends shooting short scripted scenes in pairs. Each scene will have the opportunity to work twice over the two weekends, moving through multiple takes. Participants will explore letting go of previous takes and allowing new stimuli to inform and deepen the possibilities in the work. Introductory sessions run Tuesday and Wednesday evening, 6:30pm-9:00pm. The two weekends of filming are on consecutive Saturdays and Sundays, 12:00pm-4:00pm. About Welker White & Damian Young Welker White and Damian Young are co-founders of The Moving Frame, a process-oriented exploration of screen acting that offers actors an immersion into the language of cinematic storytelling. They have conducted screen acting intensives in some of the most respected universities and training programs across the U.S. and abroad, including The Actors Center, NYU Grad Acting, Brown/Trinity MFA, Columbia MFA Acting, ACT, FSU/Asolo Conservatory, U of Iowa MFA Acting, SMU MFA/BFA Acting, Bowdoin College, The Freeman Studio, Montclair State, Emerson MFA Film, Wesleyan University, The Atlantic Conservatory, and private studios in South Korea, Melbourne and Brisbane Australia, and Berlin. As an actor, Welker White has worked with Martin Scorsese on several projects, including The Irishman (Josephine Hoffa opposite Al Pacino) and Goodfellas. Additional select film credits include the Sundance award-winning The 40-Year Old Version, Emmy award-winning HBO’s Bad Education, Eat Pray Love, Dead...

Company Workshop Jane Guyer Fujita: Voice, Movement, and Creation Three Monday Mornings Dates & Times Monday, April 13, 2026 – 10:00am-1:30pm Monday, April 20, 2026 – 10:00am-1:30pm Monday, April 27, 2026 – 10:00am-1:30pm FABnyc, 70 East 4th Street, 2nd Floor Studio This workshop is only open to participants. We are unable to accommodate observers. About the Workshop Head of Voice and Speech at NYU Grad Acting and voice and dialect coach, Jane Guyer Fujita, joins The Actors Center for the first time for a workshop over three Monday mornings. Jane will investigate release work in the body through movement and voice exercises that connect the actor’s experience to their sound. This workshop acknowledges the challenges that require an actor’s perseverance and aims to create space for restoration, curiosity, and play. The goal is to bring the actor back into contact with the body as a responsive, imaginative instrument. We are capable of greater ease, resonance, and expressive freedom. Jane will guide participants in resetting habits of tension, deepening their listening, and reawakening a sense of creative aliveness that can sustain both the craft and the long arc of a life in the theater. About Jane Guyer Fujita Jane Guyer Fujita is the Head of Voice and Speech at New York University’s Graduate Acting Program. As a voice and speech specialist, she has coached voice and accents for productions on Broadway, Off-Broadway, and at regional theaters across the country. She has also served as a dialect coach for both major film studios and independent film productions. As a voice teacher, she has trained in several major vocal techniques, including Fitzmaurice Voicework, Linklater, Roy Hart, and Chuck Jones. Her background in speech training includes both the Knight-Thompson and Skinner methodologies. Jane is certified by Catherine Fitzmaurice as an Associate Teacher of Fitzmaurice Voicework. Her previous teaching appointments include positions in the MFA acting programs at the Yale School of Drama, the Mason Gross School of the Arts at Rutgers University, and the American Repertory Theater Institute at Harvard University, where she earned her MFA under Nancy Houfek. Register Now Participants Enrollment limited to 14 actors. Very limited conflicts can be accommodated. Comments/Queries

Company CoLabs Community Space Tuesday Mornings Dates & Times Every Tuesday – 11:00am-12:30pm ET Launch Zoom Link Meeting ID: 837 0411 7798 Passcode: 374737 Hosted by Jodie Lynne McClintock About the CoLab Started three years ago at the height of the Covid-19 lockdown as a way to connect, it has continued weekly as a family of actors navigating the changing landscape of our times. Here you will find a supportive, safe virtual space where artists in our company bring their stories, concerns, questions, recommendations, and inspirations in a free-wheeling but facilitated discussion. With no set agenda, we delve into whatever is of interest or concern in any given week. We explore what it means to be an actor and what place our art holds in the world.  People suggest balm for body and soul while walking hand-in-hand along the actor’s way. About the Series Company CoLabs are a series at The Actors Center that offer a framework for collaborative explorations and community programming among company members. Company members host or facilitate projects—play reading groups, explorations of new material or approaches, writing labs, devising work, field trips, retreats—in short, anything inspiring to explore among peers. CoLabs offer creative outlets to explore work you might not otherwise have the opportunity for, while continuing to share resources and deepen connections among our Actors Center community. Comments/Queries

Company Workshop Steven Epp: Molière Wednesday & Friday Afternoons Dates & Times Friday, April 17, 2026 – 1:00pm-4:00pm Wednesday, April 22, 2026 – 1:00pm-4:00pm Friday, April 24, 2026 – 1:00pm-4:00pm Wednesday, April 29, 2026 – 1:00pm-4:00pm Friday, May 1, 2026 – 1:00pm-4:00pm Houghton Hall Arts Community, 22 East 30th Street All dates except for Friday, April 17 will be open to observers. About the Workshop Actor, writer, director, and Co-Artistic Director of The Moving Company, Steven Epp, joins The Actors Center for the first time for a workshop devoted to Molière. Over five sessions, we'll tear into some scenes from Tartuffe, The Miser, The Misanthrope, possibly Don Juan and Scapin—fresh American adaptations that Steven co-wrote and performed. Molière was first and foremost an actor. He loved actors. He wrote specifically for his company of actors, whose lives were the theatre 24/7. He was incendiary, hilarious, provocative, and philosophical; also ridiculous, muscular, brutal, immediate, and profoundly human. A tragedian trapped in a comedian's body and mind. His characters are pure joy for the actor—inviting and demanding boundless invention, wild interpretation, and exuberant play. We'll work scripts in hand, moving towards off-booked-ness as we go. We'll paraphrase, improvise, change it up, play any and all parts—casting ourselves across gender, age, and type. There's no right or wrong here, but we'll be looking for the truth of that moment where the comic and the tragic live in each other's arms. Sessions run Wednesday and Friday afternoons, 1:00–4:00pm. About Steven Epp Steven Epp is an actor and writer based in Brooklyn, New York and Minneapolis, Minnesota. Steven was the co-Artistic Director of Theatre de la Jeune Lune, winner of the 2005 Tony award for Best Regional Theatre. In his 25 years with Jeune Lune, Steven collaborated on the creation and performance of over 50 productions. Steven has been seen in New York and throughout the United States. He has played lead roles in everything from Hamlet, The Miser, Tartuffe, Figaro, and The Servant of Two Masters to Fiddler on the Roof, Treasure Island, and The Lorax. For Jeune Lune, Steven co-authored Children of Paradise, shortlisted for the 1993 Pulitzer Prize, and winner of the Outer-Critics Circle Award for best new play. Steven has received numerous acting awards including Helen Hayes, Norton, Ivey, Connecticut Critics Circle, Bay Area Critics, Fox Fellow, Beinecke Fellow, and Playwrights’ Center McKnight Theater Artist Fellow, and the Joe A. Callaway...

Company Workshop Steven Epp: Molière Wednesday & Friday Afternoons Dates & Times Friday, April 17, 2026 – 1:00pm-4:00pm Wednesday, April 22, 2026 – 1:00pm-4:00pm Friday, April 24, 2026 – 1:00pm-4:00pm Wednesday, April 29, 2026 – 1:00pm-4:00pm Friday, May 1, 2026 – 1:00pm-4:00pm Houghton Hall Arts Community, 22 East 30th Street All dates except for Friday, April 17 will be open to observers. About the Workshop Actor, writer, director, and Co-Artistic Director of The Moving Company, Steven Epp, joins The Actors Center for the first time for a workshop devoted to Molière. Over five sessions, we'll tear into some scenes from Tartuffe, The Miser, The Misanthrope, possibly Don Juan and Scapin—fresh American adaptations that Steven co-wrote and performed. Molière was first and foremost an actor. He loved actors. He wrote specifically for his company of actors, whose lives were the theatre 24/7. He was incendiary, hilarious, provocative, and philosophical; also ridiculous, muscular, brutal, immediate, and profoundly human. A tragedian trapped in a comedian's body and mind. His characters are pure joy for the actor—inviting and demanding boundless invention, wild interpretation, and exuberant play. We'll work scripts in hand, moving towards off-booked-ness as we go. We'll paraphrase, improvise, change it up, play any and all parts—casting ourselves across gender, age, and type. There's no right or wrong here, but we'll be looking for the truth of that moment where the comic and the tragic live in each other's arms. Sessions run Wednesday and Friday afternoons, 1:00–4:00pm. About Steven Epp Steven Epp is an actor and writer based in Brooklyn, New York and Minneapolis, Minnesota. Steven was the co-Artistic Director of Theatre de la Jeune Lune, winner of the 2005 Tony award for Best Regional Theatre. In his 25 years with Jeune Lune, Steven collaborated on the creation and performance of over 50 productions. Steven has been seen in New York and throughout the United States. He has played lead roles in everything from Hamlet, The Miser, Tartuffe, Figaro, and The Servant of Two Masters to Fiddler on the Roof, Treasure Island, and The Lorax. For Jeune Lune, Steven co-authored Children of Paradise, shortlisted for the 1993 Pulitzer Prize, and winner of the Outer-Critics Circle Award for best new play. Steven has received numerous acting awards including Helen Hayes, Norton, Ivey, Connecticut Critics Circle, Bay Area Critics, Fox Fellow, Beinecke Fellow, and Playwrights’ Center McKnight Theater Artist Fellow, and the Joe A. Callaway...

Company Workshop Bethany Caputo: Michael Chekhov Weekend Workshop Dates & Times Saturday, May 2, 2026 – 10:00am-3:30pm Sunday, May 3, 2026 – 10:00am-3:30pm Monday, May 4, 2026 – 10:00am-1:00pm Saturday & Sunday at FABnyc, 70 East 4th Street, 2nd Floor Studio Monday at Houghton Hall, 22 East 30th Street, 2nd Floor Ballroom About the Workshop Acting teacher, coach, and Artistic Director of Chekhov Studio NYC, Bethany Caputo, returns to The Actors Center for a workshop exploring Michael Chekhov’s psychophysical approach to acting. We will work with image, tempo, form, and movement. The technique teaches us to rely on our physicality and our image life to give us insight into our characters, such as physicalizing our objectives so that they don’t remain an intellectual exercise, but instead are an embodied experience. Chekhov believed that inherent in every actor is the desire for transformation, and he set out a method that is playful, imaginative, safe, healthy, creative, and accessible to anyone truly looking to experience themselves differently. Sessions run Saturday and Sunday, 10:00am-3:30pm and Monday from 10:00am-1:00pm. About Bethany Caputo Bethany Caputo studied at the Moscow Art Theatre in 1997 where she was introduced to the Chekhov Technique. She is the Artistic Director of Chekhov Studio NYC. She has taught for the Graduate Acting and Directing programs at the David Geffen School of Drama at Yale, NYU Grad Acting, Michael Chekhov Association (MICHA), the Michael Chekhov School of Acting, Terry Knickerbocker Studios, The New York Drama Center, and The New School. Bethany has also taught internationally at the University of the Arts in Zurich, Shanghai Theatre Academy in China, Victoria College of the Arts in Australia, and the National Institute of Dramatic Art (NIDA) in Sydney. Bethany was an actor in the Master Classes DVD series produced by MICHA and funded by the National Endowment for the Arts. Register Now Participants Enrollment limited to 16 actors. Participants are expected to attend all three days in full. Comments/Queries

Company Workshop Bethany Caputo: Michael Chekhov Weekend Workshop Dates & Times Saturday, May 2, 2026 – 10:00am-3:30pm Sunday, May 3, 2026 – 10:00am-3:30pm Monday, May 4, 2026 – 10:00am-1:00pm Saturday & Sunday at FABnyc, 70 East 4th Street, 2nd Floor Studio Monday at Houghton Hall, 22 East 30th Street, 2nd Floor Ballroom About the Workshop Acting teacher, coach, and Artistic Director of Chekhov Studio NYC, Bethany Caputo, returns to The Actors Center for a workshop exploring Michael Chekhov’s psychophysical approach to acting. We will work with image, tempo, form, and movement. The technique teaches us to rely on our physicality and our image life to give us insight into our characters, such as physicalizing our objectives so that they don’t remain an intellectual exercise, but instead are an embodied experience. Chekhov believed that inherent in every actor is the desire for transformation, and he set out a method that is playful, imaginative, safe, healthy, creative, and accessible to anyone truly looking to experience themselves differently. Sessions run Saturday and Sunday, 10:00am-3:30pm and Monday from 10:00am-1:00pm. About Bethany Caputo Bethany Caputo studied at the Moscow Art Theatre in 1997 where she was introduced to the Chekhov Technique. She is the Artistic Director of Chekhov Studio NYC. She has taught for the Graduate Acting and Directing programs at the David Geffen School of Drama at Yale, NYU Grad Acting, Michael Chekhov Association (MICHA), the Michael Chekhov School of Acting, Terry Knickerbocker Studios, The New York Drama Center, and The New School. Bethany has also taught internationally at the University of the Arts in Zurich, Shanghai Theatre Academy in China, Victoria College of the Arts in Australia, and the National Institute of Dramatic Art (NIDA) in Sydney. Bethany was an actor in the Master Classes DVD series produced by MICHA and funded by the National Endowment for the Arts. Register Now Participants Enrollment limited to 16 actors. Participants are expected to attend all three days in full. Comments/Queries

Company Workshop Bethany Caputo: Michael Chekhov Weekend Workshop Dates & Times Saturday, May 2, 2026 – 10:00am-3:30pm Sunday, May 3, 2026 – 10:00am-3:30pm Monday, May 4, 2026 – 10:00am-1:00pm Saturday & Sunday at FABnyc, 70 East 4th Street, 2nd Floor Studio Monday at Houghton Hall, 22 East 30th Street, 2nd Floor Ballroom About the Workshop Acting teacher, coach, and Artistic Director of Chekhov Studio NYC, Bethany Caputo, returns to The Actors Center for a workshop exploring Michael Chekhov’s psychophysical approach to acting. We will work with image, tempo, form, and movement. The technique teaches us to rely on our physicality and our image life to give us insight into our characters, such as physicalizing our objectives so that they don’t remain an intellectual exercise, but instead are an embodied experience. Chekhov believed that inherent in every actor is the desire for transformation, and he set out a method that is playful, imaginative, safe, healthy, creative, and accessible to anyone truly looking to experience themselves differently. Sessions run Saturday and Sunday, 10:00am-3:30pm and Monday from 10:00am-1:00pm. About Bethany Caputo Bethany Caputo studied at the Moscow Art Theatre in 1997 where she was introduced to the Chekhov Technique. She is the Artistic Director of Chekhov Studio NYC. She has taught for the Graduate Acting and Directing programs at the David Geffen School of Drama at Yale, NYU Grad Acting, Michael Chekhov Association (MICHA), the Michael Chekhov School of Acting, Terry Knickerbocker Studios, The New York Drama Center, and The New School. Bethany has also taught internationally at the University of the Arts in Zurich, Shanghai Theatre Academy in China, Victoria College of the Arts in Australia, and the National Institute of Dramatic Art (NIDA) in Sydney. Bethany was an actor in the Master Classes DVD series produced by MICHA and funded by the National Endowment for the Arts. Register Now Participants Enrollment limited to 16 actors. Participants are expected to attend all three days in full. Comments/Queries

Company Workshop Jessica Daniels: On-Camera Audition Four Tuesday Mornings Dates & Times Tuesday, May 5, 2026 – 10:00am-1:00pm Tuesday, May 12, 2026 – 10:00am-1:00pm Tuesday, May 19, 2026 – 10:00am-1:00pm Tuesday, May 26, 2026 – 10:00am-1:00pm ART/NY, 520 8th Avenue, 3rd Floor, Haimes Studio This workshop is open to observers and all company members are invited to attend. About the Workshop Casting director Jessica Daniels joins The Actors Center for the first time for a four week workshop devoted to auditioning on-camera. Jessica will work with company members on scenes in real time, with direction that mirrors the flow of an audition room that is specific and responsive. We’ll also dig into self-taping with an emphasis on nailing tone and refining your point of view. In our last session, Jessica will lead a discussion around honing your story and materials so they are clear and true to you. 8 different actors will have the opportunity to work each week. Sessions are 10:00am-1:00pm on Tuesday mornings. About Jessica Daniels Jessica Daniels, CSA is an independent casting director working across film and television, with a focus on character-driven storytelling. She has a longstanding track record of discovering and elevating emerging talent alongside established actors. Credits include 30 Rock, The Miseducation of Cameron Post, Roxanne Roxanne, Selah and the Spades, The 40 Year Old Version, Deadbeat, Dying for Sex and Will Trent. Register Now Participants Enrollment is limited to 8 working participants each week. Comments/Queries

Company CoLabs Community Space Tuesday Mornings Dates & Times Every Tuesday – 11:00am-12:30pm ET Launch Zoom Link Meeting ID: 837 0411 7798 Passcode: 374737 Hosted by Jodie Lynne McClintock About the CoLab Started three years ago at the height of the Covid-19 lockdown as a way to connect, it has continued weekly as a family of actors navigating the changing landscape of our times. Here you will find a supportive, safe virtual space where artists in our company bring their stories, concerns, questions, recommendations, and inspirations in a free-wheeling but facilitated discussion. With no set agenda, we delve into whatever is of interest or concern in any given week. We explore what it means to be an actor and what place our art holds in the world.  People suggest balm for body and soul while walking hand-in-hand along the actor’s way. About the Series Company CoLabs are a series at The Actors Center that offer a framework for collaborative explorations and community programming among company members. Company members host or facilitate projects—play reading groups, explorations of new material or approaches, writing labs, devising work, field trips, retreats—in short, anything inspiring to explore among peers. CoLabs offer creative outlets to explore work you might not otherwise have the opportunity for, while continuing to share resources and deepen connections among our Actors Center community. Comments/Queries

Company Workshop Jessica Daniels: On-Camera Audition Four Tuesday Mornings Dates & Times Tuesday, May 5, 2026 – 10:00am-1:00pm Tuesday, May 12, 2026 – 10:00am-1:00pm Tuesday, May 19, 2026 – 10:00am-1:00pm Tuesday, May 26, 2026 – 10:00am-1:00pm ART/NY, 520 8th Avenue, 3rd Floor, Haimes Studio This workshop is open to observers and all company members are invited to attend. About the Workshop Casting director Jessica Daniels joins The Actors Center for the first time for a four week workshop devoted to auditioning on-camera. Jessica will work with company members on scenes in real time, with direction that mirrors the flow of an audition room that is specific and responsive. We’ll also dig into self-taping with an emphasis on nailing tone and refining your point of view. In our last session, Jessica will lead a discussion around honing your story and materials so they are clear and true to you. 8 different actors will have the opportunity to work each week. Sessions are 10:00am-1:00pm on Tuesday mornings. About Jessica Daniels Jessica Daniels, CSA is an independent casting director working across film and television, with a focus on character-driven storytelling. She has a longstanding track record of discovering and elevating emerging talent alongside established actors. Credits include 30 Rock, The Miseducation of Cameron Post, Roxanne Roxanne, Selah and the Spades, The 40 Year Old Version, Deadbeat, Dying for Sex and Will Trent. Register Now Participants Enrollment is limited to 8 working participants each week. Comments/Queries

Company CoLabs Community Space Tuesday Mornings Dates & Times Every Tuesday – 11:00am-12:30pm ET Launch Zoom Link Meeting ID: 837 0411 7798 Passcode: 374737 Hosted by Jodie Lynne McClintock About the CoLab Started three years ago at the height of the Covid-19 lockdown as a way to connect, it has continued weekly as a family of actors navigating the changing landscape of our times. Here you will find a supportive, safe virtual space where artists in our company bring their stories, concerns, questions, recommendations, and inspirations in a free-wheeling but facilitated discussion. With no set agenda, we delve into whatever is of interest or concern in any given week. We explore what it means to be an actor and what place our art holds in the world.  People suggest balm for body and soul while walking hand-in-hand along the actor’s way. About the Series Company CoLabs are a series at The Actors Center that offer a framework for collaborative explorations and community programming among company members. Company members host or facilitate projects—play reading groups, explorations of new material or approaches, writing labs, devising work, field trips, retreats—in short, anything inspiring to explore among peers. CoLabs offer creative outlets to explore work you might not otherwise have the opportunity for, while continuing to share resources and deepen connections among our Actors Center community. Comments/Queries

Company Workshop Ron Van Lieu: Scene Study Weekend Workshop Dates & Times Due to Ron's scheduling constraints, this workshop has been postponed. About the Workshop Revered acting teacher Ron Van Lieu, founding faculty member of The Actors Center and former faculty at NYU, Yale, and Columbia, returns for 3 days of scene work. Ron will be working with company members on scenes of their choice from any 20th- or 21st-century play. Sessions meet 1:00pm-4:00pm on Friday, and 10:30am-1:30pm on Saturday and Sunday. Ron will work on up to three scenes each day. You can sign up either together with a scene partner or as an individual and you will be paired with another individual. When registering, you may indicate your availability and you will have a one-hour time slot assigned for your scene accordingly. You should be off-book and well rehearsed with your material for this workshop. If your schedule does not permit sufficient time to prepare, please sign up for a future workshop instead. About Ron Van Lieu Ron Van Lieu was the Master Teacher of Acting and eventually Chair of the NYU Graduate Acting Program where he taught from 1975 to 2004. In 2004 he was appointed the Lloyd Richards Professor of Acting and Chair of the Acting Program at the Yale School of Drama where he taught until 2017, and where he is now Professor Emeritus. In 2017, Ron was appointed Professor of Professional Practice at the Columbia University School of the Arts Graduate Actor Training Program. Actors who have trained with Ron over the past 50 years have won every major award in the field of theater, acting, and dramatic arts, including the Pulitzer Prize, the Academy Award, Tony Award, Drama Desk Award, Golden Globe, Emmy, and Obie, among others. In addition to his university work, Ron is a founding faculty member of both The Shakespeare Lab at the New York Shakespeare Festival Public Theater where he headed the actor training for 10 years, as well as The Actors Center, where is Artistic Director Emeritus. Ron trained at New York University Tisch School of the Arts. His acting credits include major regional theaters, leading roles off-Broadway, New York Shakespeare Festival, The Public Theatre, Playwrights Horizons, and a member of the Milwaukee Repertory Theater’s acting company. His directing credits include productions at Playwrights Horizons, The Public Theater, Syracuse Stage, the Greer Garson Theater in Santa Fe, and...

Company Workshop Ron Van Lieu: Scene Study Weekend Workshop Dates & Times Due to Ron's scheduling constraints, this workshop has been postponed. About the Workshop Revered acting teacher Ron Van Lieu, founding faculty member of The Actors Center and former faculty at NYU, Yale, and Columbia, returns for 3 days of scene work. Ron will be working with company members on scenes of their choice from any 20th- or 21st-century play. Sessions meet 1:00pm-4:00pm on Friday, and 10:30am-1:30pm on Saturday and Sunday. Ron will work on up to three scenes each day. You can sign up either together with a scene partner or as an individual and you will be paired with another individual. When registering, you may indicate your availability and you will have a one-hour time slot assigned for your scene accordingly. You should be off-book and well rehearsed with your material for this workshop. If your schedule does not permit sufficient time to prepare, please sign up for a future workshop instead. About Ron Van Lieu Ron Van Lieu was the Master Teacher of Acting and eventually Chair of the NYU Graduate Acting Program where he taught from 1975 to 2004. In 2004 he was appointed the Lloyd Richards Professor of Acting and Chair of the Acting Program at the Yale School of Drama where he taught until 2017, and where he is now Professor Emeritus. In 2017, Ron was appointed Professor of Professional Practice at the Columbia University School of the Arts Graduate Actor Training Program. Actors who have trained with Ron over the past 50 years have won every major award in the field of theater, acting, and dramatic arts, including the Pulitzer Prize, the Academy Award, Tony Award, Drama Desk Award, Golden Globe, Emmy, and Obie, among others. In addition to his university work, Ron is a founding faculty member of both The Shakespeare Lab at the New York Shakespeare Festival Public Theater where he headed the actor training for 10 years, as well as The Actors Center, where is Artistic Director Emeritus. Ron trained at New York University Tisch School of the Arts. His acting credits include major regional theaters, leading roles off-Broadway, New York Shakespeare Festival, The Public Theatre, Playwrights Horizons, and a member of the Milwaukee Repertory Theater’s acting company. His directing credits include productions at Playwrights Horizons, The Public Theater, Syracuse Stage, the Greer Garson Theater in Santa Fe, and...

Company Workshop Ron Van Lieu: Scene Study Weekend Workshop Dates & Times Due to Ron's scheduling constraints, this workshop has been postponed. About the Workshop Revered acting teacher Ron Van Lieu, founding faculty member of The Actors Center and former faculty at NYU, Yale, and Columbia, returns for 3 days of scene work. Ron will be working with company members on scenes of their choice from any 20th- or 21st-century play. Sessions meet 1:00pm-4:00pm on Friday, and 10:30am-1:30pm on Saturday and Sunday. Ron will work on up to three scenes each day. You can sign up either together with a scene partner or as an individual and you will be paired with another individual. When registering, you may indicate your availability and you will have a one-hour time slot assigned for your scene accordingly. You should be off-book and well rehearsed with your material for this workshop. If your schedule does not permit sufficient time to prepare, please sign up for a future workshop instead. About Ron Van Lieu Ron Van Lieu was the Master Teacher of Acting and eventually Chair of the NYU Graduate Acting Program where he taught from 1975 to 2004. In 2004 he was appointed the Lloyd Richards Professor of Acting and Chair of the Acting Program at the Yale School of Drama where he taught until 2017, and where he is now Professor Emeritus. In 2017, Ron was appointed Professor of Professional Practice at the Columbia University School of the Arts Graduate Actor Training Program. Actors who have trained with Ron over the past 50 years have won every major award in the field of theater, acting, and dramatic arts, including the Pulitzer Prize, the Academy Award, Tony Award, Drama Desk Award, Golden Globe, Emmy, and Obie, among others. In addition to his university work, Ron is a founding faculty member of both The Shakespeare Lab at the New York Shakespeare Festival Public Theater where he headed the actor training for 10 years, as well as The Actors Center, where is Artistic Director Emeritus. Ron trained at New York University Tisch School of the Arts. His acting credits include major regional theaters, leading roles off-Broadway, New York Shakespeare Festival, The Public Theatre, Playwrights Horizons, and a member of the Milwaukee Repertory Theater’s acting company. His directing credits include productions at Playwrights Horizons, The Public Theater, Syracuse Stage, the Greer Garson Theater in Santa Fe, and...

Company Workshop Jessica Daniels: On-Camera Audition Four Tuesday Mornings Dates & Times Tuesday, May 5, 2026 – 10:00am-1:00pm Tuesday, May 12, 2026 – 10:00am-1:00pm Tuesday, May 19, 2026 – 10:00am-1:00pm Tuesday, May 26, 2026 – 10:00am-1:00pm ART/NY, 520 8th Avenue, 3rd Floor, Haimes Studio This workshop is open to observers and all company members are invited to attend. About the Workshop Casting director Jessica Daniels joins The Actors Center for the first time for a four week workshop devoted to auditioning on-camera. Jessica will work with company members on scenes in real time, with direction that mirrors the flow of an audition room that is specific and responsive. We’ll also dig into self-taping with an emphasis on nailing tone and refining your point of view. In our last session, Jessica will lead a discussion around honing your story and materials so they are clear and true to you. 8 different actors will have the opportunity to work each week. Sessions are 10:00am-1:00pm on Tuesday mornings. About Jessica Daniels Jessica Daniels, CSA is an independent casting director working across film and television, with a focus on character-driven storytelling. She has a longstanding track record of discovering and elevating emerging talent alongside established actors. Credits include 30 Rock, The Miseducation of Cameron Post, Roxanne Roxanne, Selah and the Spades, The 40 Year Old Version, Deadbeat, Dying for Sex and Will Trent. Register Now Participants Enrollment is limited to 8 working participants each week. Comments/Queries

Company CoLabs Community Space Tuesday Mornings Dates & Times Every Tuesday – 11:00am-12:30pm ET Launch Zoom Link Meeting ID: 837 0411 7798 Passcode: 374737 Hosted by Jodie Lynne McClintock About the CoLab Started three years ago at the height of the Covid-19 lockdown as a way to connect, it has continued weekly as a family of actors navigating the changing landscape of our times. Here you will find a supportive, safe virtual space where artists in our company bring their stories, concerns, questions, recommendations, and inspirations in a free-wheeling but facilitated discussion. With no set agenda, we delve into whatever is of interest or concern in any given week. We explore what it means to be an actor and what place our art holds in the world.  People suggest balm for body and soul while walking hand-in-hand along the actor’s way. About the Series Company CoLabs are a series at The Actors Center that offer a framework for collaborative explorations and community programming among company members. Company members host or facilitate projects—play reading groups, explorations of new material or approaches, writing labs, devising work, field trips, retreats—in short, anything inspiring to explore among peers. CoLabs offer creative outlets to explore work you might not otherwise have the opportunity for, while continuing to share resources and deepen connections among our Actors Center community. Comments/Queries

Company Workshop Jessica Daniels: On-Camera Audition Four Tuesday Mornings Dates & Times Tuesday, May 5, 2026 – 10:00am-1:00pm Tuesday, May 12, 2026 – 10:00am-1:00pm Tuesday, May 19, 2026 – 10:00am-1:00pm Tuesday, May 26, 2026 – 10:00am-1:00pm ART/NY, 520 8th Avenue, 3rd Floor, Haimes Studio This workshop is open to observers and all company members are invited to attend. About the Workshop Casting director Jessica Daniels joins The Actors Center for the first time for a four week workshop devoted to auditioning on-camera. Jessica will work with company members on scenes in real time, with direction that mirrors the flow of an audition room that is specific and responsive. We’ll also dig into self-taping with an emphasis on nailing tone and refining your point of view. In our last session, Jessica will lead a discussion around honing your story and materials so they are clear and true to you. 8 different actors will have the opportunity to work each week. Sessions are 10:00am-1:00pm on Tuesday mornings. About Jessica Daniels Jessica Daniels, CSA is an independent casting director working across film and television, with a focus on character-driven storytelling. She has a longstanding track record of discovering and elevating emerging talent alongside established actors. Credits include 30 Rock, The Miseducation of Cameron Post, Roxanne Roxanne, Selah and the Spades, The 40 Year Old Version, Deadbeat, Dying for Sex and Will Trent. Register Now Participants Enrollment is limited to 8 working participants each week. Comments/Queries

Company CoLabs Community Space Tuesday Mornings Dates & Times Every Tuesday – 11:00am-12:30pm ET Launch Zoom Link Meeting ID: 837 0411 7798 Passcode: 374737 Hosted by Jodie Lynne McClintock About the CoLab Started three years ago at the height of the Covid-19 lockdown as a way to connect, it has continued weekly as a family of actors navigating the changing landscape of our times. Here you will find a supportive, safe virtual space where artists in our company bring their stories, concerns, questions, recommendations, and inspirations in a free-wheeling but facilitated discussion. With no set agenda, we delve into whatever is of interest or concern in any given week. We explore what it means to be an actor and what place our art holds in the world.  People suggest balm for body and soul while walking hand-in-hand along the actor’s way. About the Series Company CoLabs are a series at The Actors Center that offer a framework for collaborative explorations and community programming among company members. Company members host or facilitate projects—play reading groups, explorations of new material or approaches, writing labs, devising work, field trips, retreats—in short, anything inspiring to explore among peers. CoLabs offer creative outlets to explore work you might not otherwise have the opportunity for, while continuing to share resources and deepen connections among our Actors Center community. Comments/Queries

Company Workshop Eric Davis: Bouffon—Mocking, Flocking, & Madness Four-Day Workshop Dates & Times Monday, June 1, 2026 – 10:00am-2:00pm Tuesday, June 2, 2026 – 10:00am-2:00pm Wednesday, June 3, 2026 – 10:00am-2:00pm Thursday, June 4, 2026 – 10:00am-2:00pm Atlantic Acting School, Studio 4, 76 9th Avenue About the Workshop Performer and director Eric Davis (aka Red Bastard), joins The Actors Center for the first time for a workshop devoted to Bouffon. The World laughs at the Clown, but Bouffons laugh at the World! The Bouffons are outsiders, shape shifting beings who watch the folly and hot spots of humanity saying: “They must be having fun or else why would they do that? We want to play, too!” Imagine a wild-eyed pack of players, ecstatic to mock anything and everything. Ridiculous, confronting and poetic, this amoral and satyric chorus teeters on the seesaw of fun and uncomfortable truth. Fun, freedom and mischief await! About Eric Davis Eric Davis is a multi-award winning performer & director with over 20 years of teaching experience in clown and bouffon. His critically-acclaimed bouffon show, Red Bastard, won dozens of 5-star reviews as well as awards for Best Theater, Most Outrageous Show, Commitment To Community and multiple Best of Fests across the globe, including Edinburgh International Fringe Festival where it was named Top 5 shows in the UK. To date he has performed for over a million audience members world wide in addition to creating original roles for Cirque du Soleil’s Iris and Alegria. For more info about the man and the beast, go to: redbastard.com Register Now Participants Enrollment limited to 15 actors. Participants are expected to attend all four days in full. Comments/Queries

Company Workshop Eric Davis: Bouffon—Mocking, Flocking, & Madness Four-Day Workshop Dates & Times Monday, June 1, 2026 – 10:00am-2:00pm Tuesday, June 2, 2026 – 10:00am-2:00pm Wednesday, June 3, 2026 – 10:00am-2:00pm Thursday, June 4, 2026 – 10:00am-2:00pm Atlantic Acting School, Studio 4, 76 9th Avenue About the Workshop Performer and director Eric Davis (aka Red Bastard), joins The Actors Center for the first time for a workshop devoted to Bouffon. The World laughs at the Clown, but Bouffons laugh at the World! The Bouffons are outsiders, shape shifting beings who watch the folly and hot spots of humanity saying: “They must be having fun or else why would they do that? We want to play, too!” Imagine a wild-eyed pack of players, ecstatic to mock anything and everything. Ridiculous, confronting and poetic, this amoral and satyric chorus teeters on the seesaw of fun and uncomfortable truth. Fun, freedom and mischief await! About Eric Davis Eric Davis is a multi-award winning performer & director with over 20 years of teaching experience in clown and bouffon. His critically-acclaimed bouffon show, Red Bastard, won dozens of 5-star reviews as well as awards for Best Theater, Most Outrageous Show, Commitment To Community and multiple Best of Fests across the globe, including Edinburgh International Fringe Festival where it was named Top 5 shows in the UK. To date he has performed for over a million audience members world wide in addition to creating original roles for Cirque du Soleil’s Iris and Alegria. For more info about the man and the beast, go to: redbastard.com Register Now Participants Enrollment limited to 15 actors. Participants are expected to attend all four days in full. Comments/Queries

Company CoLabs Community Space Tuesday Mornings Dates & Times Every Tuesday – 11:00am-12:30pm ET Launch Zoom Link Meeting ID: 837 0411 7798 Passcode: 374737 Hosted by Jodie Lynne McClintock About the CoLab Started three years ago at the height of the Covid-19 lockdown as a way to connect, it has continued weekly as a family of actors navigating the changing landscape of our times. Here you will find a supportive, safe virtual space where artists in our company bring their stories, concerns, questions, recommendations, and inspirations in a free-wheeling but facilitated discussion. With no set agenda, we delve into whatever is of interest or concern in any given week. We explore what it means to be an actor and what place our art holds in the world.  People suggest balm for body and soul while walking hand-in-hand along the actor’s way. About the Series Company CoLabs are a series at The Actors Center that offer a framework for collaborative explorations and community programming among company members. Company members host or facilitate projects—play reading groups, explorations of new material or approaches, writing labs, devising work, field trips, retreats—in short, anything inspiring to explore among peers. CoLabs offer creative outlets to explore work you might not otherwise have the opportunity for, while continuing to share resources and deepen connections among our Actors Center community. Comments/Queries

Company Workshop Eric Davis: Bouffon—Mocking, Flocking, & Madness Four-Day Workshop Dates & Times Monday, June 1, 2026 – 10:00am-2:00pm Tuesday, June 2, 2026 – 10:00am-2:00pm Wednesday, June 3, 2026 – 10:00am-2:00pm Thursday, June 4, 2026 – 10:00am-2:00pm Atlantic Acting School, Studio 4, 76 9th Avenue About the Workshop Performer and director Eric Davis (aka Red Bastard), joins The Actors Center for the first time for a workshop devoted to Bouffon. The World laughs at the Clown, but Bouffons laugh at the World! The Bouffons are outsiders, shape shifting beings who watch the folly and hot spots of humanity saying: “They must be having fun or else why would they do that? We want to play, too!” Imagine a wild-eyed pack of players, ecstatic to mock anything and everything. Ridiculous, confronting and poetic, this amoral and satyric chorus teeters on the seesaw of fun and uncomfortable truth. Fun, freedom and mischief await! About Eric Davis Eric Davis is a multi-award winning performer & director with over 20 years of teaching experience in clown and bouffon. His critically-acclaimed bouffon show, Red Bastard, won dozens of 5-star reviews as well as awards for Best Theater, Most Outrageous Show, Commitment To Community and multiple Best of Fests across the globe, including Edinburgh International Fringe Festival where it was named Top 5 shows in the UK. To date he has performed for over a million audience members world wide in addition to creating original roles for Cirque du Soleil’s Iris and Alegria. For more info about the man and the beast, go to: redbastard.com Register Now Participants Enrollment limited to 15 actors. Participants are expected to attend all four days in full. Comments/Queries